Recycled culture in contemporary art and film: the uses of nostalgia
The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this 2003 study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analys...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2003
|
| Series: | Cambridge studies in film
|
| Subjects: | |
| Online Access: | BSB01 UBG01 UBR01 Volltext |
| Summary: | The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this 2003 study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xi, 241 pages) |
| ISBN: | 9780511814297 |
| DOI: | 10.1017/CBO9780511814297 |
Staff View
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Record in the Search Index
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|---|---|
| any_adam_object | |
| author | Dika, Vera 1951- |
| author_facet | Dika, Vera 1951- |
| author_role | aut |
| author_sort | Dika, Vera 1951- |
| author_variant | v d vd |
| building | Verbundindex |
| bvnumber | BV043921984 |
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| collection | ZDB-20-CBO |
| contents | pt. 1: The returned image -- The photographic/film image -- Attacks on the image -- The new image -- The nostalgia film -- Strategies of resistance -- Mainstream film in the 1970s -- A cinema of loneliness -- The MOCA show -- pt. 2: Art and film: New York City in the late 1970s -- The structural film -- Pictures -- Jack Goldstein -- Two fencers -- Robert Longo -- Cindy Sherman -- Amos Poe -- pt. 3: Returned genres: The dream has ended -- Badlands -- The return of the real -- The Texas chainsaw massacre -- The shootist -- The last waltz -- pt. 4: Reconsidering the nostalgia film -- American graffiti -- The conformist -- The rocky horror picture show -- pt. 5: A return to the 1950s: The dangers in Utopia -- Grease -- Utopia rejected -- Last exit to Brooklyn -- pt. 6: Coppola and Scorsese: Authorial views -- Apocalypse now -- One from the heart -- The last temptation of Christ -- pt. 7: To destroy the sign -- The loss of the real -- Television -- Serialized forms -- The return of the classical film genres -- The stalker film -- The western -- The gangster/crime film |
| ctrlnum | (ZDB-20-CBO)CR9780511814297 (OCoLC)967406677 (DE-599)BVBBV043921984 |
| dewey-full | 791.43/653 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/653 |
| dewey-search | 791.43/653 |
| dewey-sort | 3791.43 3653 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9780511814297 |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
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| id | DE-604.BV043921984 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:38Z |
| institution | BVB |
| isbn | 9780511814297 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331065 |
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| spelling | Dika, Vera 1951- Verfasser aut Recycled culture in contemporary art and film the uses of nostalgia Vera Dika Recycled Culture in Contemporary Art & Film Cambridge Cambridge University Press 2003 1 online resource (xi, 241 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in film Title from publisher's bibliographic system (viewed on 05 Oct 2015) pt. 1: The returned image -- The photographic/film image -- Attacks on the image -- The new image -- The nostalgia film -- Strategies of resistance -- Mainstream film in the 1970s -- A cinema of loneliness -- The MOCA show -- pt. 2: Art and film: New York City in the late 1970s -- The structural film -- Pictures -- Jack Goldstein -- Two fencers -- Robert Longo -- Cindy Sherman -- Amos Poe -- pt. 3: Returned genres: The dream has ended -- Badlands -- The return of the real -- The Texas chainsaw massacre -- The shootist -- The last waltz -- pt. 4: Reconsidering the nostalgia film -- American graffiti -- The conformist -- The rocky horror picture show -- pt. 5: A return to the 1950s: The dangers in Utopia -- Grease -- Utopia rejected -- Last exit to Brooklyn -- pt. 6: Coppola and Scorsese: Authorial views -- Apocalypse now -- One from the heart -- The last temptation of Christ -- pt. 7: To destroy the sign -- The loss of the real -- Television -- Serialized forms -- The return of the classical film genres -- The stalker film -- The western -- The gangster/crime film The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this 2003 study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment Geschichte 1900-2000 Nostalgia in motion pictures Nostalgia in art Art, American / 20th century Culture in motion pictures Kunst (DE-588)4114333-4 gnd rswk-swf Nostalgie (DE-588)4131814-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Nostalgie (DE-588)4131814-6 s 1\p DE-604 Kunst (DE-588)4114333-4 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-01631-5 Erscheint auch als Druckausgabe 978-0-521-81568-0 https://doi.org/10.1017/CBO9780511814297 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dika, Vera 1951- Recycled culture in contemporary art and film the uses of nostalgia pt. 1: The returned image -- The photographic/film image -- Attacks on the image -- The new image -- The nostalgia film -- Strategies of resistance -- Mainstream film in the 1970s -- A cinema of loneliness -- The MOCA show -- pt. 2: Art and film: New York City in the late 1970s -- The structural film -- Pictures -- Jack Goldstein -- Two fencers -- Robert Longo -- Cindy Sherman -- Amos Poe -- pt. 3: Returned genres: The dream has ended -- Badlands -- The return of the real -- The Texas chainsaw massacre -- The shootist -- The last waltz -- pt. 4: Reconsidering the nostalgia film -- American graffiti -- The conformist -- The rocky horror picture show -- pt. 5: A return to the 1950s: The dangers in Utopia -- Grease -- Utopia rejected -- Last exit to Brooklyn -- pt. 6: Coppola and Scorsese: Authorial views -- Apocalypse now -- One from the heart -- The last temptation of Christ -- pt. 7: To destroy the sign -- The loss of the real -- Television -- Serialized forms -- The return of the classical film genres -- The stalker film -- The western -- The gangster/crime film Nostalgia in motion pictures Nostalgia in art Art, American / 20th century Culture in motion pictures Kunst (DE-588)4114333-4 gnd Nostalgie (DE-588)4131814-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4131814-6 (DE-588)4017102-4 |
| title | Recycled culture in contemporary art and film the uses of nostalgia |
| title_alt | Recycled Culture in Contemporary Art & Film |
| title_auth | Recycled culture in contemporary art and film the uses of nostalgia |
| title_exact_search | Recycled culture in contemporary art and film the uses of nostalgia |
| title_full | Recycled culture in contemporary art and film the uses of nostalgia Vera Dika |
| title_fullStr | Recycled culture in contemporary art and film the uses of nostalgia Vera Dika |
| title_full_unstemmed | Recycled culture in contemporary art and film the uses of nostalgia Vera Dika |
| title_short | Recycled culture in contemporary art and film |
| title_sort | recycled culture in contemporary art and film the uses of nostalgia |
| title_sub | the uses of nostalgia |
| topic | Nostalgia in motion pictures Nostalgia in art Art, American / 20th century Culture in motion pictures Kunst (DE-588)4114333-4 gnd Nostalgie (DE-588)4131814-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Nostalgia in motion pictures Nostalgia in art Art, American / 20th century Culture in motion pictures Kunst Nostalgie Film |
| url | https://doi.org/10.1017/CBO9780511814297 |
| work_keys_str_mv | AT dikavera recycledcultureincontemporaryartandfilmtheusesofnostalgia AT dikavera recycledcultureincontemporaryartfilm |