Handel's oratorios and eighteenth-century thought:
In this wide-ranging and challenging book, Ruth Smith shows that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realized. She explores literature, music, aesthetics, politics and religion to reveal Handel's wor...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
1995
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | In this wide-ranging and challenging book, Ruth Smith shows that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realized. She explores literature, music, aesthetics, politics and religion to reveal Handel's works as conduits for eighteenth-century thought and sensibility. She provides a full picure of Handel's librettists and shows how their oratorio texts express key moral-political preoccupations and engage with contemporary ideological debate. British identity, the need for national unity, the conduct of war, the role of government, the authority of the Bible, the purpose of literature, the effect of art - these and many more concerns are addressed in the librettos. The book thus enriches our understanding of Handel, his times, and the relationships between music and its intellectual contexts |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xiii, 484 pages) |
ISBN: | 9780511470240 |
DOI: | 10.1017/CBO9780511470240 |
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505 | 8 | |a pt. I. English Origins of English Oratorio. 1. Artistic norms. 2. The purpose of art. 3. Music, morals and religion. 4. The biblical sublime. 5. The survival of epic. 6. The defence of Christianity. 7. Towards oratorio -- pt. II. The Patriot Libretto from the Excise Bill to the Jew Bill: Israelite Oratorios and English Politics. 8. Political events and political thought. 9. Allegorical politics. 10. Moral politics. 11. Esther to Athalia. 12. In time of war. 13. Images of government. 14. The conflict of public and private interests. 15. Coda: the end of Handel's Israelite oratorios -- Appendix 1 Libretto authors and sources -- Appendix 2 The oratorios and Methodism | |
520 | |a In this wide-ranging and challenging book, Ruth Smith shows that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realized. She explores literature, music, aesthetics, politics and religion to reveal Handel's works as conduits for eighteenth-century thought and sensibility. She provides a full picure of Handel's librettists and shows how their oratorio texts express key moral-political preoccupations and engage with contemporary ideological debate. British identity, the need for national unity, the conduct of war, the role of government, the authority of the Bible, the purpose of literature, the effect of art - these and many more concerns are addressed in the librettos. The book thus enriches our understanding of Handel, his times, and the relationships between music and its intellectual contexts | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Smith, Ruth 1947- |
author_facet | Smith, Ruth 1947- |
author_role | aut |
author_sort | Smith, Ruth 1947- |
author_variant | r s rs |
building | Verbundindex |
bvnumber | BV043928842 |
classification_rvk | LP 39130 |
collection | ZDB-20-CBO |
contents | pt. I. English Origins of English Oratorio. 1. Artistic norms. 2. The purpose of art. 3. Music, morals and religion. 4. The biblical sublime. 5. The survival of epic. 6. The defence of Christianity. 7. Towards oratorio -- pt. II. The Patriot Libretto from the Excise Bill to the Jew Bill: Israelite Oratorios and English Politics. 8. Political events and political thought. 9. Allegorical politics. 10. Moral politics. 11. Esther to Athalia. 12. In time of war. 13. Images of government. 14. The conflict of public and private interests. 15. Coda: the end of Handel's Israelite oratorios -- Appendix 1 Libretto authors and sources -- Appendix 2 The oratorios and Methodism |
ctrlnum | (ZDB-20-CBO)CR9780511470240 (OCoLC)849894332 (DE-599)BVBBV043928842 |
dewey-full | 782.23/0268 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.23/0268 |
dewey-search | 782.23/0268 |
dewey-sort | 3782.23 3268 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/CBO9780511470240 |
era | Geschichte 1700-1800 Geschichte 1700-1800 gnd Geistesgeschichte 1700-1750 gnd |
era_facet | Geschichte 1700-1800 Geistesgeschichte 1700-1750 |
format | Electronic eBook |
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isbn | 9780511470240 |
language | English |
