The Bible on silent film: spectacle, story and scripture in the early cinema
Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film through the silent era, asking why the Bible attracted early film makers, how biblical films were indebted to other interpretive traditions, and how these films were received. Drawing upon rarely seen archival footage and early landmark films of directors such as Louis Feuillade, D. W. Griffith, Michael Curtis and Cecil B. DeMille, this history treats well-known biblical subjects including Joseph, Moses, David and Jesus, along with lesser-known biblical stars such as Jael, Judith and Jephthah's daughter. This book will be of great interest to students of Biblical studies, Jewish studies and film studies |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xii, 320 pages) |
ISBN: | 9781107337152 |
DOI: | 10.1017/CBO9781107337152 |
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505 | 8 | |a Introduction -- 1. 'Like one of the prophets of old': passions and cameos -- 2. 'See this great sight': spectacle and miracle -- 3. 'That my wonders may be multiplied': Blackton and elaboration -- 4. 'How are the mighty fallen': Feuillade and tragedy -- 5. 'All the country wept aloud': Andréani and melodrama -- 6. 'The top of it reached to heaven': Griffith, analogy and scale -- 7. 'She came close to his bed': vamps and other leading ladies -- 8. 'But Pharaoh hardened his heart': Exodus and Egypt -- 9. 'The end of these wonders?': The triumph of spectacle -- Afterword | |
520 | |a Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film through the silent era, asking why the Bible attracted early film makers, how biblical films were indebted to other interpretive traditions, and how these films were received. Drawing upon rarely seen archival footage and early landmark films of directors such as Louis Feuillade, D. W. Griffith, Michael Curtis and Cecil B. DeMille, this history treats well-known biblical subjects including Joseph, Moses, David and Jesus, along with lesser-known biblical stars such as Jael, Judith and Jephthah's daughter. This book will be of great interest to students of Biblical studies, Jewish studies and film studies | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Shepherd, David 1972- |
author_facet | Shepherd, David 1972- |
author_role | aut |
author_sort | Shepherd, David 1972- |
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building | Verbundindex |
bvnumber | BV043927355 |
collection | ZDB-20-CBO |
contents | Introduction -- 1. 'Like one of the prophets of old': passions and cameos -- 2. 'See this great sight': spectacle and miracle -- 3. 'That my wonders may be multiplied': Blackton and elaboration -- 4. 'How are the mighty fallen': Feuillade and tragedy -- 5. 'All the country wept aloud': Andréani and melodrama -- 6. 'The top of it reached to heaven': Griffith, analogy and scale -- 7. 'She came close to his bed': vamps and other leading ladies -- 8. 'But Pharaoh hardened his heart': Exodus and Egypt -- 9. 'The end of these wonders?': The triumph of spectacle -- Afterword |
ctrlnum | (ZDB-20-CBO)CR9781107337152 (OCoLC)949924362 (DE-599)BVBBV043927355 |
dewey-full | 791.43/682 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/682 |
dewey-search | 791.43/682 |
dewey-sort | 3791.43 3682 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.1017/CBO9781107337152 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
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indexdate | 2024-07-10T07:38:49Z |
institution | BVB |
isbn | 9781107337152 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029336434 |
oclc_num | 949924362 |
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owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (xii, 320 pages) |
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publishDate | 2013 |
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publisher | Cambridge University Press |
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spelling | Shepherd, David 1972- Verfasser aut The Bible on silent film spectacle, story and scripture in the early cinema David J. Shepherd Cambridge Cambridge University Press 2013 1 online resource (xii, 320 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction -- 1. 'Like one of the prophets of old': passions and cameos -- 2. 'See this great sight': spectacle and miracle -- 3. 'That my wonders may be multiplied': Blackton and elaboration -- 4. 'How are the mighty fallen': Feuillade and tragedy -- 5. 'All the country wept aloud': Andréani and melodrama -- 6. 'The top of it reached to heaven': Griffith, analogy and scale -- 7. 'She came close to his bed': vamps and other leading ladies -- 8. 'But Pharaoh hardened his heart': Exodus and Egypt -- 9. 'The end of these wonders?': The triumph of spectacle -- Afterword Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film through the silent era, asking why the Bible attracted early film makers, how biblical films were indebted to other interpretive traditions, and how these films were received. Drawing upon rarely seen archival footage and early landmark films of directors such as Louis Feuillade, D. W. Griffith, Michael Curtis and Cecil B. DeMille, this history treats well-known biblical subjects including Joseph, Moses, David and Jesus, along with lesser-known biblical stars such as Jael, Judith and Jephthah's daughter. This book will be of great interest to students of Biblical studies, Jewish studies and film studies Bible / In motion pictures Bibel (DE-588)4006406-2 gnd rswk-swf Geschichte gnd rswk-swf Bibel Religion Bible films / History and criticism Silent films / Religious aspects Stummfilm (DE-588)4058257-7 gnd rswk-swf Stummfilm (DE-588)4058257-7 s Bibel (DE-588)4006406-2 u Geschichte z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-04260-5 Erscheint auch als Druckausgabe 978-1-107-61732-2 https://doi.org/10.1017/CBO9781107337152 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Shepherd, David 1972- The Bible on silent film spectacle, story and scripture in the early cinema Introduction -- 1. 'Like one of the prophets of old': passions and cameos -- 2. 'See this great sight': spectacle and miracle -- 3. 'That my wonders may be multiplied': Blackton and elaboration -- 4. 'How are the mighty fallen': Feuillade and tragedy -- 5. 'All the country wept aloud': Andréani and melodrama -- 6. 'The top of it reached to heaven': Griffith, analogy and scale -- 7. 'She came close to his bed': vamps and other leading ladies -- 8. 'But Pharaoh hardened his heart': Exodus and Egypt -- 9. 'The end of these wonders?': The triumph of spectacle -- Afterword Bible / In motion pictures Bibel (DE-588)4006406-2 gnd Bibel Religion Bible films / History and criticism Silent films / Religious aspects Stummfilm (DE-588)4058257-7 gnd |
subject_GND | (DE-588)4006406-2 (DE-588)4058257-7 |
title | The Bible on silent film spectacle, story and scripture in the early cinema |
title_auth | The Bible on silent film spectacle, story and scripture in the early cinema |
title_exact_search | The Bible on silent film spectacle, story and scripture in the early cinema |
title_full | The Bible on silent film spectacle, story and scripture in the early cinema David J. Shepherd |
title_fullStr | The Bible on silent film spectacle, story and scripture in the early cinema David J. Shepherd |
title_full_unstemmed | The Bible on silent film spectacle, story and scripture in the early cinema David J. Shepherd |
title_short | The Bible on silent film |
title_sort | the bible on silent film spectacle story and scripture in the early cinema |
title_sub | spectacle, story and scripture in the early cinema |
topic | Bible / In motion pictures Bibel (DE-588)4006406-2 gnd Bibel Religion Bible films / History and criticism Silent films / Religious aspects Stummfilm (DE-588)4058257-7 gnd |
topic_facet | Bible / In motion pictures Bibel Religion Bible films / History and criticism Silent films / Religious aspects Stummfilm |
url | https://doi.org/10.1017/CBO9781107337152 |
work_keys_str_mv | AT shepherddavid thebibleonsilentfilmspectaclestoryandscriptureintheearlycinema |