Shakespeare and multiplicity:
Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays: composed of many different codes, woven together in a unique pattern for each play, rather than variations on fixed notions of comedy or tragedy. Selecting from different phases...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1993
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays: composed of many different codes, woven together in a unique pattern for each play, rather than variations on fixed notions of comedy or tragedy. Selecting from different phases of Shakespeare's career, the book's method is comparison, using an imaginative range of texts and new approaches; there is also lively discussion of modern staging. Comparison with major works by Spenser, Sidney and Marlowe is complemented by a demonstration of Shakespeare's re-use of his own previous plays and poems. Far from reducing the plays to a formula, Brian Gibbons shows how criticism articulates what popular audiences have always known, that the plays' sheer abundance and variety is their strength. This 1993 book is scholarly, yet straightforward, on an issue of central interest |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 243 pages) |
| ISBN: | 9780511553103 |
| DOI: | 10.1017/CBO9780511553103 |
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| 505 | 8 | |a 1. Introduction -- 2. Fabled Cymbeline -- 3. A speechless dialect: interpreting the human body in Shakespeare's plays -- 4. Shakespeare's 'road of excess': Titus Andronicus, The Taming of the Shrew, King Lear -- 5. Always topical: Measure for Measure -- 6. Amorous fictions in As You Like It -- 7. Unstable Proteus: Marlowe and Antony and Cleopatra -- 8. Multiplicity | |
| 520 | |a Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays: composed of many different codes, woven together in a unique pattern for each play, rather than variations on fixed notions of comedy or tragedy. Selecting from different phases of Shakespeare's career, the book's method is comparison, using an imaginative range of texts and new approaches; there is also lively discussion of modern staging. Comparison with major works by Spenser, Sidney and Marlowe is complemented by a demonstration of Shakespeare's re-use of his own previous plays and poems. Far from reducing the plays to a formula, Brian Gibbons shows how criticism articulates what popular audiences have always known, that the plays' sheer abundance and variety is their strength. This 1993 book is scholarly, yet straightforward, on an issue of central interest | ||
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Datensatz im Suchindex
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| author | Gibbons, Brian 1938- |
| author_GND | (DE-588)101614556X |
| author_facet | Gibbons, Brian 1938- |
| author_role | aut |
| author_sort | Gibbons, Brian 1938- |
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| building | Verbundindex |
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| contents | 1. Introduction -- 2. Fabled Cymbeline -- 3. A speechless dialect: interpreting the human body in Shakespeare's plays -- 4. Shakespeare's 'road of excess': Titus Andronicus, The Taming of the Shrew, King Lear -- 5. Always topical: Measure for Measure -- 6. Amorous fictions in As You Like It -- 7. Unstable Proteus: Marlowe and Antony and Cleopatra -- 8. Multiplicity |
| ctrlnum | (ZDB-20-CBO)CR9780511553103 (OCoLC)967486631 (DE-599)BVBBV043927512 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511553103 |
| format | Electronic eBook |
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| id | DE-604.BV043927512 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:50Z |
| institution | BVB |
| isbn | 9780511553103 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029336591 |
| oclc_num | 967486631 |
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| physical | 1 online resource (xii, 243 pages) |
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| publishDate | 1993 |
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| spelling | Gibbons, Brian 1938- Verfasser (DE-588)101614556X aut Shakespeare and multiplicity Brian Gibbons Shakespeare & Multiplicity Cambridge Cambridge University Press 1993 1 online resource (xii, 243 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1. Introduction -- 2. Fabled Cymbeline -- 3. A speechless dialect: interpreting the human body in Shakespeare's plays -- 4. Shakespeare's 'road of excess': Titus Andronicus, The Taming of the Shrew, King Lear -- 5. Always topical: Measure for Measure -- 6. Amorous fictions in As You Like It -- 7. Unstable Proteus: Marlowe and Antony and Cleopatra -- 8. Multiplicity Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays: composed of many different codes, woven together in a unique pattern for each play, rather than variations on fixed notions of comedy or tragedy. Selecting from different phases of Shakespeare's career, the book's method is comparison, using an imaginative range of texts and new approaches; there is also lively discussion of modern staging. Comparison with major works by Spenser, Sidney and Marlowe is complemented by a demonstration of Shakespeare's re-use of his own previous plays and poems. Far from reducing the plays to a formula, Brian Gibbons shows how criticism articulates what popular audiences have always known, that the plays' sheer abundance and variety is their strength. This 1993 book is scholarly, yet straightforward, on an issue of central interest Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-03124-0 Erscheint auch als Druckausgabe 978-0-521-44406-4 https://doi.org/10.1017/CBO9780511553103 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gibbons, Brian 1938- Shakespeare and multiplicity 1. Introduction -- 2. Fabled Cymbeline -- 3. A speechless dialect: interpreting the human body in Shakespeare's plays -- 4. Shakespeare's 'road of excess': Titus Andronicus, The Taming of the Shrew, King Lear -- 5. Always topical: Measure for Measure -- 6. Amorous fictions in As You Like It -- 7. Unstable Proteus: Marlowe and Antony and Cleopatra -- 8. Multiplicity Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd |
| subject_GND | (DE-588)118613723 |
| title | Shakespeare and multiplicity |
| title_alt | Shakespeare & Multiplicity |
| title_auth | Shakespeare and multiplicity |
| title_exact_search | Shakespeare and multiplicity |
| title_full | Shakespeare and multiplicity Brian Gibbons |
| title_fullStr | Shakespeare and multiplicity Brian Gibbons |
| title_full_unstemmed | Shakespeare and multiplicity Brian Gibbons |
| title_short | Shakespeare and multiplicity |
| title_sort | shakespeare and multiplicity |
| topic | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 |
| url | https://doi.org/10.1017/CBO9780511553103 |
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