Staging conventions in medieval English theatre:
How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, profe...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2014
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| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xi, 272 pages) |
| ISBN: | 9781139058582 |
| DOI: | 10.1017/CBO9781139058582 |
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Record in the Search Index
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| author | Butterworth, Philip |
| author_facet | Butterworth, Philip |
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| contents | 1. Outdoors and indoors -- 2. Casting and doubling -- 3. Rehearsing, memorising and cueing -- 4. Coming and going -- 5. Playing, feigning and counterfeiting -- 6. Dressing and disguising -- 7. Expounding and monitoring -- 8. Effecting effects -- 9. Timing and waiting -- 10. Hearing, seeing and responding |
| ctrlnum | (ZDB-20-CBO)CR9781139058582 (OCoLC)949926419 (DE-599)BVBBV043923593 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0942/0902 |
| dewey-search | 792.0942/0902 |
| dewey-sort | 3792.0942 3902 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781139058582 |
| era | Geschichte 500-1500 gnd |
| era_facet | Geschichte 500-1500 |
| format | Electronic eBook |
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| institution | BVB |
| isbn | 9781139058582 |
| language | English |
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| spelling | Butterworth, Philip Verfasser aut Staging conventions in medieval English theatre Philip Butterworth, University of Leeds Cambridge Cambridge University Press 2014 1 online resource (xi, 272 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1. Outdoors and indoors -- 2. Casting and doubling -- 3. Rehearsing, memorising and cueing -- 4. Coming and going -- 5. Playing, feigning and counterfeiting -- 6. Dressing and disguising -- 7. Expounding and monitoring -- 8. Effecting effects -- 9. Timing and waiting -- 10. Hearing, seeing and responding How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today Geschichte 500-1500 gnd rswk-swf Geschichte Theater / England / History / Medieval, 500-1500 English drama / To 1500 / History and criticism Drama (DE-588)4012899-4 gnd rswk-swf Mittelenglisch (DE-588)4039676-9 gnd rswk-swf Aufführungspraxis (DE-588)4141464-0 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Theater (DE-588)4059702-7 s Aufführungspraxis (DE-588)4141464-0 s Geschichte 500-1500 z 1\p DE-604 Mittelenglisch (DE-588)4039676-9 s Drama (DE-588)4012899-4 s 2\p DE-604 Erscheint auch als Druckausgabe 978-1-107-01548-7 https://doi.org/10.1017/CBO9781139058582 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Butterworth, Philip Staging conventions in medieval English theatre 1. Outdoors and indoors -- 2. Casting and doubling -- 3. Rehearsing, memorising and cueing -- 4. Coming and going -- 5. Playing, feigning and counterfeiting -- 6. Dressing and disguising -- 7. Expounding and monitoring -- 8. Effecting effects -- 9. Timing and waiting -- 10. Hearing, seeing and responding Geschichte Theater / England / History / Medieval, 500-1500 English drama / To 1500 / History and criticism Drama (DE-588)4012899-4 gnd Mittelenglisch (DE-588)4039676-9 gnd Aufführungspraxis (DE-588)4141464-0 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4039676-9 (DE-588)4141464-0 (DE-588)4059702-7 (DE-588)4014770-8 |
| title | Staging conventions in medieval English theatre |
| title_auth | Staging conventions in medieval English theatre |
| title_exact_search | Staging conventions in medieval English theatre |
| title_full | Staging conventions in medieval English theatre Philip Butterworth, University of Leeds |
| title_fullStr | Staging conventions in medieval English theatre Philip Butterworth, University of Leeds |
| title_full_unstemmed | Staging conventions in medieval English theatre Philip Butterworth, University of Leeds |
| title_short | Staging conventions in medieval English theatre |
| title_sort | staging conventions in medieval english theatre |
| topic | Geschichte Theater / England / History / Medieval, 500-1500 English drama / To 1500 / History and criticism Drama (DE-588)4012899-4 gnd Mittelenglisch (DE-588)4039676-9 gnd Aufführungspraxis (DE-588)4141464-0 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Geschichte Theater / England / History / Medieval, 500-1500 English drama / To 1500 / History and criticism Drama Mittelenglisch Aufführungspraxis Theater England |
| url | https://doi.org/10.1017/CBO9781139058582 |
| work_keys_str_mv | AT butterworthphilip stagingconventionsinmedievalenglishtheatre |