The accessibility of music: participation, reception and contact
Questions of musical accessibility are relevant to most musical contexts but what does this term mean, how do we make contact with music and how do we decide what music to listen to? In The Accessibility of Music Jochen Eisentraut argues that musical judgements are often based upon implicit attitude...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
| Zusammenfassung: | Questions of musical accessibility are relevant to most musical contexts but what does this term mean, how do we make contact with music and how do we decide what music to listen to? In The Accessibility of Music Jochen Eisentraut argues that musical judgements are often based upon implicit attitudes to accessibility, which need to be identified and exposed. Surveying a range of disciplines, including sociology, psychology, aesthetics and cultural theory, Eisentraut investigates how and why music becomes accessible and the impact of accessibility on musical and social hierarchies. The book is structured around three major case studies: punk vs progressive rock, Vaughan Williams and his ideas on art and folk music, and Brazilian samba, both in situ and in a global context. These are used to reveal aspects of musical accessibility at work and serve as a springboard for discussions that challenge accepted ideas of musical value and meaning |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 Online-Ressource (ix, 329 Seiten) |
| ISBN: | 9781139176088 |
| DOI: | 10.1017/CBO9781139176088 |
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| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 505 | 8 | |a An outline topography of musical accessibility. What is musical accessibility? ; Society, atonality, psychology -- Accessibility discourse in rock, and cultural change. Case study 1 : 'Prog' rock/punk rock : sophistication, directness and shock ; Zeitgeist : accessibility in flux -- A valiant failure? : new art music and the people. Case study 2 : Vaughan Williams' National music in context ; Art music, vernacular music and accessibility -- Accessibility, identity and social action. Case study 3a : Accessibility in action : Bahia, Brazil ; 3b : Samba in Wales : how is adopted music accessible? -- Part five. Themes. Some key concepts | |
| 520 | |a Questions of musical accessibility are relevant to most musical contexts but what does this term mean, how do we make contact with music and how do we decide what music to listen to? In The Accessibility of Music Jochen Eisentraut argues that musical judgements are often based upon implicit attitudes to accessibility, which need to be identified and exposed. Surveying a range of disciplines, including sociology, psychology, aesthetics and cultural theory, Eisentraut investigates how and why music becomes accessible and the impact of accessibility on musical and social hierarchies. The book is structured around three major case studies: punk vs progressive rock, Vaughan Williams and his ideas on art and folk music, and Brazilian samba, both in situ and in a global context. These are used to reveal aspects of musical accessibility at work and serve as a springboard for discussions that challenge accepted ideas of musical value and meaning | ||
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Datensatz im Suchindex
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| author | Eisentraut, Jochen |
| author_GND | (DE-588)1038038553 |
| author_facet | Eisentraut, Jochen |
| author_role | aut |
| author_sort | Eisentraut, Jochen |
| author_variant | j e je |
| building | Verbundindex |
| bvnumber | BV043924060 |
| collection | ZDB-20-CBO |
| contents | An outline topography of musical accessibility. What is musical accessibility? ; Society, atonality, psychology -- Accessibility discourse in rock, and cultural change. Case study 1 : 'Prog' rock/punk rock : sophistication, directness and shock ; Zeitgeist : accessibility in flux -- A valiant failure? : new art music and the people. Case study 2 : Vaughan Williams' National music in context ; Art music, vernacular music and accessibility -- Accessibility, identity and social action. Case study 3a : Accessibility in action : Bahia, Brazil ; 3b : Samba in Wales : how is adopted music accessible? -- Part five. Themes. Some key concepts |
| ctrlnum | (ZDB-20-CBO)CR9781139176088 (OCoLC)967410851 (DE-599)BVBBV043924060 |
| dewey-full | 781/.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781/.1 |
| dewey-search | 781/.1 |
| dewey-sort | 3781 11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139176088 |
| format | Electronic eBook |
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| id | DE-604.BV043924060 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:43Z |
| institution | BVB |
| isbn | 9781139176088 |
| language | English |
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| spelling | Eisentraut, Jochen Verfasser (DE-588)1038038553 aut The accessibility of music participation, reception and contact Jochen Eisentraut Cambridge Cambridge University Press 2013 1 Online-Ressource (ix, 329 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) An outline topography of musical accessibility. What is musical accessibility? ; Society, atonality, psychology -- Accessibility discourse in rock, and cultural change. Case study 1 : 'Prog' rock/punk rock : sophistication, directness and shock ; Zeitgeist : accessibility in flux -- A valiant failure? : new art music and the people. Case study 2 : Vaughan Williams' National music in context ; Art music, vernacular music and accessibility -- Accessibility, identity and social action. Case study 3a : Accessibility in action : Bahia, Brazil ; 3b : Samba in Wales : how is adopted music accessible? -- Part five. Themes. Some key concepts Questions of musical accessibility are relevant to most musical contexts but what does this term mean, how do we make contact with music and how do we decide what music to listen to? In The Accessibility of Music Jochen Eisentraut argues that musical judgements are often based upon implicit attitudes to accessibility, which need to be identified and exposed. Surveying a range of disciplines, including sociology, psychology, aesthetics and cultural theory, Eisentraut investigates how and why music becomes accessible and the impact of accessibility on musical and social hierarchies. The book is structured around three major case studies: punk vs progressive rock, Vaughan Williams and his ideas on art and folk music, and Brazilian samba, both in situ and in a global context. These are used to reveal aspects of musical accessibility at work and serve as a springboard for discussions that challenge accepted ideas of musical value and meaning Gesellschaft Musik Music / Philosophy and aesthetics Music / Social aspects Erscheint auch als Druck-Ausgabe 978-1-107-02483-0 (DE-604)BV040706359 https://doi.org/10.1017/CBO9781139176088 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Eisentraut, Jochen The accessibility of music participation, reception and contact An outline topography of musical accessibility. What is musical accessibility? ; Society, atonality, psychology -- Accessibility discourse in rock, and cultural change. Case study 1 : 'Prog' rock/punk rock : sophistication, directness and shock ; Zeitgeist : accessibility in flux -- A valiant failure? : new art music and the people. Case study 2 : Vaughan Williams' National music in context ; Art music, vernacular music and accessibility -- Accessibility, identity and social action. Case study 3a : Accessibility in action : Bahia, Brazil ; 3b : Samba in Wales : how is adopted music accessible? -- Part five. Themes. Some key concepts Gesellschaft Musik Music / Philosophy and aesthetics Music / Social aspects |
| title | The accessibility of music participation, reception and contact |
| title_auth | The accessibility of music participation, reception and contact |
| title_exact_search | The accessibility of music participation, reception and contact |
| title_full | The accessibility of music participation, reception and contact Jochen Eisentraut |
| title_fullStr | The accessibility of music participation, reception and contact Jochen Eisentraut |
| title_full_unstemmed | The accessibility of music participation, reception and contact Jochen Eisentraut |
| title_short | The accessibility of music |
| title_sort | the accessibility of music participation reception and contact |
| title_sub | participation, reception and contact |
| topic | Gesellschaft Musik Music / Philosophy and aesthetics Music / Social aspects |
| topic_facet | Gesellschaft Musik Music / Philosophy and aesthetics Music / Social aspects |
| url | https://doi.org/10.1017/CBO9781139176088 |
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