Foundations of music history:
This book is the first thoroughgoing study in any language of the philosophy of music history. Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applie...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
1983
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This book is the first thoroughgoing study in any language of the philosophy of music history. Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applies the thoughts of these various schools to the specialist requirements of music history and assesses their advantages and shortcomings. Special attention is given to an appraisal of whether Marxist critiques are still viable and where they stand in need of rethinking. For this English edition, the author provided an extensive annotated bibliography |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (x, 177 pages) |
ISBN: | 9780511627309 |
DOI: | 10.1017/CBO9780511627309 |
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505 | 8 | 0 | |g 1 |t Is history on the decline |g 2 |t The significance of art : historical or aesthetic |g 3 |t What is a fact of music history |g 4 |t Does music history have a 'subject' |g 5 |t Historicism and tradition |g 6 |t Hermeneutics in history |g 7 |t The value-judgment : object or premise of history |g 8 |t The 'relative autonomy' of music history |g 9 |t Thoughts on structural history |g 10 |t Problems in reception history |
520 | |a This book is the first thoroughgoing study in any language of the philosophy of music history. Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applies the thoughts of these various schools to the specialist requirements of music history and assesses their advantages and shortcomings. Special attention is given to an appraisal of whether Marxist critiques are still viable and where they stand in need of rethinking. For this English edition, the author provided an extensive annotated bibliography | ||
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Dahlhaus, Carl 1928-1989 |
author2 | Robinson, J. Bradford |
author2_role | trl |
author2_variant | j b r jb jbr |
author_GND | (DE-588)118523341 |
author_facet | Dahlhaus, Carl 1928-1989 Robinson, J. Bradford |
author_role | aut |
author_sort | Dahlhaus, Carl 1928-1989 |
author_variant | c d cd |
building | Verbundindex |
bvnumber | BV043927002 |
collection | ZDB-20-CBO |
contents | Is history on the decline The significance of art : historical or aesthetic What is a fact of music history Does music history have a 'subject' Historicism and tradition Hermeneutics in history The value-judgment : object or premise of history The 'relative autonomy' of music history Thoughts on structural history Problems in reception history |
ctrlnum | (ZDB-20-CBO)CR9780511627309 (OCoLC)992926419 (DE-599)BVBBV043927002 |
dewey-full | 780/.01 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780/.01 |
dewey-search | 780/.01 |
dewey-sort | 3780 11 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/CBO9780511627309 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
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id | DE-604.BV043927002 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:49Z |
institution | BVB |
isbn | 9780511627309 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029336081 |
oclc_num | 992926419 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (x, 177 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 1983 |
publishDateSearch | 1983 |
publishDateSort | 1983 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Dahlhaus, Carl 1928-1989 Verfasser (DE-588)118523341 aut Grundlagen der Musikgeschichte Foundations of music history Carl Dahlhaus ; translated by J.B. Robinson Cambridge Cambridge University Press 1983 1 online resource (x, 177 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1 Is history on the decline 2 The significance of art : historical or aesthetic 3 What is a fact of music history 4 Does music history have a 'subject' 5 Historicism and tradition 6 Hermeneutics in history 7 The value-judgment : object or premise of history 8 The 'relative autonomy' of music history 9 Thoughts on structural history 10 Problems in reception history This book is the first thoroughgoing study in any language of the philosophy of music history. Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applies the thoughts of these various schools to the specialist requirements of music history and assesses their advantages and shortcomings. Special attention is given to an appraisal of whether Marxist critiques are still viable and where they stand in need of rethinking. For this English edition, the author provided an extensive annotated bibliography Geschichte gnd rswk-swf Musik Music / Historiography Musik (DE-588)4040802-4 gnd rswk-swf Methode (DE-588)4038971-6 gnd rswk-swf Musikgeschichte Fach (DE-588)4170825-8 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Geschichtstheorie (DE-588)4132931-4 gnd rswk-swf Musikgeschichtsschreibung (DE-588)4139339-9 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf Musikgeschichte Fach (DE-588)4170825-8 s Methode (DE-588)4038971-6 s 1\p DE-604 Theorie (DE-588)4059787-8 s 2\p DE-604 Musik (DE-588)4040802-4 s Geschichte (DE-588)4020517-4 s 3\p DE-604 Geschichtstheorie (DE-588)4132931-4 s 4\p DE-604 Geschichte z 5\p DE-604 Musikgeschichtsschreibung (DE-588)4139339-9 s 6\p DE-604 Robinson, J. Bradford trl Erscheint auch als Druckausgabe 978-0-521-23281-4 Erscheint auch als Druckausgabe 978-0-521-29890-2 https://doi.org/10.1017/CBO9780511627309 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Dahlhaus, Carl 1928-1989 Foundations of music history Is history on the decline The significance of art : historical or aesthetic What is a fact of music history Does music history have a 'subject' Historicism and tradition Hermeneutics in history The value-judgment : object or premise of history The 'relative autonomy' of music history Thoughts on structural history Problems in reception history Musik Music / Historiography Musik (DE-588)4040802-4 gnd Methode (DE-588)4038971-6 gnd Musikgeschichte Fach (DE-588)4170825-8 gnd Geschichte (DE-588)4020517-4 gnd Geschichtstheorie (DE-588)4132931-4 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd Theorie (DE-588)4059787-8 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4038971-6 (DE-588)4170825-8 (DE-588)4020517-4 (DE-588)4132931-4 (DE-588)4139339-9 (DE-588)4059787-8 |
title | Foundations of music history |
title_alt | Grundlagen der Musikgeschichte Is history on the decline The significance of art : historical or aesthetic What is a fact of music history Does music history have a 'subject' Historicism and tradition Hermeneutics in history The value-judgment : object or premise of history The 'relative autonomy' of music history Thoughts on structural history Problems in reception history |
title_auth | Foundations of music history |
title_exact_search | Foundations of music history |
title_full | Foundations of music history Carl Dahlhaus ; translated by J.B. Robinson |
title_fullStr | Foundations of music history Carl Dahlhaus ; translated by J.B. Robinson |
title_full_unstemmed | Foundations of music history Carl Dahlhaus ; translated by J.B. Robinson |
title_short | Foundations of music history |
title_sort | foundations of music history |
topic | Musik Music / Historiography Musik (DE-588)4040802-4 gnd Methode (DE-588)4038971-6 gnd Musikgeschichte Fach (DE-588)4170825-8 gnd Geschichte (DE-588)4020517-4 gnd Geschichtstheorie (DE-588)4132931-4 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd Theorie (DE-588)4059787-8 gnd |
topic_facet | Musik Music / Historiography Methode Musikgeschichte Fach Geschichte Geschichtstheorie Musikgeschichtsschreibung Theorie |
url | https://doi.org/10.1017/CBO9780511627309 |
work_keys_str_mv | AT dahlhauscarl grundlagendermusikgeschichte AT robinsonjbradford grundlagendermusikgeschichte AT dahlhauscarl foundationsofmusichistory AT robinsonjbradford foundationsofmusichistory |