Vision, devotion, and self-representation in late medieval art:
This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated pre-existing representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xv, 408 pages) |
| ISBN: | 9781139424769 |
| DOI: | 10.1017/CBO9781139424769 |
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| 505 | 8 | |a Introduction: self-reflection, devotion, and vision in the image of the book owner at prayer -- Saving face: the Veronica and the Visio Dei -- From Memoria to Visio: revising the donor -- Framing vision: the image of the book owner and the reflexive mode of seeing -- Domesticating devotion: body, space, and self -- Conclusion: Power and the portrait: negotiating gender | |
| 520 | |a This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated pre-existing representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England | ||
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Datensatz im Suchindex
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| adam_text | |
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| author | Sand, Alexa Kristen |
| author_facet | Sand, Alexa Kristen |
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| author_sort | Sand, Alexa Kristen |
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| contents | Introduction: self-reflection, devotion, and vision in the image of the book owner at prayer -- Saving face: the Veronica and the Visio Dei -- From Memoria to Visio: revising the donor -- Framing vision: the image of the book owner and the reflexive mode of seeing -- Domesticating devotion: body, space, and self -- Conclusion: Power and the portrait: negotiating gender |
| ctrlnum | (ZDB-20-CBO)CR9781139424769 (OCoLC)949922970 (DE-599)BVBBV043927971 |
| dewey-full | 745.6/7094 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.6/7094 |
| dewey-search | 745.6/7094 |
| dewey-sort | 3745.6 47094 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1017/CBO9781139424769 |
| era | Geschichte 1000-1400 gnd |
| era_facet | Geschichte 1000-1400 |
| format | Electronic eBook |
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| geographic | Frankreich |
| geographic_facet | Frankreich |
| id | DE-604.BV043927971 |
| illustrated | Not Illustrated |
| indexdate | 2024-08-15T00:12:04Z |
| institution | BVB |
| isbn | 9781139424769 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029337049 |
| oclc_num | 949922970 |
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| spelling | Sand, Alexa Kristen Verfasser aut Vision, devotion, and self-representation in late medieval art Alexa Sand Vision, Devotion, & Self-Representation in Late Medieval Art Cambridge Cambridge University Press 2014 1 online resource (xv, 408 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: self-reflection, devotion, and vision in the image of the book owner at prayer -- Saving face: the Veronica and the Visio Dei -- From Memoria to Visio: revising the donor -- Framing vision: the image of the book owner and the reflexive mode of seeing -- Domesticating devotion: body, space, and self -- Conclusion: Power and the portrait: negotiating gender This book investigates the 'owner portrait' in the context of late medieval devotional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated pre-existing representational strategies concerned with the authority and spiritual efficacy of pictures and books, such as the Holy Face and the donor image, into a more intimate and reflexive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England Geschichte 1000-1400 gnd rswk-swf Frau Portraits, Medieval / England Portraits, Medieval / France Women / England / Portraits Women / France / Portraits Illumination of books and manuscripts, Medieval / England Illumination of books and manuscripts, Medieval / France Prayer books / England Prayer books / France Stifterbild (DE-588)4183309-0 gnd rswk-swf Gebet Motiv (DE-588)4234454-2 gnd rswk-swf Buchmalerei (DE-588)4008650-1 gnd rswk-swf Stundenbuch (DE-588)4077984-1 gnd rswk-swf Gebetbuch (DE-588)4019515-6 gnd rswk-swf Anschauung Gottes (DE-588)4142588-1 gnd rswk-swf Acheiropoieta (DE-588)4620842-2 gnd rswk-swf Frankreich Stifterbild (DE-588)4183309-0 s Buchmalerei (DE-588)4008650-1 s Stundenbuch (DE-588)4077984-1 s Gebetbuch (DE-588)4019515-6 s Gebet Motiv (DE-588)4234454-2 s Anschauung Gottes (DE-588)4142588-1 s Acheiropoieta (DE-588)4620842-2 s Geschichte 1000-1400 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-03222-4 https://doi.org/10.1017/CBO9781139424769 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Sand, Alexa Kristen Vision, devotion, and self-representation in late medieval art Introduction: self-reflection, devotion, and vision in the image of the book owner at prayer -- Saving face: the Veronica and the Visio Dei -- From Memoria to Visio: revising the donor -- Framing vision: the image of the book owner and the reflexive mode of seeing -- Domesticating devotion: body, space, and self -- Conclusion: Power and the portrait: negotiating gender Frau Portraits, Medieval / England Portraits, Medieval / France Women / England / Portraits Women / France / Portraits Illumination of books and manuscripts, Medieval / England Illumination of books and manuscripts, Medieval / France Prayer books / England Prayer books / France Stifterbild (DE-588)4183309-0 gnd Gebet Motiv (DE-588)4234454-2 gnd Buchmalerei (DE-588)4008650-1 gnd Stundenbuch (DE-588)4077984-1 gnd Gebetbuch (DE-588)4019515-6 gnd Anschauung Gottes (DE-588)4142588-1 gnd Acheiropoieta (DE-588)4620842-2 gnd |
| subject_GND | (DE-588)4183309-0 (DE-588)4234454-2 (DE-588)4008650-1 (DE-588)4077984-1 (DE-588)4019515-6 (DE-588)4142588-1 (DE-588)4620842-2 |
| title | Vision, devotion, and self-representation in late medieval art |
| title_alt | Vision, Devotion, & Self-Representation in Late Medieval Art |
| title_auth | Vision, devotion, and self-representation in late medieval art |
| title_exact_search | Vision, devotion, and self-representation in late medieval art |
| title_full | Vision, devotion, and self-representation in late medieval art Alexa Sand |
| title_fullStr | Vision, devotion, and self-representation in late medieval art Alexa Sand |
| title_full_unstemmed | Vision, devotion, and self-representation in late medieval art Alexa Sand |
| title_short | Vision, devotion, and self-representation in late medieval art |
| title_sort | vision devotion and self representation in late medieval art |
| topic | Frau Portraits, Medieval / England Portraits, Medieval / France Women / England / Portraits Women / France / Portraits Illumination of books and manuscripts, Medieval / England Illumination of books and manuscripts, Medieval / France Prayer books / England Prayer books / France Stifterbild (DE-588)4183309-0 gnd Gebet Motiv (DE-588)4234454-2 gnd Buchmalerei (DE-588)4008650-1 gnd Stundenbuch (DE-588)4077984-1 gnd Gebetbuch (DE-588)4019515-6 gnd Anschauung Gottes (DE-588)4142588-1 gnd Acheiropoieta (DE-588)4620842-2 gnd |
| topic_facet | Frau Portraits, Medieval / England Portraits, Medieval / France Women / England / Portraits Women / France / Portraits Illumination of books and manuscripts, Medieval / England Illumination of books and manuscripts, Medieval / France Prayer books / England Prayer books / France Stifterbild Gebet Motiv Buchmalerei Stundenbuch Gebetbuch Anschauung Gottes Acheiropoieta Frankreich |
| url | https://doi.org/10.1017/CBO9781139424769 |
| work_keys_str_mv | AT sandalexakristen visiondevotionandselfrepresentationinlatemedievalart AT sandalexakristen visiondevotionselfrepresentationinlatemedievalart |