Music technology:
Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recordin...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2012
|
| Series: | Cambridge introductions to music
|
| Subjects: | |
| Online Access: | BSB01 UBG01 UBR01 Volltext |
| Summary: | Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music |
| Physical Description: | 1 Online-Ressource (xvii, 215 Seiten) |
| ISBN: | 9780511732539 |
| DOI: | 10.1017/CBO9780511732539 |
Staff View
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| 520 | |a Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music | ||
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Record in the Search Index
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| author | Escrivan Rincón, Julio d' 1957- |
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| author_role | aut |
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| contents | Representing and storing sound -- A studio overview -- Synthesiser, samplers, and drum machines -- Live music technology (the FAQs) -- Select, remix, mashup -- The producer -- Music, sound, and visual media -- The studio as experimental lab -- Controllers : new creative possibilities in performance -- Hacking electronics for music -- Further avenues for exploration |
| ctrlnum | (ZDB-20-CBO)CR9780511732539 (OCoLC)992847511 (DE-599)BVBBV043918759 |
| dewey-full | 786.7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.7 |
| dewey-search | 786.7 |
| dewey-sort | 3786.7 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511732539 |
| format | Electronic eBook |
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| id | DE-604.BV043918759 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:32Z |
| institution | BVB |
| isbn | 9780511732539 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029327840 |
| oclc_num | 992847511 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (xvii, 215 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBR Sammelbestellung 2021 |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge introductions to music |
| spelling | Escrivan Rincón, Julio d' 1957- Verfasser (DE-588)136955517 aut Music technology Julio d'Escriván Cambridge Cambridge University Press 2012 1 Online-Ressource (xvii, 215 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge introductions to music Representing and storing sound -- A studio overview -- Synthesiser, samplers, and drum machines -- Live music technology (the FAQs) -- Select, remix, mashup -- The producer -- Music, sound, and visual media -- The studio as experimental lab -- Controllers : new creative possibilities in performance -- Hacking electronics for music -- Further avenues for exploration Emphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music Datenverarbeitung Musik Music / Data processing Sound / Recording and reproducing / Digital techniques Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Soundverarbeitung (DE-588)4485311-7 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 s Soundverarbeitung (DE-588)4485311-7 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-00080-3 Erscheint auch als Druck-Ausgabe, Paperback 978-0-521-17042-0 https://doi.org/10.1017/CBO9780511732539 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Escrivan Rincón, Julio d' 1957- Music technology Representing and storing sound -- A studio overview -- Synthesiser, samplers, and drum machines -- Live music technology (the FAQs) -- Select, remix, mashup -- The producer -- Music, sound, and visual media -- The studio as experimental lab -- Controllers : new creative possibilities in performance -- Hacking electronics for music -- Further avenues for exploration Datenverarbeitung Musik Music / Data processing Sound / Recording and reproducing / Digital techniques Elektronische Musik (DE-588)4014355-7 gnd Soundverarbeitung (DE-588)4485311-7 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)4485311-7 |
| title | Music technology |
| title_auth | Music technology |
| title_exact_search | Music technology |
| title_full | Music technology Julio d'Escriván |
| title_fullStr | Music technology Julio d'Escriván |
| title_full_unstemmed | Music technology Julio d'Escriván |
| title_short | Music technology |
| title_sort | music technology |
| topic | Datenverarbeitung Musik Music / Data processing Sound / Recording and reproducing / Digital techniques Elektronische Musik (DE-588)4014355-7 gnd Soundverarbeitung (DE-588)4485311-7 gnd |
| topic_facet | Datenverarbeitung Musik Music / Data processing Sound / Recording and reproducing / Digital techniques Elektronische Musik Soundverarbeitung |
| url | https://doi.org/10.1017/CBO9780511732539 |
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