Opera and society in Italy and France from Monteverdi to Bourdieu:
This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth...
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| Other Authors: | , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2007
|
| Series: | Cambridge studies in opera
|
| Subjects: | |
| Online Access: | DE-12 DE-473 Volltext |
| Summary: | This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (xxxii, 406 pages) |
| ISBN: | 9780511481734 |
| DOI: | 10.1017/CBO9780511481734 |
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| 505 | 8 | |a Theorizing opera and the social : introduction to part III / Victoria Johnson -- On opera and society (assuming a relationship) / Herbert Lindenberger -- Symbolic domination and contestation in French music : shifting the paradigm from Adorno to Bourdieu / Jane F. Fulcher -- Rewriting history from the losers' point of view : French grand opera and modernity / Antoine Hennion -- Conclusion : towards a new understanding of the history of opera? / Thomas Ertman | |
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| contents | The representation of social and political relations in operatic works : introduction to part I / Jane F. Fulcher -- Venice's mythic empires : truth and verisimilitude in Venetian opera / Wendy Heller -- Lully's on-stage societies / Rebecca Harris-Warrick -- Representations of "le peuple" in French opera, 1673-1764 / Catherine Kintzler -- Woman's roles in Meyerbeer's operas : how Italian heroines are reflected in French grand opera / Naomi André -- The effect of a bomb in the hall : the French "opera of ideas" and its cultural role in the 1920s / Jane F. Fulcher The institutional bases for the production and reception of opera : introduction to part II / Thomas Ertman -- State and market, production and style : an interdisciplinary approach to eighteenth-century Italian opera history / Franco Piperno -- Opera and the cultural authority of the capital city / William Weber -- "Edizioni distrutte" and the significance of operatic choruses during the Risorgimento / Philip Gossett -- Opera in France, 1870-1914 : between nationalism and foreign imports / Christophe Charle -- Fascism and the operatic unconscious / Michael P. Steinberg and Suzanne Stewart-Steinberg Theorizing opera and the social : introduction to part III / Victoria Johnson -- On opera and society (assuming a relationship) / Herbert Lindenberger -- Symbolic domination and contestation in French music : shifting the paradigm from Adorno to Bourdieu / Jane F. Fulcher -- Rewriting history from the losers' point of view : French grand opera and modernity / Antoine Hennion -- Conclusion : towards a new understanding of the history of opera? / Thomas Ertman |
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| dewey-ones | 782 - Vocal music |
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| dewey-search | 782.10944 |
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| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481734 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| indexdate | 2025-01-02T21:04:04Z |
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| isbn | 9780511481734 |
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| series2 | Cambridge studies in opera |
| spelling | Opera and society in Italy and France from Monteverdi to Bourdieu edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman Opera & Society in Italy & France from Monteverdi to Bourdieu Cambridge Cambridge University Press 2007 1 online resource (xxxii, 406 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Title from publisher's bibliographic system (viewed on 05 Oct 2015) The representation of social and political relations in operatic works : introduction to part I / Jane F. Fulcher -- Venice's mythic empires : truth and verisimilitude in Venetian opera / Wendy Heller -- Lully's on-stage societies / Rebecca Harris-Warrick -- Representations of "le peuple" in French opera, 1673-1764 / Catherine Kintzler -- Woman's roles in Meyerbeer's operas : how Italian heroines are reflected in French grand opera / Naomi André -- The effect of a bomb in the hall : the French "opera of ideas" and its cultural role in the 1920s / Jane F. Fulcher The institutional bases for the production and reception of opera : introduction to part II / Thomas Ertman -- State and market, production and style : an interdisciplinary approach to eighteenth-century Italian opera history / Franco Piperno -- Opera and the cultural authority of the capital city / William Weber -- "Edizioni distrutte" and the significance of operatic choruses during the Risorgimento / Philip Gossett -- Opera in France, 1870-1914 : between