Orlando di Lasso Studies:
Orlando di Lasso was probably the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is a survey of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard...
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| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
1999
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| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | Orlando di Lasso was probably the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is a survey of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns and madrigals. His relationship to contemporaries and younger composers is the main subject of three essays and is touched on throughout the book, together with the circulation of his music in print and in manuscript. His attitude toward modal theory is explored in one essay, and another considers the relationship of verbal and musical stress in Lasso's music and what this implies both for scholars and for performers |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xii, 253 pages) |
| ISBN: | 9780511551383 |
| DOI: | 10.1017/CBO9780511551383 |
Staff View
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| 505 | 8 | |a Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner -- Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager -- The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis -- Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid -- Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan -- Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt -- The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar -- Modal ordering within Orlando di Lasso's publications / Peter Bergquist -- Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann | |
| 520 | |a Orlando di Lasso was probably the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is a survey of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns and madrigals. His relationship to contemporaries and younger composers is the main subject of three essays and is touched on throughout the book, together with the circulation of his music in print and in manuscript. His attitude toward modal theory is explored in one essay, and another considers the relationship of verbal and musical stress in Lasso's music and what this implies both for scholars and for performers | ||
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Record in the Search Index
| _version_ | 1804176853453242368 |
|---|---|
| any_adam_object | |
| author2 | Bergquist, Peter 1930-2016 |
| author2_role | edt |
| author2_variant | p b pb |
| author_GND | (DE-588)134791495 |
| author_facet | Bergquist, Peter 1930-2016 |
| building | Verbundindex |
| bvnumber | BV043926248 |
| classification_rvk | LP 23700 |
| collection | ZDB-20-CBO ebook |
| contents | Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner -- Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager -- The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis -- Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid -- Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan -- Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt -- The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar -- Modal ordering within Orlando di Lasso's publications / Peter Bergquist -- Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann |
| ctrlnum | (ZDB-20-CBO)CR9780511551383 (OCoLC)967415097 (DE-599)BVBBV043926248 |
| dewey-full | 782/.0092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782/.0092 |
| dewey-search | 782/.0092 |
| dewey-sort | 3782 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511551383 |
| format | Electronic eBook |
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| id | DE-604.BV043926248 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:47Z |
| institution | BVB |
| isbn | 9780511551383 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029335327 |
| oclc_num | 967415097 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG DE-11 |
| physical | 1 online resource (xii, 253 pages) |
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| publishDate | 1999 |
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| publisher | Cambridge University Press |
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| spelling | Orlando di Lasso Studies edited by Peter Bergquist Cambridge Cambridge University Press 1999 1 online resource (xii, 253 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner -- Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager -- The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis -- Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid -- Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan -- Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt -- The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar -- Modal ordering within Orlando di Lasso's publications / Peter Bergquist -- Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann Orlando di Lasso was probably the most famous and most popular composer of the second half of the 1500s. This book of essays written by leading scholars from Europe and the United States is a survey of a broad spectrum of Lasso's music. The essays discuss his large and varied output with regard to structure, expressive qualities, liturgical aspects and its use as a model by other composers, focusing in turn on his Magnificat settings, masses, motets, hymns and madrigals. His relationship to contemporaries and younger composers is the main subject of three essays and is touched on throughout the book, together with the circulation of his music in print and in manuscript. His attitude toward modal theory is explored in one essay, and another considers the relationship of verbal and musical stress in Lasso's music and what this implies both for scholars and for performers Lasso, Orlando di / 1532-1594 / Criticism and interpretation Lasso, Orlando di 1532-1594 (DE-588)118569945 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Lasso, Orlando di 1532-1594 (DE-588)118569945 p 2\p DE-604 Bergquist, Peter 1930-2016 (DE-588)134791495 edt Erscheint auch als Druckausgabe 978-0-521-02813-4 Erscheint auch als Druckausgabe 978-0-521-59387-8 https://doi.org/10.1017/CBO9780511551383 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Orlando di Lasso Studies Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner -- Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager -- The salon as marketplace in the 1550s : patrons and collectors of Lasso's secular music / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. Lewis -- Lasso's "Fertur in conviviis" : on the history of its text and transmissions / Bernhold Schmid -- Orlando di Lasso and Rome : personal contacts and musical influences / Noel O'Regan -- Orlando di Lasso as a model for composition as seen in the three-voice motets of Jean de Castro / Ignace Bossuyt -- The madrigal book of Jean Turnhout (1589) and its relationship to Lasso / James Haar -- Modal ordering within Orlando di Lasso's publications / Peter Bergquist -- Correct and incorrect accentuation in Lasso's music : on the implied dependence on the text in classical vocal polyphony / Horst Leuchtmann Lasso, Orlando di / 1532-1594 / Criticism and interpretation Lasso, Orlando di 1532-1594 (DE-588)118569945 gnd |
| subject_GND | (DE-588)118569945 (DE-588)4143413-4 |
| title | Orlando di Lasso Studies |
| title_auth | Orlando di Lasso Studies |
| title_exact_search | Orlando di Lasso Studies |
| title_full | Orlando di Lasso Studies edited by Peter Bergquist |
| title_fullStr | Orlando di Lasso Studies edited by Peter Bergquist |
| title_full_unstemmed | Orlando di Lasso Studies edited by Peter Bergquist |
| title_short | Orlando di Lasso Studies |
| title_sort | orlando di lasso studies |
| topic | Lasso, Orlando di / 1532-1594 / Criticism and interpretation Lasso, Orlando di 1532-1594 (DE-588)118569945 gnd |
| topic_facet | Lasso, Orlando di / 1532-1594 / Criticism and interpretation Lasso, Orlando di 1532-1594 Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9780511551383 |
| work_keys_str_mv | AT bergquistpeter orlandodilassostudies |