Performing gender, place, and emotion in music: global perspectives
While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the interweav...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2013
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| Schlagworte: | |
| Online-Zugang: | DE-12 Volltext |
| Zusammenfassung: | While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the interweaving of these three concepts from a cross-cultural perspective. Contributors show how a theoretical focus on one dimension implicates the others, creating a complex nexus of performative engagement. This process is examined across different regions around the globe, through two key questions: How are aesthetic, emotional, and imagined relations between performers and places embodied musically? And in what ways is this performance of emotion gendered across quotidian, ritual, and staged events? Through ethnographic case studies, the volume explores issues of emplacement, embodiment, and emotion in three parts: landscape and emotion; memory and attachment; and nationalism and indigeneity. Part I focuses on emplaced sentiments in Australasia through Vietnamese spirit possession, Balinese dance, and land rights in Aboriginal performance. Part II addresses memories of Aboriginal choral singing, belonging in Bavarian music-making, and gender-performativity in Polish song. Part III evaluates emotion and fandom around a Korean singer in Japan, and Sámi interconnectivities in traditional and modern musical practices. Fiona Magowan is Professor of Anthropology at Queen's University, Belfast. Louise Wrazen is Associate Professor of Music at York University |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (vi, 208 pages) |
| ISBN: | 9781580468183 |
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| 520 | |a While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the interweaving of these three concepts from a cross-cultural perspective. Contributors show how a theoretical focus on one dimension implicates the others, creating a complex nexus of performative engagement. This process is examined across different regions around the globe, through two key questions: How are aesthetic, emotional, and imagined relations between performers and places embodied musically? And in what ways is this performance of emotion gendered across quotidian, ritual, and staged events? Through ethnographic case studies, the volume explores issues of emplacement, embodiment, and emotion in three parts: landscape and emotion; memory and attachment; and nationalism and indigeneity. Part I focuses on emplaced sentiments in Australasia through Vietnamese spirit possession, Balinese dance, and land rights in Aboriginal performance. Part II addresses memories of Aboriginal choral singing, belonging in Bavarian music-making, and gender-performativity in Polish song. Part III evaluates emotion and fandom around a Korean singer in Japan, and Sámi interconnectivities in traditional and modern musical practices. Fiona Magowan is Professor of Anthropology at Queen's University, Belfast. Louise Wrazen is Associate Professor of Music at York University | ||
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Datensatz im Suchindex
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| author2 | Magowan, Fiona Wrazen, Louise Josepha 1956- |
| author2_role | edt edt |
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| author_additional | Fiona Magowan and Louise Wrazen Barley Norton Jonathan McIntosh Fiona Magowan Muriel Swijghuisen Reigersberg Sara R. Walmsley-Pledl Louise Wrazen Christine R. Yano Tina K. Ramnarine |
| author_facet | Magowan, Fiona Wrazen, Louise Josepha 1956- |
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| contents | Introduction : musical intersections, embodiments, and emplacements Engendering emotion and the environment in Vietnamese music and ritual Gendering emotional connections to the Balinese landscape : exploring children's roles in a Barong performance Performing emotion, embodying country in Australian aboriginal ritual Christian choral singing in aboriginal Australia : gendered absence, emotion, and place Transforming the singing body : exploring musical narratives of gender and place in east Bavaria A place of her own : gendered singing in Poland's Tatras Singing the contentions of place : Korean singers of the heart and soul of Japan "In our foremothers' arms" : goddesses, feminism, and the politics of emotion in Sámi songs |
| ctrlnum | (ZDB-20-CBO)CR9781580468183 (OCoLC)967386997 (DE-599)BVBBV043938053 |
| dewey-full | 780.9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9 |
| dewey-search | 780.9 |
| dewey-sort | 3780.9 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| spelling | Performing gender, place, and emotion in music global perspectives edited by Fiona Magowan and Louise Wrazen Performing Gender, Place, & Emotion in Music Suffolk Boydell & Brewer 2013 1 online resource (vi, 208 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction : musical intersections, embodiments, and emplacements Fiona Magowan and Louise Wrazen Engendering emotion and the environment in Vietnamese music and ritual Barley Norton Gendering emotional connections to the Balinese landscape : exploring children's roles in a Barong performance Jonathan McIntosh Performing emotion, embodying country in Australian aboriginal ritual Fiona Magowan Christian choral singing in aboriginal Australia : gendered absence, emotion, and place Muriel Swijghuisen Reigersberg Transforming the singing body : exploring musical narratives of gender and place in east Bavaria Sara R. Walmsley-Pledl A place of her own : gendered singing in Poland's Tatras Louise Wrazen Singing the contentions of place : Korean singers of the heart and soul of Japan Christine R. Yano "In our foremothers' arms" : goddesses, feminism, and the