Wagner and the Romantic hero:
Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explore...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2004
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explores the reasons for this adulation and antipathy by examining an aspect that may be a fundamental cause for this radical division in the reception of Wagner's work, the phenomenon of heroism. Williams analyses this heroism as a function of Wagner's theatre and music, beginning with a definition and examination of the concept of the heroic. The book also discusses all thirteen stage works by Wagner and the phenomenon of heroism and Wagner's adaptation of the figure of the Romantic hero. Williams offers a theatrical, musical, and cultural re-evaluation of one of the most enduring figures in the arts |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (x, 193 pages) |
| ISBN: | 9780511481741 |
| DOI: | 10.1017/CBO9780511481741 |
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| 520 | |a Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explores the reasons for this adulation and antipathy by examining an aspect that may be a fundamental cause for this radical division in the reception of Wagner's work, the phenomenon of heroism. Williams analyses this heroism as a function of Wagner's theatre and music, beginning with a definition and examination of the concept of the heroic. The book also discusses all thirteen stage works by Wagner and the phenomenon of heroism and Wagner's adaptation of the figure of the Romantic hero. Williams offers a theatrical, musical, and cultural re-evaluation of one of the most enduring figures in the arts | ||
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Datensatz im Suchindex
| _version_ | 1804176856686002176 |
|---|---|
| any_adam_object | |
| author | Williams, Simon 1943- |
| author_facet | Williams, Simon 1943- |
| author_role | aut |
| author_sort | Williams, Simon 1943- |
| author_variant | s w sw |
| building | Verbundindex |
| bvnumber | BV043927675 |
| classification_rvk | LP 66481 LP 66484 |
| collection | ZDB-20-CBO |
| contents | Modes of heroism in the early nineteenth century -- Wagner and the early nineteenth-century theatre -- Early music drama : the isolated hero -- Heroism, tragedy, and the Ring -- The last music-dramas : toward the messiah -- Wagner's heroism on stage |
| ctrlnum | (ZDB-20-CBO)CR9780511481741 (OCoLC)850372194 (DE-599)BVBBV043927675 |
| dewey-full | 782.1/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/092 |
| dewey-search | 782.1/092 |
| dewey-sort | 3782.1 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481741 |
| format | Electronic eBook |
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| id | DE-604.BV043927675 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:50Z |
| institution | BVB |
| isbn | 9780511481741 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029336753 |
| oclc_num | 850372194 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (x, 193 pages) |
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| publishDate | 2004 |
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| publisher | Cambridge University Press |
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| spelling | Williams, Simon 1943- Verfasser aut Wagner and the Romantic hero Simon Williams Wagner & the Romantic Hero Cambridge Cambridge University Press 2004 1 online resource (x, 193 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Modes of heroism in the early nineteenth century -- Wagner and the early nineteenth-century theatre -- Early music drama : the isolated hero -- Heroism, tragedy, and the Ring -- The last music-dramas : toward the messiah -- Wagner's heroism on stage Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explores the reasons for this adulation and antipathy by examining an aspect that may be a fundamental cause for this radical division in the reception of Wagner's work, the phenomenon of heroism. Williams analyses this heroism as a function of Wagner's theatre and music, beginning with a definition and examination of the concept of the heroic. The book also discusses all thirteen stage works by Wagner and the phenomenon of heroism and Wagner's adaptation of the figure of the Romantic hero. Williams offers a theatrical, musical, and cultural re-evaluation of one of the most enduring figures in the arts Wagner, Richard / 1813-1883 / Operas Wagner, Richard 1813-1883 (DE-588)118594117 gnd rswk-swf Operas / Characters Heroes in opera Held Motiv (DE-588)4159483-6 gnd rswk-swf Operngestalt (DE-588)4172624-8 gnd rswk-swf Wagner, Richard 1813-1883 (DE-588)118594117 p Operngestalt (DE-588)4172624-8 s Held Motiv (DE-588)4159483-6 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-15344-7 Erscheint auch als Druckausgabe 978-0-521-82008-0 https://doi.org/10.1017/CBO9780511481741 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Williams, Simon 1943- Wagner and the Romantic hero Modes of heroism in the early nineteenth century -- Wagner and the early nineteenth-century theatre -- Early music drama : the isolated hero -- Heroism, tragedy, and the Ring -- The last music-dramas : toward the messiah -- Wagner's heroism on stage Wagner, Richard / 1813-1883 / Operas Wagner, Richard 1813-1883 (DE-588)118594117 gnd Operas / Characters Heroes in opera Held Motiv (DE-588)4159483-6 gnd Operngestalt (DE-588)4172624-8 gnd |
| subject_GND | (DE-588)118594117 (DE-588)4159483-6 (DE-588)4172624-8 |
| title | Wagner and the Romantic hero |
| title_alt | Wagner & the Romantic Hero |
| title_auth | Wagner and the Romantic hero |
| title_exact_search | Wagner and the Romantic hero |
| title_full | Wagner and the Romantic hero Simon Williams |
| title_fullStr | Wagner and the Romantic hero Simon Williams |
| title_full_unstemmed | Wagner and the Romantic hero Simon Williams |
| title_short | Wagner and the Romantic hero |
| title_sort | wagner and the romantic hero |
| topic | Wagner, Richard / 1813-1883 / Operas Wagner, Richard 1813-1883 (DE-588)118594117 gnd Operas / Characters Heroes in opera Held Motiv (DE-588)4159483-6 gnd Operngestalt (DE-588)4172624-8 gnd |
| topic_facet | Wagner, Richard / 1813-1883 / Operas Wagner, Richard 1813-1883 Operas / Characters Heroes in opera Held Motiv Operngestalt |
| url | https://doi.org/10.1017/CBO9780511481741 |
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