Performing migrancy and mobility in Africa: cape of flows
"Performing Migrancy and Mobility in Africa focuses on a body of performance work, the work of Magnet Theatre in particular but also work by other artists in Cape Town and other parts of the continent or the world, that engages with the Cape as a real or imagined node in a complex system of mig...
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | English |
Veröffentlicht: |
Basingstoke ; New York, NY
Palgrave Macmillan
[2015]
|
Ausgabe: | First published |
Schlagworte: | |
Online-Zugang: | UBM01 Volltext |
Zusammenfassung: | "Performing Migrancy and Mobility in Africa focuses on a body of performance work, the work of Magnet Theatre in particular but also work by other artists in Cape Town and other parts of the continent or the world, that engages with the Cape as a real or imagined node in a complex system of migration and mobility. Located at the foot of the African continent, lodged between two oceans at the intersection of many of the earth's major shipping lanes, Cape Town is a stage for a powerful mixing of cultures and peoples and has been an important node in a network of flows, circuits of movement and exchange. The performance works studied here attempt to get to grips with what it feels like to be on the move and in the spaces in-between that characterises the lives, now and for centuries before, of multiple peoples who move around and pass through places like the Cape. The contributors are a broad range of mostly African authors from various parts of the continent and as such the book offers an insight into new thinking and new approaches from an emerging and important location. "-- |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9781137379344 |
DOI: | 10.1057/9781137379344 |
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505 | 8 | |a Machine generated contents note: -- 1. Introduction; Mark Fleishman -- 2. Dramaturgies of Displacement in the Magnet Theatre Migration Project; Mark Fleishman -- 3. 'Peel the Wound'- Cape Town as Passage, Threshold, and Dead-End: Performing the Everyday Traumas of Mobility and Dislocation; Miki Flockemann -- 4. Creating Communitas: The Theatre of Mandla Mbothwe; Mandla Mbothwe and Hazel Barnes -- 5. Embodiment, Mobility and the Moment of Encounter in Jonathan Nkala's The Crossing; Samuel Ravengai -- 6. (Re)-membering the Cape and the Performance of Belonging(s); Pedzisai Maedza -- 7. Uhambo: Pieces of a Dream -- Waiting in the Ambiguity of Liminality; Sara Matchett and Awino Okech -- 8. Mobility, Migration and 'Migritude' in Afrocartography: Traces of Places and All Points in Between; Mwenya Kabwe -- Mamma Africa: A Theatre of Inclusion, Hope(lessness) and Protest; Shannon Elizabeth Hughes -- 9. On Familiar Roads: The Fluidity of Cape Coloured Experiences and Expressions of Migration and Reclamation in the Performances of the Kaapse Klopse in Cape Town; Amy Jephta -- 10. Tall Horse, Tall Stories ; Jane Taylor -- 11. Playtext: The Life and Work of Petrovic Petar; Sanjin Muftic -- Works Cited -- Index | |
520 | |a "Performing Migrancy and Mobility in Africa focuses on a body of performance work, the work of Magnet Theatre in particular but also work by other artists in Cape Town and other parts of the continent or the world, that engages with the Cape as a real or imagined node in a complex system of migration and mobility. Located at the foot of the African continent, lodged between two oceans at the intersection of many of the earth's major shipping lanes, Cape Town is a stage for a powerful mixing of cultures and peoples and has been an important node in a network of flows, circuits of movement and exchange. The performance works studied here attempt to get to grips with what it feels like to be on the move and in the spaces in-between that characterises the lives, now and for centuries before, of multiple peoples who move around and pass through places like the Cape. The contributors are a broad range of mostly African authors from various parts of the continent and as such the book offers an insight into new thinking and new approaches from an emerging and important location. "-- | ||
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650 | 4 | |a Theater and society / South Africa / Cape Town / History | |
