New Chinese cinemas: forms, identities, politics
New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over t...
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| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
1994
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| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles and work that define Chinese filmmaking in the 1980s |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xiii, 255 pages) |
| ISBN: | 9781139174121 |
| DOI: | 10.1017/CBO9781139174121 |
Staff View
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Record in the Search Index
| _version_ | 1804176852439269376 |
|---|---|
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| author2 | Browne, Nick |
| author2_role | edt |
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| building | Verbundindex |
| bvnumber | BV043925800 |
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| collection | ZDB-20-CBO |
| contents | Spatiality and subjectivity in Xie Jin's film melodrama of the new period / Ma Ning -- Society and subjectivity : on the political economy of Chinese melodrama / Nick Browne -- Huang Jianxin and the notion of postsocialism / Paul G. Pickowicz -- Neither one thing nor another : toward a study of the viewing subject and Chinese cinema in the 1980s / Chris Berry -- Remapping Taipei / Fredric Jameson -- The ideology of initiation : the films of Hou Hsiao-hsien / William Tay -- The return of the father : Hong Kong new wave and its Chinese context in the 1980s / Li Cheuk-To -- Border crossing : mainland China's presence in Hong Kong cinema / Ester Yau -- Two films from Hong Kong : parody and allegory / Leo Ou-Fan Lee |
| ctrlnum | (ZDB-20-CBO)CR9781139174121 (OCoLC)967485346 (DE-599)BVBBV043925800 |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/0917/4951 |
| dewey-sort | 3791.43 3917 44951 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9781139174121 |
| era | Geschichte 1980-1994 gnd |
| era_facet | Geschichte 1980-1994 |
| format | Electronic eBook |
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| isbn | 9781139174121 |
| language | English |
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| spelling | New Chinese cinemas forms, identities, politics edited by Nick Browne [and others] Cambridge Cambridge University Press 1994 1 online resource (xiii, 255 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Spatiality and subjectivity in Xie Jin's film melodrama of the new period / Ma Ning -- Society and subjectivity : on the political economy of Chinese melodrama / Nick Browne -- Huang Jianxin and the notion of postsocialism / Paul G. Pickowicz -- Neither one thing nor another : toward a study of the viewing subject and Chinese cinema in the 1980s / Chris Berry -- Remapping Taipei / Fredric Jameson -- The ideology of initiation : the films of Hou Hsiao-hsien / William Tay -- The return of the father : Hong Kong new wave and its Chinese context in the 1980s / Li Cheuk-To -- Border crossing : mainland China's presence in Hong Kong cinema / Ester Yau -- Two films from Hong Kong : parody and allegory / Leo Ou-Fan Lee New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles and work that define Chinese filmmaking in the 1980s Geschichte 1980-1994 gnd rswk-swf Film Geschichte Motion pictures / China / History and criticism Motion pictures / Taiwan / History Motion pictures / China / Hong Kong / History Film (DE-588)4017102-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content China (DE-588)4009937-4 g Film (DE-588)4017102-4 s Geschichte 1980-1994 z 2\p DE-604 Browne, Nick edt Erscheint auch als Druckausgabe 978-0-521-44409-5 Erscheint auch als Druckausgabe 978-0-521-44877-2 https://doi.org/10.1017/CBO9781139174121 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | New Chinese cinemas forms, identities, politics Spatiality and subjectivity in Xie Jin's film melodrama of the new period / Ma Ning -- Society and subjectivity : on the political economy of Chinese melodrama / Nick Browne -- Huang Jianxin and the notion of postsocialism / Paul G. Pickowicz -- Neither one thing nor another : toward a study of the viewing subject and Chinese cinema in the 1980s / Chris Berry -- Remapping Taipei / Fredric Jameson -- The ideology of initiation : the films of Hou Hsiao-hsien / William Tay -- The return of the father : Hong Kong new wave and its Chinese context in the 1980s / Li Cheuk-To -- Border crossing : mainland China's presence in Hong Kong cinema / Ester Yau -- Two films from Hong Kong : parody and allegory / Leo Ou-Fan Lee Film Geschichte Motion pictures / China / History and criticism Motion pictures / Taiwan / History Motion pictures / China / Hong Kong / History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4009937-4 (DE-588)4143413-4 |
| title | New Chinese cinemas forms, identities, politics |
| title_auth | New Chinese cinemas forms, identities, politics |
| title_exact_search | New Chinese cinemas forms, identities, politics |
| title_full | New Chinese cinemas forms, identities, politics edited by Nick Browne [and others] |
| title_fullStr | New Chinese cinemas forms, identities, politics edited by Nick Browne [and others] |
| title_full_unstemmed | New Chinese cinemas forms, identities, politics edited by Nick Browne [and others] |
| title_short | New Chinese cinemas |
| title_sort | new chinese cinemas forms identities politics |
| title_sub | forms, identities, politics |
| topic | Film Geschichte Motion pictures / China / History and criticism Motion pictures / Taiwan / History Motion pictures / China / Hong Kong / History Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Motion pictures / China / History and criticism Motion pictures / Taiwan / History Motion pictures / China / Hong Kong / History China Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9781139174121 |
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