Dion Boucicault: Irish identity on stage
Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpre...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2012
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| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
| Zusammenfassung: | Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 Online-Ressource (ix, 218 Seiten) Illustrationen |
| ISBN: | 9781139051743 |
| DOI: | 10.1017/CBO9781139051743 |
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| 505 | 8 | |a Introduction -- 1. Becoming Boucicault; --2. Nationalism, race and class in The Colleen Bawn -- 3. Music, myth and censorship in Arrah-na-Pogue -- 4. Alternative readings: The Rapparee and Daddy O'Dowd -- 5. The politics of exile: The Shaughraun in New York -- 6. 'Audiences are not political assemblies': The Shaughraun in London -- 7. Supporting the Land League: The O'Dowd -- Conclusion: towards an Irish national drama | |
| 520 | |a Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted | ||
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Datensatz im Suchindex
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| author | McFeely, Deirdre 1965- |
| author_GND | (DE-588)1023187582 |
| author_facet | McFeely, Deirdre 1965- |
| author_role | aut |
| author_sort | McFeely, Deirdre 1965- |
| author_variant | d m dm |
| building | Verbundindex |
| bvnumber | BV043925145 |
| collection | ZDB-20-CBO |
| contents | Introduction -- 1. Becoming Boucicault; --2. Nationalism, race and class in The Colleen Bawn -- 3. Music, myth and censorship in Arrah-na-Pogue -- 4. Alternative readings: The Rapparee and Daddy O'Dowd -- 5. The politics of exile: The Shaughraun in New York -- 6. 'Audiences are not political assemblies': The Shaughraun in London -- 7. Supporting the Land League: The O'Dowd -- Conclusion: towards an Irish national drama |
| ctrlnum | (ZDB-20-CBO)CR9781139051743 (OCoLC)876231357 (DE-599)BVBBV043925145 |
| dewey-full | 822/.8 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.8 |
| dewey-search | 822/.8 |
| dewey-sort | 3822 18 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781139051743 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:45Z |
| institution | BVB |
| isbn | 9781139051743 |
| language | English |
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| physical | 1 Online-Ressource (ix, 218 Seiten) Illustrationen |
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| spelling | McFeely, Deirdre 1965- Verfasser (DE-588)1023187582 aut Dion Boucicault Irish identity on stage Deirdre McFeely Cambridge Cambridge University Press 2012 1 Online-Ressource (ix, 218 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction -- 1. Becoming Boucicault; --2. Nationalism, race and class in The Colleen Bawn -- 3. Music, myth and censorship in Arrah-na-Pogue -- 4. Alternative readings: The Rapparee and Daddy O'Dowd -- 5. The politics of exile: The Shaughraun in New York -- 6. 'Audiences are not political assemblies': The Shaughraun in London -- 7. Supporting the Land League: The O'Dowd -- Conclusion: towards an Irish national drama Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted Boucicault, Dion / 1820-1890 / Criticism and interpretation Boucicault, Dion 1820-1890 (DE-588)118659464 gnd rswk-swf Boucicault, Dion 1820-1890 (DE-588)118659464 p DE-604 Erscheint auch als Druck-Ausgabe 978-1-107-00793-2 (DE-604)BV040242700 Erscheint auch als Druck-Ausgabe 978-1-107-53427-8 (DE-604)BV040242700 https://doi.org/10.1017/CBO9781139051743 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McFeely, Deirdre 1965- Dion Boucicault Irish identity on stage Introduction -- 1. Becoming Boucicault; --2. Nationalism, race and class in The Colleen Bawn -- 3. Music, myth and censorship in Arrah-na-Pogue -- 4. Alternative readings: The Rapparee and Daddy O'Dowd -- 5. The politics of exile: The Shaughraun in New York -- 6. 'Audiences are not political assemblies': The Shaughraun in London -- 7. Supporting the Land League: The O'Dowd -- Conclusion: towards an Irish national drama Boucicault, Dion / 1820-1890 / Criticism and interpretation Boucicault, Dion 1820-1890 (DE-588)118659464 gnd |
| subject_GND | (DE-588)118659464 |
| title | Dion Boucicault Irish identity on stage |
| title_auth | Dion Boucicault Irish identity on stage |
| title_exact_search | Dion Boucicault Irish identity on stage |
| title_full | Dion Boucicault Irish identity on stage Deirdre McFeely |
| title_fullStr | Dion Boucicault Irish identity on stage Deirdre McFeely |
| title_full_unstemmed | Dion Boucicault Irish identity on stage Deirdre McFeely |
| title_short | Dion Boucicault |
| title_sort | dion boucicault irish identity on stage |
| title_sub | Irish identity on stage |
| topic | Boucicault, Dion / 1820-1890 / Criticism and interpretation Boucicault, Dion 1820-1890 (DE-588)118659464 gnd |
| topic_facet | Boucicault, Dion / 1820-1890 / Criticism and interpretation Boucicault, Dion 1820-1890 |
| url | https://doi.org/10.1017/CBO9781139051743 |
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