650 | 4 | |a Theater / Political aspects / South Africa / History | |
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Datensatz im Suchindex
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building | Verbundindex |
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contents | Includes bibliographical references and index Machine generated contents note: -- 1. Introduction; Mark Fleishman -- 2. Dramaturgies of Displacement in the Magnet Theatre Migration Project; Mark Fleishman -- 3. 'Peel the Wound'- Cape Town as Passage, Threshold, and Dead-End: Performing the Everyday Traumas of Mobility and Dislocation; Miki Flockemann -- 4. Creating Communitas: The Theatre of Mandla Mbothwe; Mandla Mbothwe and Hazel Barnes -- 5. Embodiment, Mobility and the Moment of Encounter in Jonathan Nkala's The Crossing; Samuel Ravengai -- 6. (Re)-membering the Cape and the Performance of Belonging(s); Pedzisai Maedza -- 7. Uhambo: Pieces of a Dream -- Waiting in the Ambiguity of Liminality; Sara Matchett and Awino Okech -- 8. Mobility, Migration and 'Migritude' in Afrocartography: Traces of Places and All Points in Between; Mwenya Kabwe -- Mamma Africa: A Theatre of Inclusion, Hope(lessness) and Protest; Shannon Elizabeth Hughes -- 9. On Familiar Roads: The Fluidity of Cape Coloured Experiences and Expressions of Migration and Reclamation in the Performances of the Kaapse Klopse in Cape Town; Amy Jephta -- 10. Tall Horse, Tall Stories ; Jane Taylor -- 11. Playtext: The Life and Work of Petrovic Petar; Sanjin Muftic -- Works Cited -- Index |
ctrlnum | (OCoLC)967595232 (DE-599)BVBBV043935182 |
discipline | Allgemeines |
doi_str_mv | 10.1057/9781137379344 |
edition | First published |
era | Geschichte 2000-2014 gnd |
era_facet | Geschichte 2000-2014 |
format | Electronic eBook |
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spelling | Performing migrancy and mobility in Africa cape of flows edited by Mark Fleishman First published Basingstoke ; New York, NY Palgrave Macmillan [2015] © 2015 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Machine generated contents note: -- 1. Introduction; Mark Fleishman -- 2. Dramaturgies of Displacement in the Magnet Theatre Migration Project; Mark Fleishman -- 3. 'Peel the Wound'- Cape Town as Passage, Threshold, and Dead-End: Performing the Everyday Traumas of Mobility and Dislocation; Miki Flockemann -- 4. Creating Communitas: The Theatre of Mandla Mbothwe; Mandla Mbothwe and Hazel Barnes -- 5. Embodiment, Mobility and the Moment of Encounter in Jonathan Nkala's The Crossing; Samuel Ravengai -- 6. (Re)-membering the Cape and the Performance of Belonging(s); Pedzisai Maedza -- 7. Uhambo: Pieces of a Dream -- Waiting in the Ambiguity of Liminality; Sara Matchett and Awino Okech -- 8. Mobility, Migration and 'Migritude' in Afrocartography: Traces of Places and All Points in Between; Mwenya Kabwe -- Mamma Africa: A Theatre of Inclusion, Hope(lessness) and Protest; Shannon Elizabeth Hughes -- 9. On Familiar Roads: The Fluidity of Cape Coloured Experiences and Expressions of Migration and Reclamation in the Performances of the Kaapse Klopse in Cape Town; Amy Jephta -- 10. Tall Horse, Tall Stories ; Jane Taylor -- 11. Playtext: The Life and Work of Petrovic Petar; Sanjin Muftic -- Works Cited -- Index "Performing Migrancy and Mobility in Africa focuses on a body of performance work, the work of Magnet Theatre in particular but also work by other artists in Cape Town and other parts of the continent or the world, that engages with the Cape as a real or imagined node in a complex system of migration and mobility. Located at the foot of the African continent, lodged between two oceans at the intersection of many of the earth's major shipping lanes, Cape Town is a stage for a powerful mixing of cultures and peoples and has been an important node in a network of flows, circuits of movement and exchange. The performance works studied here attempt to get to grips with what it feels like to be on the move and in the spaces in-between that characterises the lives, now and for centuries before, of multiple peoples who move around and pass through places like the Cape. The contributors are a broad range of mostly African authors from various parts of the continent and as such the book offers an insight into new thinking and new