Chromatic transformations in nineteenth-century music:
David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conce...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2002
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| Schriftenreihe: | Cambridge studies in music theory and analysis
17 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xiii, 275 pages) |
| ISBN: | 9780511481932 |
| DOI: | 10.1017/CBO9780511481932 |
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| 520 | |a David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples | ||
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Datensatz im Suchindex
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| author | Kopp, David |
| author_facet | Kopp, David |
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| author_sort | Kopp, David |
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| building | Verbundindex |
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| contents | Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses |
| ctrlnum | (ZDB-20-CBO)CR9780511481932 (OCoLC)849904917 (DE-599)BVBBV043921380 |
| dewey-full | 781.2/52 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2/52 |
| dewey-search | 781.2/52 |
| dewey-sort | 3781.2 252 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481932 |
| era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
| format | Electronic eBook |
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| id | DE-604.BV043921380 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:37Z |
| institution | BVB |
| isbn | 9780511481932 |
| language | English |
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| series2 | Cambridge studies in music theory and analysis |
| spelling | Kopp, David Verfasser aut Chromatic transformations in nineteenth-century music David Kopp Cambridge Cambridge University Press 2002 1 online resource (xiii, 275 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in music theory and analysis 17 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Musik Harmony Chromaticism (Music) Music / 19th century / History and criticism Chromatik (DE-588)4147951-8 gnd rswk-swf Chromatik (DE-588)4147951-8 s Geschichte 1800-1900 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02849-3 Erscheint auch als Druckausgabe 978-0-521-80463-9 https://doi.org/10.1017/CBO9780511481932 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kopp, David Chromatic transformations in nineteenth-century music Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses Musik Harmony Chromaticism (Music) Music / 19th century / History and criticism Chromatik (DE-588)4147951-8 gnd |
| subject_GND | (DE-588)4147951-8 |
| title | Chromatic transformations in nineteenth-century music |
| title_auth | Chromatic transformations in nineteenth-century music |
| title_exact_search | Chromatic transformations in nineteenth-century music |
| title_full | Chromatic transformations in nineteenth-century music David Kopp |
| title_fullStr | Chromatic transformations in nineteenth-century music David Kopp |
| title_full_unstemmed | Chromatic transformations in nineteenth-century music David Kopp |
| title_short | Chromatic transformations in nineteenth-century music |
| title_sort | chromatic transformations in nineteenth century music |
| topic | Musik Harmony Chromaticism (Music) Music / 19th century / History and criticism Chromatik (DE-588)4147951-8 gnd |
| topic_facet | Musik Harmony Chromaticism (Music) Music / 19th century / History and criticism Chromatik |
| url | https://doi.org/10.1017/CBO9780511481932 |
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