Masculinity, gender and identity in the English Renaissance lyric:
In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric t...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2007
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (viii, 263 pages) |
| ISBN: | 9780511483455 |
| DOI: | 10.1017/CBO9780511483455 |
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Datensatz im Suchindex
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| author | Bates, Catherine 1964- |
| author_facet | Bates, Catherine 1964- |
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| contents | Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis |
| ctrlnum | (ZDB-20-CBO)CR9780511483455 (OCoLC)967417194 (DE-599)BVBBV043927416 |
| dewey-full | 821.309353 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821.309353 |
| dewey-search | 821.309353 |
| dewey-sort | 3821.309353 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511483455 |
| era | Geschichte 1570-1630 gnd |
| era_facet | Geschichte 1570-1630 |
| format | Electronic eBook |
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| id | DE-604.BV043927416 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:49Z |
| institution | BVB |
| isbn | 9780511483455 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029336495 |
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| spelling | Bates, Catherine 1964- Verfasser aut Masculinity, gender and identity in the English Renaissance lyric Catherine Bates Masculinity, Gender & Identity in the English Renaissance Lyric Cambridge Cambridge University Press 2007 1 online resource (viii, 263 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis In early modern lyric poetry, the male poet or lover often appears not as powerful and masterly but rather as broken, abject, and feminine. Catherine Bates examines the cultural and literary strategies behind this representation and uncovers radically alternative models of masculinity in the lyric tradition of the Renaissance. Focusing on Sidney, Ralegh, Shakespeare, and Donne, she offers astute readings of a wide range of texts – a sonnet sequence, a blazon, an elegy, a complaint, and an epistle. She shows how existing critical approaches have too much invested in the figure of the authoritative male writer to be able to do justice to the truly radical nature of these alternative masculinities. Taking direction from psychoanalytic theories of gender formation, Bates develops critical strategies that make it possible to understand and appreciate what is genuinely revolutionary about these texts and about the English Renaissance lyric tradition at large Geschichte 1570-1630 gnd rswk-swf Masculinity in literature Identity (Philosophical concept) in literature English poetry / Early modern, 1500-1700 / History and criticism Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Mann Motiv (DE-588)4123709-2 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Mann Motiv (DE-588)4123709-2 s Geschlechterrolle Motiv (DE-588)4222106-7 s Geschichte 1570-1630 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-15375-1 Erscheint auch als Druckausgabe 978-0-521-88287-3 https://doi.org/10.1017/CBO9780511483455 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bates, Catherine 1964- Masculinity, gender and identity in the English Renaissance lyric Introduction -- Masochism in Astrophil and Stella -- Fort! Da! The phallus in 'What tongue can her perfections tell?' -- Abjection and melancholia in The Ocean to Cynthia -- Feminine identifications in A Lover's complaint -- The lesbian phallus in Sapho to Philaenis Masculinity in literature Identity (Philosophical concept) in literature English poetry / Early modern, 1500-1700 / History and criticism Geschlechterrolle Motiv (DE-588)4222106-7 gnd Lyrik (DE-588)4036774-5 gnd Mann Motiv (DE-588)4123709-2 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4222106-7 (DE-588)4036774-5 (DE-588)4123709-2 (DE-588)4014777-0 |
| title | Masculinity, gender and identity in the English Renaissance lyric |
| title_alt | Masculinity, Gender & Identity in the English Renaissance Lyric |
| title_auth | Masculinity, gender and identity in the English Renaissance lyric |
| title_exact_search | Masculinity, gender and identity in the English Renaissance lyric |
| title_full | Masculinity, gender and identity in the English Renaissance lyric Catherine Bates |
| title_fullStr | Masculinity, gender and identity in the English Renaissance lyric Catherine Bates |
| title_full_unstemmed | Masculinity, gender and identity in the English Renaissance lyric Catherine Bates |
| title_short | Masculinity, gender and identity in the English Renaissance lyric |
| title_sort | masculinity gender and identity in the english renaissance lyric |
| topic | Masculinity in literature Identity (Philosophical concept) in literature English poetry / Early modern, 1500-1700 / History and criticism Geschlechterrolle Motiv (DE-588)4222106-7 gnd Lyrik (DE-588)4036774-5 gnd Mann Motiv (DE-588)4123709-2 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Masculinity in literature Identity (Philosophical concept) in literature English poetry / Early modern, 1500-1700 / History and criticism Geschlechterrolle Motiv Lyrik Mann Motiv Englisch |
| url | https://doi.org/10.1017/CBO9780511483455 |
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