approaches from an emerging and important location. "-- Geschichte 2000-2014 gnd rswk-swf Theater / South Africa / Cape Town / History Theater and society / South Africa / Cape Town / History Theater / Political aspects / South Africa / History PERFORMING ARTS / Theater / History & Criticism bisacsh Geschichte Politik Theater (DE-588)4059702-7 gnd rswk-swf Mobilität Motiv (DE-588)4691795-0 gnd rswk-swf Migration Motiv (DE-588)4393588-6 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Südafrika (Staat) Kapstadt (DE-588)4029615-5 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Kapstadt (DE-588)4029615-5 g Migration Motiv (DE-588)4393588-6 s Mobilität Motiv (DE-588)4691795-0 s Theater (DE-588)4059702-7 s Performance Künste (DE-588)4173750-7 s Geschichte 2000-2014 z b DE-604 Fleishman, Mark 1963- Sonstige (DE-588)1066749167 oth https://doi.org/10.1057/9781137379344 Aggregator URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Performing migrancy and mobility in Africa cape of flows Includes bibliographical references and index Machine generated contents note: -- 1. Introduction; Mark Fleishman -- 2. Dramaturgies of Displacement in the Magnet Theatre Migration Project; Mark Fleishman -- 3. 'Peel the Wound'- Cape Town as Passage, Threshold, and Dead-End: Performing the Everyday Traumas of Mobility and Dislocation; Miki Flockemann -- 4. Creating Communitas: The Theatre of Mandla Mbothwe; Mandla Mbothwe and Hazel Barnes -- 5. Embodiment, Mobility and the Moment of Encounter in Jonathan Nkala's The Crossing; Samuel Ravengai -- 6. (Re)-membering the Cape and the Performance of Belonging(s); Pedzisai Maedza -- 7. Uhambo: Pieces of a Dream -- Waiting in the Ambiguity of Liminality; Sara Matchett and Awino Okech -- 8. Mobility, Migration and 'Migritude' in Afrocartography: Traces of Places and All Points in Between; Mwenya Kabwe -- Mamma Africa: A Theatre of Inclusion, Hope(lessness) and Protest; Shannon Elizabeth Hughes -- 9. On Familiar Roads: The Fluidity of Cape Coloured Experiences and Expressions of Migration and Reclamation in the Performances of the Kaapse Klopse in Cape Town; Amy Jephta -- 10. Tall Horse, Tall Stories ; Jane Taylor -- 11. Playtext: The Life and Work of Petrovic Petar; Sanjin Muftic -- Works Cited -- Index Theater / South Africa / Cape Town / History Theater and society / South Africa / Cape Town / History Theater / Political aspects / South Africa / History PERFORMING ARTS / Theater / History & Criticism bisacsh Geschichte Politik Theater (DE-588)4059702-7 gnd Mobilität Motiv (DE-588)4691795-0 gnd Migration Motiv (DE-588)4393588-6 gnd Performance Künste (DE-588)4173750-7 gnd |
subject_GND | (DE-588)4059702-7 (DE-588)4691795-0 (DE-588)4393588-6 (DE-588)4173750-7 (DE-588)4029615-5 (DE-588)4143413-4 |
title | Performing migrancy and mobility in Africa cape of flows |
title_auth | Performing migrancy and mobility in Africa cape of flows |
title_exact_search | Performing migrancy and mobility in Africa cape of flows |
title_full | Performing migrancy and mobility in Africa cape of flows edited by Mark Fleishman |
title_fullStr | Performing migrancy and mobility in Africa cape of flows edited by Mark Fleishman |
title_full_unstemmed | Performing migrancy and mobility in Africa cape of flows edited by Mark Fleishman |
title_short | Performing migrancy and mobility in Africa |
title_sort | performing migrancy and mobility in africa cape of flows |
title_sub | cape of flows |
topic | Theater / South Africa / Cape Town / History Theater and society / South Africa / Cape Town / History Theater / Political aspects / South Africa / History PERFORMING ARTS / Theater / History & Criticism bisacsh Geschichte Politik Theater (DE-588)4059702-7 gnd Mobilität Motiv (DE-588)4691795-0 gnd Migration Motiv (DE-588)4393588-6 gnd Performance Künste (DE-588)4173750-7 gnd |
topic_facet | Theater / South Africa / Cape Town / History Theater and society / South Africa / Cape Town / History Theater / Political aspects / South Africa / History PERFORMING ARTS / Theater / History & Criticism Geschichte Politik Theater Mobilität Motiv Migration Motiv Performance Künste Südafrika (Staat) Kapstadt Aufsatzsammlung |
url | https://doi.org/10.1057/9781137379344 |
work_keys_str_mv | AT fleishmanmark performingmigrancyandmobilityinafricacapeofflows |