Analyzing popular music:
How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in som...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2003
|
| Subjects: | |
| Online Access: | BSB01 UBG01 UBW01 Volltext |
| Summary: | How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (ix, 270 pages) |
| ISBN: | 9780511482014 |
| DOI: | 10.1017/CBO9780511482014 |
Staff View
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| 520 | |a How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way | ||
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Record in the Search Index
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| author_GND | (DE-588)128408138 |
| author_facet | Moore, Allan F. |
| building | Verbundindex |
| bvnumber | BV043926574 |
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| collection | ZDB-20-CBO ebook |
| contents | Popular music analysis : ten apothegms and four instances / Rob Walser -- From lyric to anti-lyric : analyzing the words in pop song / Dai Griffiths -- The sound is "out there" : score, sound design, and exoticism in The X-files / Robynn J. Stilwell -- Feel the beat come down : house music as rhetoric / Stan Hawkins -- The determining role of performance in the articulation of meaning : the case of "Try a little tenderness" / Rob Bowman -- Marxist music analysis without Adorno : popular music and urban geography / Adam Krims -- Jethro Tull and the case for modernism in mass culture / Allan F. Moore -- Pangs of history in late 1970s rock / John Covach -- Is anybody listening? / Chris Kennett -- Talk and text : popular music and ethnomusicology / Martin Stokes |
| ctrlnum | (ZDB-20-CBO)CR9780511482014 (OCoLC)849998325 (DE-599)BVBBV043926574 |
| dewey-full | 781.64 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64 |
| dewey-search | 781.64 |
| dewey-sort | 3781.64 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511482014 |
| format | Electronic eBook |
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| isbn | 9780511482014 |
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| spelling | Analyzing popular music edited by Allan F. Moore Cambridge Cambridge University Press 2003 1 online resource (ix, 270 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Popular music analysis : ten apothegms and four instances / Rob Walser -- From lyric to anti-lyric : analyzing the words in pop song / Dai Griffiths -- The sound is "out there" : score, sound design, and exoticism in The X-files / Robynn J. Stilwell -- Feel the beat come down : house music as rhetoric / Stan Hawkins -- The determining role of performance in the articulation of meaning : the case of "Try a little tenderness" / Rob Bowman -- Marxist music analysis without Adorno : popular music and urban geography / Adam Krims -- Jethro Tull and the case for modernism in mass culture / Allan F. Moore -- Pangs of history in late 1970s rock / John Covach -- Is anybody listening? / Chris Kennett -- Talk and text : popular music and ethnomusicology / Martin Stokes How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way Popular music / Analysis, appreciation Popular music / History and criticism Musical analysis Popmusik (DE-588)4046781-8 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Popmusik (DE-588)4046781-8 s 2\p DE-604 Moore, Allan F. (DE-588)128408138 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-77120-7 Erscheint auch als Druck-Ausgabe, Paperback 978-0-521-10035-9 https://doi.org/10.1017/CBO9780511482014 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Analyzing popular music Popular music analysis : ten apothegms and four instances / Rob Walser -- From lyric to anti-lyric : analyzing the words in pop song / Dai Griffiths -- The sound is "out there" : score, sound design, and exoticism in The X-files / Robynn J. Stilwell -- Feel the beat come down : house music as rhetoric / Stan Hawkins -- The determining role of performance in the articulation of meaning : the case of "Try a little tenderness" / Rob Bowman -- Marxist music analysis without Adorno : popular music and urban geography / Adam Krims -- Jethro Tull and the case for modernism in mass culture / Allan F. Moore -- Pangs of history in late 1970s rock / John Covach -- Is anybody listening? / Chris Kennett -- Talk and text : popular music and ethnomusicology / Martin Stokes Popular music / Analysis, appreciation Popular music / History and criticism Musical analysis Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4143413-4 |
| title | Analyzing popular music |
| title_auth | Analyzing popular music |
| title_exact_search | Analyzing popular music |
| title_full | Analyzing popular music edited by Allan F. Moore |
| title_fullStr | Analyzing popular music edited by Allan F. Moore |
| title_full_unstemmed | Analyzing popular music edited by Allan F. Moore |
| title_short | Analyzing popular music |
| title_sort | analyzing popular music |
| topic | Popular music / Analysis, appreciation Popular music / History and criticism Musical analysis Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Popular music / Analysis, appreciation Popular music / History and criticism Musical analysis Popmusik Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9780511482014 |
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