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spelling | Smith, Ruth 1947- Verfasser aut Handel's oratorios and eighteenth-century thought Ruth Smith Handel's Oratorios & Eighteenth-Century Thought Cambridge Cambridge University Press 1995 1 online resource (xiii, 484 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) pt. I. English Origins of English Oratorio. 1. Artistic norms. 2. The purpose of art. 3. Music, morals and religion. 4. The biblical sublime. 5. The survival of epic. 6. The defence of Christianity. 7. Towards oratorio -- pt. II. The Patriot Libretto from the Excise Bill to the Jew Bill: Israelite Oratorios and English Politics. 8. Political events and political thought. 9. Allegorical politics. 10. Moral politics. 11. Esther to Athalia. 12. In time of war. 13. Images of government. 14. The conflict of public and private interests. 15. Coda: the end of Handel's Israelite oratorios -- Appendix 1 Libretto authors and sources -- Appendix 2 The oratorios and Methodism In this wide-ranging and challenging book, Ruth Smith shows that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realized. She explores literature, music, aesthetics, politics and religion to reveal Handel's works as conduits for eighteenth-century thought and sensibility. She provides a full picure of Handel's librettists and shows how their oratorio texts express key moral-political preoccupations and engage with contemporary ideological debate. British identity, the need for national unity, the conduct of war, the role of government, the authority of the Bible, the purpose of literature, the effect of art - these and many more concerns are addressed in the librettos. The book thus enriches our understanding of Handel, his times, and the relationships between music and its intellectual contexts Handel, George Frideric / 1685-1759 Handel, George Frideric / 1685-1759 / Oratorios / Librettos Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd rswk-swf Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Geistesgeschichte 1700-1750 gnd rswk-swf Geschichte Libretto Oratorium (DE-588)4129085-9 gnd rswk-swf Großbritannien Great Britain / History / 18th century England (DE-588)4014770-8 gnd rswk-swf Händel, Georg Friedrich 1685-1759 (DE-588)118544489 p Oratorium (DE-588)4129085-9 s England (DE-588)4014770-8 g Geistesgeschichte 1700-1750 z 1\p DE-604 Geschichte 1700-1800 z 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02370-2 Erscheint auch als Druckausgabe 978-0-521-40265-1 https://doi.org/10.1017/CBO9780511470240 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Smith, Ruth 1947- Handel's oratorios and eighteenth-century thought pt. I. English Origins of English Oratorio. 1. Artistic norms. 2. The purpose of art. 3. Music, morals and religion. 4. The biblical sublime. 5. The survival of epic. 6. The defence of Christianity. 7. Towards oratorio -- pt. II. The Patriot Libretto from the Excise Bill to the Jew Bill: Israelite Oratorios and English Politics. 8. Political events and political thought. 9. Allegorical politics. 10. Moral politics. 11. Esther to Athalia. 12. In time of war. 13. Images of government. 14. The conflict of public and private interests. 15. Coda: the end of Handel's Israelite oratorios -- Appendix 1 Libretto authors and sources -- Appendix 2 The oratorios and Methodism Handel, George Frideric / 1685-1759 Handel, George Frideric / 1685-1759 / Oratorios / Librettos Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd Geschichte Libretto Oratorium (DE-588)4129085-9 gnd |
subject_GND | (DE-588)118544489 (DE-588)4129085-9 (DE-588)4014770-8 |
title | Handel's oratorios and eighteenth-century thought |
title_alt | Handel's Oratorios & Eighteenth-Century Thought |
title_auth | Handel's oratorios and eighteenth-century thought |
title_exact_search | Handel's oratorios and eighteenth-century thought |
title_full | Handel's oratorios and eighteenth-century thought Ruth Smith |
title_fullStr | Handel's oratorios and eighteenth-century thought Ruth Smith |
title_full_unstemmed | Handel's oratorios and eighteenth-century thought Ruth Smith |
title_short | Handel's oratorios and eighteenth-century thought |
title_sort | handel s oratorios and eighteenth century thought |
topic | Handel, George Frideric / 1685-1759 Handel, George Frideric / 1685-1759 / Oratorios / Librettos Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd Geschichte Libretto Oratorium (DE-588)4129085-9 gnd |
topic_facet | Handel, George Frideric / 1685-1759 Handel, George Frideric / 1685-1759 / Oratorios / Librettos Händel, Georg Friedrich 1685-1759 Geschichte Libretto Oratorium Großbritannien Great Britain / History / 18th century England |
url | https://doi.org/10.1017/CBO9780511470240 |
work_keys_str_mv | AT smithruth handelsoratoriosandeighteenthcenturythought AT smithruth handelsoratorioseighteenthcenturythought |