nationalism and foreign imports / Christophe Charle -- Fascism and the operatic unconscious / Michael P. Steinberg and Suzanne Stewart-Steinberg Theorizing opera and the social : introduction to part III / Victoria Johnson -- On opera and society (assuming a relationship) / Herbert Lindenberger -- Symbolic domination and contestation in French music : shifting the paradigm from Adorno to Bourdieu / Jane F. Fulcher -- Rewriting history from the losers' point of view : French grand opera and modernity / Antoine Hennion -- Conclusion : towards a new understanding of the history of opera? / Thomas Ertman This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera Geschichte gnd rswk-swf Gesellschaft Opera / Social aspects / Italy Opera / Social aspects / France Oper (DE-588)4043582-9 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Frankreich Italien Frankreich (DE-588)4018145-5 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift gnd-content Frankreich (DE-588)4018145-5 g Oper (DE-588)4043582-9 s Gesellschaft (DE-588)4020588-5 s Geschichte z 2\p DE-604 Italien (DE-588)4027833-5 g 3\p DE-604 Johnson, Victoria 1969- (DE-588)137473222 edt Fulcher, Jane F. 1950- (DE-588)140854037 edt Ertman, Thomas C. (DE-588)1129804712 edt Erscheint auch als Druckausgabe 978-0-521-12420-1 Erscheint auch als Druckausgabe 978-0-521-85675-1 https://doi.org/10.1017/CBO9780511481734 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Opera and society in Italy and France from Monteverdi to Bourdieu The representation of social and political relations in operatic works : introduction to part I / Jane F. Fulcher -- Venice's mythic empires : truth and verisimilitude in Venetian opera / Wendy Heller -- Lully's on-stage societies / Rebecca Harris-Warrick -- Representations of "le peuple" in French opera, 1673-1764 / Catherine Kintzler -- Woman's roles in Meyerbeer's operas : how Italian heroines are reflected in French grand opera / Naomi André -- The effect of a bomb in the hall : the French "opera of ideas" and its cultural role in the 1920s / Jane F. Fulcher The institutional bases for the production and reception of opera : introduction to part II / Thomas Ertman -- State and market, production and style : an interdisciplinary approach to eighteenth-century Italian opera history / Franco Piperno -- Opera and the cultural authority of the capital city / William Weber -- "Edizioni distrutte" and the significance of operatic choruses during the Risorgimento / Philip Gossett -- Opera in France, 1870-1914 : between nationalism and foreign imports / Christophe Charle -- Fascism and the operatic unconscious / Michael P. Steinberg and Suzanne Stewart-Steinberg Theorizing opera and the social : introduction to part III / Victoria Johnson -- On opera and society (assuming a relationship) / Herbert Lindenberger -- Symbolic domination and contestation in French music : shifting the paradigm from Adorno to Bourdieu / Jane F. Fulcher -- Rewriting history from the losers' point of view : French grand opera and modernity / Antoine Hennion -- Conclusion : towards a new understanding of the history of opera? / Thomas Ertman Gesellschaft Opera / Social aspects / Italy Opera / Social aspects / France Oper (DE-588)4043582-9 gnd Gesellschaft (DE-588)4020588-5 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4020588-5 (DE-588)4018145-5 (DE-588)4027833-5 (DE-588)1071861417 |
| title | Opera and society in Italy and France from Monteverdi to Bourdieu |
| title_alt | Opera & Society in Italy & France from Monteverdi to Bourdieu |
| title_auth | Opera and society in Italy and France from Monteverdi to Bourdieu |
| title_exact_search | Opera and society in Italy and France from Monteverdi to Bourdieu |
| title_full | Opera and society in Italy and France from Monteverdi to Bourdieu edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman |
| title_fullStr | Opera and society in Italy and France from Monteverdi to Bourdieu edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman |
| title_full_unstemmed | Opera and society in Italy and France from Monteverdi to Bourdieu edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman |
| title_short | Opera and society in Italy and France from Monteverdi to Bourdieu |
| title_sort | opera and society in italy and france from monteverdi to bourdieu |
| topic | Gesellschaft Opera / Social aspects / Italy Opera / Social aspects / France Oper (DE-588)4043582-9 gnd Gesellschaft (DE-588)4020588-5 gnd |
| topic_facet | Gesellschaft Opera / Social aspects / Italy Opera / Social aspects / France Oper Frankreich Italien Konferenzschrift |
| url | https://doi.org/10.1017/CBO9780511481734 |
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