Schenker's interpretive practice:
Schenker's Interpretive Practice is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker. Since the 1960s, American theorists and musicologists have focused almost exclusively on analytical methods distilled from Schenker's writings. Break...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1997
|
| Schriftenreihe: | Cambridge studies in music theory and analysis
11 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Schenker's Interpretive Practice is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker. Since the 1960s, American theorists and musicologists have focused almost exclusively on analytical methods distilled from Schenker's writings. Breaking from that tradition, Robert Snarrenberg returns to Schenker's texts and to the humanist roots of his approach, situating Schenker's work in the broader context of his desire to portray the richness and particularity of musical experience. Snarrenberg concentrates on four aims that Schenker hoped to achieve: to present a theoretical account of musical effects encountered in European music of the eighteenth and nineteenth centuries, to represent the mindset shared among composers of that music, to convey the expressive interaction of musical effects in individual artwork, and to promote continued creative and re-creative participation in the musical tradition. Author recipient of the 1998 Young Scholar Award from the Society of Music Theory |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xxiii, 175 pages) |
| ISBN: | 9780511583056 |
| DOI: | 10.1017/CBO9780511583056 |
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Datensatz im Suchindex
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| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511583056 |
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| id | DE-604.BV043920993 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:37Z |
| institution | BVB |
| isbn | 9780511583056 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330076 |
| oclc_num | 849880202 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xxiii, 175 pages) |
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| publishDate | 1997 |
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| publisher | Cambridge University Press |
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| series2 | Cambridge studies in music theory and analysis |
| spelling | Snarrenberg, Robert Verfasser aut Schenker's interpretive practice Robert Snarrenberg Cambridge Cambridge University Press 1997 1 online resource (xxiii, 175 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in music theory and analysis 11 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Schenker's Interpretive Practice is the first comprehensive study of this century's most influential music theorist, Heinrich Schenker. Since the 1960s, American theorists and musicologists have focused almost exclusively on analytical methods distilled from Schenker's writings. Breaking from that tradition, Robert Snarrenberg returns to Schenker's texts and to the humanist roots of his approach, situating Schenker's work in the broader context of his desire to portray the richness and particularity of musical experience. Snarrenberg concentrates on four aims that Schenker hoped to achieve: to present a theoretical account of musical effects encountered in European music of the eighteenth and nineteenth centuries, to represent the mindset shared among composers of that music, to convey the expressive interaction of musical effects in individual artwork, and to promote continued creative and re-creative participation in the musical tradition. Author recipient of the 1998 Young Scholar Award from the Society of Music Theory Schenker, Heinrich / 1868-1935 Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd rswk-swf Musik Schenkerian analysis Music / Philosophy and aesthetics Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Schenker, Heinrich 1868-1935 (DE-588)118607154 p Musikalische Analyse (DE-588)4040814-0 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-01743-5 Erscheint auch als Druckausgabe 978-0-521-49726-8 https://doi.org/10.1017/CBO9780511583056 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Snarrenberg, Robert Schenker's interpretive practice Schenker, Heinrich / 1868-1935 Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Musik Schenkerian analysis Music / Philosophy and aesthetics Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)118607154 (DE-588)4040814-0 |
| title | Schenker's interpretive practice |
| title_auth | Schenker's interpretive practice |
| title_exact_search | Schenker's interpretive practice |
| title_full | Schenker's interpretive practice Robert Snarrenberg |
| title_fullStr | Schenker's interpretive practice Robert Snarrenberg |
| title_full_unstemmed | Schenker's interpretive practice Robert Snarrenberg |
| title_short | Schenker's interpretive practice |
| title_sort | schenker s interpretive practice |
| topic | Schenker, Heinrich / 1868-1935 Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Musik Schenkerian analysis Music / Philosophy and aesthetics Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Schenker, Heinrich / 1868-1935 Schenker, Heinrich 1868-1935 Musik Schenkerian analysis Music / Philosophy and aesthetics Musikalische Analyse |
| url | https://doi.org/10.1017/CBO9780511583056 |
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