The Cinema of Hong Kong: history, arts, identity
The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and po...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2000
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| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s, its rise to world prominence in the 1970s, its reception in the United States, and the revival of Cantonese cinema, among topics. Including contributions from a diverse roster of scholars, archivists, and film programmers, the book provides a wealth of new information and new conceptual framework, enabling a greater appreciation of the variety, range and depth of Hong Kong film |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xi, 333 pages) |
| ISBN: | 9781139167116 |
| DOI: | 10.1017/CBO9781139167116 |
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| 520 | |a The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s, its rise to world prominence in the 1970s, its reception in the United States, and the revival of Cantonese cinema, among topics. Including contributions from a diverse roster of scholars, archivists, and film programmers, the book provides a wealth of new information and new conceptual framework, enabling a greater appreciation of the variety, range and depth of Hong Kong film | ||
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Record in the Search Index
| _version_ | 1804176852003061760 |
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| any_adam_object | |
| author2 | Fu, Poshek 1955- Desser, David |
| author2_role | edt edt |
| author2_variant | p f pf d d dd |
| author_additional | David Desser Law Kar Poshek Fu Stephen Teo David Bordwell Tony Williams Jenny Lau Patricia Brett Erens Leung Ping-Kwan Natalia Chan Sui Hung Sheldon Lu Gina Marchetti H.C. Li |
| author_facet | Fu, Poshek 1955- Desser, David |
| building | Verbundindex |
| bvnumber | BV043925604 |
| classification_rvk | AP 44962 |
| collection | ZDB-20-CBO |
| contents | The kung fu craze: Hong Kong Cinema's first American reception The American connection in early Hong Kong cinema modernity, youth culture, and Hong Kong Cantonese cinema movement and transition Richness through imperfection: King Hu and the glimpse Space, place, and spectacle: the crisis cinema of John Woo Besides fists and blood: Michael Hui and Cantonese comedy The film work of Ann Hui Between nationalism and colonialism: mainland émigrés, marginal culture, and Hong Kong cinema 1937-1941 Urban cinema and the cultural identity of Hong Kong Rewriting history: Hong Kong nostalgia cinema and its social practice Filming diaspora and identity: Hong Kong and 1997 Buying American, consuming Hong Kong: cultural commerce, fantasies of identity, and the cinema Hong Kong electric shadows: a selected bibliography of studies in English |
| ctrlnum | (ZDB-20-CBO)CR9781139167116 (OCoLC)967485130 (DE-599)BVBBV043925604 |
| dewey-full | 791.43/095125 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/095125 |
| dewey-search | 791.43/095125 |
| dewey-sort | 3791.43 595125 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9781139167116 |
| format | Electronic eBook |
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| spelling | The Cinema of Hong Kong history, arts, identity edited by Poshek Fu, David Desser Cambridge Cambridge University Press 2000 1 online resource (xi, 333 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) The kung fu craze: Hong Kong Cinema's first American reception David Desser The American connection in early Hong Kong cinema Law Kar The 1960s modernity, youth culture, and Hong Kong Cantonese cinema Poshek Fu The 1970s movement and transition Stephen Teo Richness through imperfection: King Hu and the glimpse David Bordwell Space, place, and spectacle: the crisis cinema of John Woo Tony Williams Besides fists and blood: Michael Hui and Cantonese comedy Jenny Lau The film work of Ann Hui Patricia Brett Erens Between nationalism and colonialism: mainland émigrés, marginal culture, and Hong Kong cinema 1937-1941 Poshek Fu Urban cinema and the cultural identity of Hong Kong Leung Ping-Kwan Rewriting history: Hong Kong nostalgia cinema and its social practice Natalia Chan Sui Hung Filming diaspora and identity: Hong Kong and 1997 Sheldon Lu Buying American, consuming Hong Kong: cultural commerce, fantasies of identity, and the cinema Gina Marchetti Hong Kong electric shadows: a selected bibliography of studies in English H.C. Li The Cinema of Hong Kong examines one of the most popular, dynamic, and important cinema traditions in the history of film. Providing an overview of major directors, genres, and stars, from its origins to the present, this volume examines Hong Kong cinema in historical, transnational, cultural and political contexts. Individual chapters focus on Hong Kong cinema before and during World War II, the cinema of the turbulent 1960s, its rise to world prominence in the 1970s, its reception in the United States, and the revival of Cantonese cinema, among topics. Including contributions from a diverse roster of scholars, archivists, and film programmers, the book provides a wealth of new information and new conceptual framework, enabling a greater appreciation of the variety, range and depth of Hong Kong film Film Motion pictures / China / Hong Kong Film (DE-588)4017102-4 gnd rswk-swf Hongkong (DE-588)4025822-1 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Hongkong (DE-588)4025822-1 g Film (DE-588)4017102-4 s 2\p DE-604 Fu, Poshek 1955- edt Desser, David edt Erscheint auch als Druckausgabe 978-0-521-77235-8 Erscheint auch als Druckausgabe 978-0-521-77602-8 https://doi.org/10.1017/CBO9781139167116 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The Cinema of Hong Kong history, arts, identity The kung fu craze: Hong Kong Cinema's first American reception The American connection in early Hong Kong cinema modernity, youth culture, and Hong Kong Cantonese cinema movement and transition Richness through imperfection: King Hu and the glimpse Space, place, and spectacle: the crisis cinema of John Woo Besides fists and blood: Michael Hui and Cantonese comedy The film work of Ann Hui Between nationalism and colonialism: mainland émigrés, marginal culture, and Hong Kong cinema 1937-1941 Urban cinema and the cultural identity of Hong Kong Rewriting history: Hong Kong nostalgia cinema and its social practice Filming diaspora and identity: Hong Kong and 1997 Buying American, consuming Hong Kong: cultural commerce, fantasies of identity, and the cinema Hong Kong electric shadows: a selected bibliography of studies in English Film Motion pictures / China / Hong Kong Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4025822-1 (DE-588)4143413-4 |
| title | The Cinema of Hong Kong history, arts, identity |
| title_alt | The kung fu craze: Hong Kong Cinema's first American reception The American connection in early Hong Kong cinema modernity, youth culture, and Hong Kong Cantonese cinema movement and transition Richness through imperfection: King Hu and the glimpse Space, place, and spectacle: the crisis cinema of John Woo Besides fists and blood: Michael Hui and Cantonese comedy The film work of Ann Hui Between nationalism and colonialism: mainland émigrés, marginal culture, and Hong Kong cinema 1937-1941 Urban cinema and the cultural identity of Hong Kong Rewriting history: Hong Kong nostalgia cinema and its social practice Filming diaspora and identity: Hong Kong and 1997 Buying American, consuming Hong Kong: cultural commerce, fantasies of identity, and the cinema Hong Kong electric shadows: a selected bibliography of studies in English |
| title_auth | The Cinema of Hong Kong history, arts, identity |
| title_exact_search | The Cinema of Hong Kong history, arts, identity |
| title_full | The Cinema of Hong Kong history, arts, identity edited by Poshek Fu, David Desser |
| title_fullStr | The Cinema of Hong Kong history, arts, identity edited by Poshek Fu, David Desser |
| title_full_unstemmed | The Cinema of Hong Kong history, arts, identity edited by Poshek Fu, David Desser |
| title_short | The Cinema of Hong Kong |
| title_sort | the cinema of hong kong history arts identity |
| title_sub | history, arts, identity |
| topic | Film Motion pictures / China / Hong Kong Film (DE-588)4017102-4 gnd |
| topic_facet | Film Motion pictures / China / Hong Kong Hongkong Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9781139167116 |
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