politics of emotion in Sámi songs Tina K. Ramnarine While ethnomusicologists and anthropologists have long recognized the theoretical connections between gender, place, and emotion in musical performance, these concepts are seldom analyzed together. Performing Gender, Place, and Emotion in Music is the first book-length study to examine the interweaving of these three concepts from a cross-cultural perspective. Contributors show how a theoretical focus on one dimension implicates the others, creating a complex nexus of performative engagement. This process is examined across different regions around the globe, through two key questions: How are aesthetic, emotional, and imagined relations between performers and places embodied musically? And in what ways is this performance of emotion gendered across quotidian, ritual, and staged events? Through ethnographic case studies, the volume explores issues of emplacement, embodiment, and emotion in three parts: landscape and emotion; memory and attachment; and nationalism and indigeneity. Part I focuses on emplaced sentiments in Australasia through Vietnamese spirit possession, Balinese dance, and land rights in Aboriginal performance. Part II addresses memories of Aboriginal choral singing, belonging in Bavarian music-making, and gender-performativity in Polish song. Part III evaluates emotion and fandom around a Korean singer in Japan, and Sámi interconnectivities in traditional and modern musical practices. Fiona Magowan is Professor of Anthropology at Queen's University, Belfast. Louise Wrazen is Associate Professor of Music at York University Musik Psychologie Music / Performance / Psychological aspects Gender identity in music Emotions in music Aufführung (DE-588)4143388-9 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Kulturvergleich (DE-588)4114328-0 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikethnologie (DE-588)4127833-1 s Aufführung (DE-588)4143388-9 s Geschlechterforschung (DE-588)4482930-9 s Kulturvergleich (DE-588)4114328-0 s 2\p DE-604 Magowan, Fiona edt Wrazen, Louise Josepha 1956- edt Erscheint auch als Druckausgabe 978-1-58046-464-2 http://www.cambridge.org/core/product/identifier/9781580468183/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Performing gender, place, and emotion in music global perspectives Introduction : musical intersections, embodiments, and emplacements Engendering emotion and the environment in Vietnamese music and ritual Gendering emotional connections to the Balinese landscape : exploring children's roles in a Barong performance Performing emotion, embodying country in Australian aboriginal ritual Christian choral singing in aboriginal Australia : gendered absence, emotion, and place Transforming the singing body : exploring musical narratives of gender and place in east Bavaria A place of her own : gendered singing in Poland's Tatras Singing the contentions of place : Korean singers of the heart and soul of Japan "In our foremothers' arms" : goddesses, feminism, and the politics of emotion in Sámi songs Musik Psychologie Music / Performance / Psychological aspects Gender identity in music Emotions in music Aufführung (DE-588)4143388-9 gnd Musikethnologie (DE-588)4127833-1 gnd Kulturvergleich (DE-588)4114328-0 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| subject_GND | (DE-588)4143388-9 (DE-588)4127833-1 (DE-588)4114328-0 (DE-588)4482930-9 (DE-588)4143413-4 |
| title | Performing gender, place, and emotion in music global perspectives |
| title_alt | Performing Gender, Place, & Emotion in Music Introduction : musical intersections, embodiments, and emplacements Engendering emotion and the environment in Vietnamese music and ritual Gendering emotional connections to the Balinese landscape : exploring children's roles in a Barong performance Performing emotion, embodying country in Australian aboriginal ritual Christian choral singing in aboriginal Australia : gendered absence, emotion, and place Transforming the singing body : exploring musical narratives of gender and place in east Bavaria A place of her own : gendered singing in Poland's Tatras Singing the contentions of place : Korean singers of the heart and soul of Japan "In our foremothers' arms" : goddesses, feminism, and the politics of emotion in Sámi songs |
| title_auth | Performing gender, place, and emotion in music global perspectives |
| title_exact_search | Performing gender, place, and emotion in music global perspectives |
| title_full | Performing gender, place, and emotion in music global perspectives edited by Fiona Magowan and Louise Wrazen |
| title_fullStr | Performing gender, place, and emotion in music global perspectives edited by Fiona Magowan and Louise Wrazen |
| title_full_unstemmed | Performing gender, place, and emotion in music global perspectives edited by Fiona Magowan and Louise Wrazen |
| title_short | Performing gender, place, and emotion in music |
| title_sort | performing gender place and emotion in music global perspectives |
| title_sub | global perspectives |
| topic | Musik Psychologie Music / Performance / Psychological aspects Gender identity in music Emotions in music Aufführung (DE-588)4143388-9 gnd Musikethnologie (DE-588)4127833-1 gnd Kulturvergleich (DE-588)4114328-0 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| topic_facet | Musik Psychologie Music / Performance / Psychological aspects Gender identity in music Emotions in music Aufführung Musikethnologie Kulturvergleich Geschlechterforschung Aufsatzsammlung |
| url | http://www.cambridge.org/core/product/identifier/9781580468183/type/BOOK |
| work_keys_str_mv | AT magowanfiona performinggenderplaceandemotioninmusicglobalperspectives AT wrazenlouisejosepha performinggenderplaceandemotioninmusicglobalperspectives AT magowanfiona performinggenderplaceemotioninmusic AT wrazenlouisejosepha performinggenderplaceemotioninmusic |