The Puccini problem: opera, nationalism and modernity
A detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2007
|
| Series: | Cambridge studies in opera
|
| Subjects: | |
| Online Access: | DE-12 DE-473 Volltext |
| Summary: | A detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote to and the embodiment of the decadence widely felt to be afflicting late nineteenth- and early twentieth-century Italy, a nation which although politically unified remained culturally divided. The book focuses upon two central, related questions that were debated throughout Puccini's career: his status as a national or international composer, and his status as a traditionalist or modernist. In addition, Wilson examines how Puccini's operas became caught up in a wide range of extra-musical controversies concerning such issues as gender and class. This book makes a major contribution to our understanding of both the history of opera and of the wider artistic and intellectual life of turn-of-the-century Italy |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xii, 321 pages) |
| ISBN: | 9780511482045 |
| DOI: | 10.1017/CBO9780511482045 |
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| 520 | |a A detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote to and the embodiment of the decadence widely felt to be afflicting late nineteenth- and early twentieth-century Italy, a nation which although politically unified remained culturally divided. The book focuses upon two central, related questions that were debated throughout Puccini's career: his status as a national or international composer, and his status as a traditionalist or modernist. In addition, Wilson examines how Puccini's operas became caught up in a wide range of extra-musical controversies concerning such issues as gender and class. This book makes a major contribution to our understanding of both the history of opera and of the wider artistic and intellectual life of turn-of-the-century Italy | ||
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| author | Wilson, Alexandra 1973- |
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| contents | Inventing an Italian composer -- La bohème : organicism, progress and the press -- Tosca : truth and lies -- A frame without a canvas : Madama Butterfly and the superficial -- Torrefranca versus Puccini -- The Italian composer as internationalist -- A suitable ending? |
| ctrlnum | (ZDB-20-CBO)CR9780511482045 (OCoLC)850496153 (DE-599)BVBBV043921152 |
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| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511482045 |
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| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1880-1925 |
| format | Electronic eBook |
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| isbn | 9780511482045 |
| language | English |
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| spelling | Wilson, Alexandra 1973- Verfasser aut The Puccini problem opera, nationalism and modernity Alexandra Wilson Cambridge Cambridge University Press 2007 1 online resource (xii, 321 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Title from publisher's bibliographic system (viewed on 05 Oct 2015) Inventing an Italian composer -- La bohème : organicism, progress and the press -- Tosca : truth and lies -- A frame without a canvas : Madama Butterfly and the superficial -- Torrefranca versus Puccini -- The Italian composer as internationalist -- A suitable ending? A detailed investigation of the reception and cultural contexts of Puccini's music, this book offers a fresh view of this historically important but frequently overlooked composer. Wilson's study explores the ways in which Puccini's music and persona were held up as both the antidote to and the embodiment of the decadence widely felt to be afflicting late nineteenth- and early twentieth-century Italy, a nation which although politically unified remained culturally divided. The book focuses upon two central, related questions that were debated throughout Puccini's career: his status as a national or international composer, and his status as a traditionalist or modernist. In addition, Wilson examines how Puccini's operas became caught up in a wide range of extra-musical controversies concerning such issues as gender and class. This book makes a major contribution to our understanding of both the history of opera and of the wider artistic and intellectual life of turn-of-the-century Italy Puccini, Giacomo / 1858-1924 / Criticism and interpretation Puccini, Giacomo / 1858-1924 / Appreciation Puccini, Giacomo 1858-1924 (DE-588)118596942 gnd rswk-swf Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1880-1925 gnd rswk-swf Gesellschaft Musik Opera / Italy / 19th century Opera / Italy / 20th century Music / Social aspects / Italy Oper (DE-588)4043582-9 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Musik (DE-588)4040802-4 s Gesellschaft (DE-588)4020588-5 s Geschichte 1880-1925 z 1\p DE-604 Oper (DE-588)4043582-9 s 2\p DE-604 Puccini, Giacomo 1858-1924 (DE-588)118596942 p 3\p DE-604 Erscheint auch als Druckausgabe 978-0-521-10637-5 Erscheint auch als Druckausgabe 978-0-521-85688-1 https://doi.org/10.1017/CBO9780511482045 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wilson, Alexandra 1973- The Puccini problem opera, nationalism and modernity Inventing an Italian composer -- La bohème : organicism, progress and the press -- Tosca : truth and lies -- A frame without a canvas : Madama Butterfly and the superficial -- Torrefranca versus Puccini -- The Italian composer as internationalist -- A suitable ending? Puccini, Giacomo / 1858-1924 / Criticism and interpretation Puccini, Giacomo / 1858-1924 / Appreciation Puccini, Giacomo 1858-1924 (DE-588)118596942 gnd Gesellschaft Musik Opera / Italy / 19th century Opera / Italy / 20th century Music / Social aspects / Italy Oper (DE-588)4043582-9 gnd Musik (DE-588)4040802-4 gnd Gesellschaft (DE-588)4020588-5 gnd |
| subject_GND | (DE-588)118596942 (DE-588)4043582-9 (DE-588)4040802-4 (DE-588)4020588-5 (DE-588)4027833-5 |
| title | The Puccini problem opera, nationalism and modernity |
| title_auth | The Puccini problem opera, nationalism and modernity |
| title_exact_search | The Puccini problem opera, nationalism and modernity |
| title_full | The Puccini problem opera, nationalism and modernity Alexandra Wilson |
| title_fullStr | The Puccini problem opera, nationalism and modernity Alexandra Wilson |
| title_full_unstemmed | The Puccini problem opera, nationalism and modernity Alexandra Wilson |
| title_short | The Puccini problem |
| title_sort | the puccini problem opera nationalism and modernity |
| title_sub | opera, nationalism and modernity |
| topic | Puccini, Giacomo / 1858-1924 / Criticism and interpretation Puccini, Giacomo / 1858-1924 / Appreciation Puccini, Giacomo 1858-1924 (DE-588)118596942 gnd Gesellschaft Musik Opera / Italy / 19th century Opera / Italy / 20th century Music / Social aspects / Italy Oper (DE-588)4043582-9 gnd Musik (DE-588)4040802-4 gnd Gesellschaft (DE-588)4020588-5 gnd |
| topic_facet | Puccini, Giacomo / 1858-1924 / Criticism and interpretation Puccini, Giacomo / 1858-1924 / Appreciation Puccini, Giacomo 1858-1924 Gesellschaft Musik Opera / Italy / 19th century Opera / Italy / 20th century Music / Social aspects / Italy Oper Italien |
| url | https://doi.org/10.1017/CBO9780511482045 |
| work_keys_str_mv | AT wilsonalexandra thepucciniproblemoperanationalismandmodernity |