Representing Sylvia Plath:
Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City
Cambridge University Press
2011
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers |
| Beschreibung: | 1 Online-Ressource (xiv, 249 Seiten) Illustrationen |
| ISBN: | 9780511902697 |
| DOI: | 10.1017/CBO9780511902697 |
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| 505 | 8 | |a Machine generated contents note: Introduction: 'Purdah' and the enigma of representation Sally Bayley and Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath photography, and the post-confessional muse Anita Helle; 3. 'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and Composition: 5. 'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7. Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia Plath's women's magazine fiction Luke Ferretter; Part III. Representation: 9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath Tracy Brain; 11. Primary representations: three artists respond to Sylvia Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt (with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley; Bibliography; Index | |
| 520 | |a Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers | ||
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Datensatz im Suchindex
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| any_adam_object | |
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| contents | Machine generated contents note: Introduction: 'Purdah' and the enigma of representation Sally Bayley and Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath photography, and the post-confessional muse Anita Helle; 3. 'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and Composition: 5. 'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7. Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia Plath's women's magazine fiction Luke Ferretter; Part III. Representation: 9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath Tracy Brain; 11. Primary representations: three artists respond to Sylvia Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt (with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley; Bibliography; Index |
| ctrlnum | (ZDB-20-CBO)CR9780511902697 (OCoLC)795353263 (DE-599)BVBBV043925949 |
| dewey-full | 811/.54 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.54 |
| dewey-search | 811/.54 |
| dewey-sort | 3811 254 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511902697 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:38:46Z |
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| isbn | 9780511902697 |
| language | English |
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| physical | 1 Online-Ressource (xiv, 249 Seiten) Illustrationen |
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| spelling | Representing Sylvia Plath edited by Sally Bayley and Tracy Brain Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City Cambridge University Press 2011 1 Online-Ressource (xiv, 249 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Machine generated contents note: Introduction: 'Purdah' and the enigma of representation Sally Bayley and Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath photography, and the post-confessional muse Anita Helle; 3. 'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and Composition: 5. 'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7. Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia Plath's women's magazine fiction Luke Ferretter; Part III. Representation: 9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath Tracy Brain; 11. Primary representations: three artists respond to Sylvia Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt (with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley; Bibliography; Index Interest in Sylvia Plath continues to grow, as does the mythic status of her relationship with Ted Hughes, but Plath is a poet of enduring power in her own right. This book explores the many layers of her often unreliable and complex representations and the difficult relationship between the reader and her texts. The volume evaluates the historical, familial and cultural sources which Plath drew upon for material: from family photographs, letters and personal history to contemporary literary and cinematic holocaust texts. It examines Plath's creative processes: what she does with materials ranging from Romantic paintings to women's magazine fiction, how she transforms these in multiple drafts and the tools she uses to do this, including her use of colour. Finally the book investigates specific instances when Plath herself becomes the subject matter for other artists, writers, film makers and biographers Plath, Sylvia / Criticism and interpretation Plath, Sylvia 1932-1963 (DE-588)118594877 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Plath, Sylvia 1932-1963 (DE-588)118594877 p DE-604 Bayley, Sally ca. 20. Jh. (DE-588)121044030X edt Brain, Tracy ca. 20./21. Jh. (DE-588)1146299524 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-00675-1 (DE-604)BV037409367 Erscheint auch als Druck-Ausgabe 978-1-107-55490-0 https://doi.org/10.1017/CBO9780511902697 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Representing Sylvia Plath Machine generated contents note: Introduction: 'Purdah' and the enigma of representation Sally Bayley and Tracy Brain; Part I. Contexts: 1. 'Mailed into space': on Sylvia Plath's letters Jonathan Ellis; 2. 'The photographic chamber of the eye': Plath photography, and the post-confessional muse Anita Helle; 3. 'O the tangles of that old bed': fantasies of incest and the 'Daddy' narrative in Ariel Lynda K. Bundtzen; 4. Plath and torture: cultural contexts for Plath's imagery of the Holocaust Steven Gould Axelrod; Part II. Poetics and Composition: 5. 'The trees of the mind are black, the light is blue': sublime encounters in Sylvia Plath's tree poems Sally Bayley; 6. Coming to terms with colour: Plath's visual aesthetic Laure de Nervaux-Gavoty; 7. Madonna (of the refrigerator): mapping Sylvia Plath's double in 'The Babysitters' drafts Kathleen Connors; 8. 'Procrustean identity': Sylvia Plath's women's magazine fiction Luke Ferretter; Part III. Representation: 9. Confession, contrition, and concealment: evoking Plath in Ted Hughes's 'Howls and Whispers' Lynda K. Bundtzen; 10. Fictionalising Sylvia Plath Tracy Brain; 11. Primary representations: three artists respond to Sylvia Plath; Adolescent Plath - 'the girl who would be God' Suzie Hanna; Bodily imprints: a choreographic response to Sylvia Plath's Poppy Poems Kate Flatt (with Sally Bayley); Stella Vine's peanut crunching Plath Sally Bayley; Bibliography; Index Plath, Sylvia / Criticism and interpretation Plath, Sylvia 1932-1963 (DE-588)118594877 gnd |
| subject_GND | (DE-588)118594877 (DE-588)4143413-4 |
| title | Representing Sylvia Plath |
| title_auth | Representing Sylvia Plath |
| title_exact_search | Representing Sylvia Plath |
| title_full | Representing Sylvia Plath edited by Sally Bayley and Tracy Brain |
| title_fullStr | Representing Sylvia Plath edited by Sally Bayley and Tracy Brain |
| title_full_unstemmed | Representing Sylvia Plath edited by Sally Bayley and Tracy Brain |
| title_short | Representing Sylvia Plath |
| title_sort | representing sylvia plath |
| topic | Plath, Sylvia / Criticism and interpretation Plath, Sylvia 1932-1963 (DE-588)118594877 gnd |
| topic_facet | Plath, Sylvia / Criticism and interpretation Plath, Sylvia 1932-1963 Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9780511902697 |
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