The Cambridge introduction to the American short story:
This wide-ranging introduction to the short story tradition in the United States of America traces the genre from its beginnings in the early nineteenth century with Irving, Hawthorne and Poe via Fitzgerald, Hemingway and Faulkner to O'Connor and Carver. The major writers in the genre are cover...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2006
|
| Schriftenreihe: | Cambridge introductions to literature
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBW01 Volltext |
| Zusammenfassung: | This wide-ranging introduction to the short story tradition in the United States of America traces the genre from its beginnings in the early nineteenth century with Irving, Hawthorne and Poe via Fitzgerald, Hemingway and Faulkner to O'Connor and Carver. The major writers in the genre are covered in depth with a general view of their work and detailed discussion of a number of examples of individual stories. The Cambridge Introduction to the American Short Story offers a comprehensive and accessible guide to this rich literary tradition. It will be invaluable to students and readers looking for critical approaches to the short story and wishing to deepen their understanding of how authors have approached and developed this fascinating and challenging genre. Further reading suggestions are included to explore the subject in more depth. This is an invaluable overview for all students and readers of American fiction |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (ix, 291 pages) |
| ISBN: | 9780511607257 |
| DOI: | 10.1017/CBO9780511607257 |
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| 505 | 8 | 0 | |t <<The>> short story as ironic myth: Washington Irving and William Austin |t Nathaniel Hawthorne |t Edgar Allan Poe |t Herman Melville |t New territories: Bret Harte and Mark Twain |t Realism, the grotesque and impressionism: Hamlin Garland, Ambrose Bierce and Stephen Crane |t Henry James |t Rebecca Harding Davis, Sarah Orne Jewett and Mary Wilkins Freeman |t Charlotte Perkins Gilman, Kate Chopin, Edith Wharton and Willa Cather |t Growth, fragmentation, new aesthetics and new voices in the early twentieth century |t O. Henry and Jack London |t Sherwood Anderson |t Ernest Hemingway |t F. Scott Fitzgerald |t William Faulkner |t Katherine Anne Porter, Eudora Welty and Flannery O'Connor |t Charles Chesnutt, Richard Wright, James Baldwin and the African American short story to 1965 |t Aspects of the American short story 1930-1980 |t Two traditions and the changing idea of the mainstream |t <<The>> postmodern short story in America |t Raymond Carver |t <<The>> contemporary American short story |
| 520 | |a This wide-ranging introduction to the short story tradition in the United States of America traces the genre from its beginnings in the early nineteenth century with Irving, Hawthorne and Poe via Fitzgerald, Hemingway and Faulkner to O'Connor and Carver. The major writers in the genre are covered in depth with a general view of their work and detailed discussion of a number of examples of individual stories. The Cambridge Introduction to the American Short Story offers a comprehensive and accessible guide to this rich literary tradition. It will be invaluable to students and readers looking for critical approaches to the short story and wishing to deepen their understanding of how authors have approached and developed this fascinating and challenging genre. Further reading suggestions are included to explore the subject in more depth. This is an invaluable overview for all students and readers of American fiction | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Scofield, Martin |
| author_GND | (DE-588)1046075322 |
| author_facet | Scofield, Martin |
| author_role | aut |
| author_sort | Scofield, Martin |
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| building | Verbundindex |
| bvnumber | BV043918547 |
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| contents | <<The>> short story as ironic myth: Washington Irving and William Austin Nathaniel Hawthorne Edgar Allan Poe Herman Melville New territories: Bret Harte and Mark Twain Realism, the grotesque and impressionism: Hamlin Garland, Ambrose Bierce and Stephen Crane Henry James Rebecca Harding Davis, Sarah Orne Jewett and Mary Wilkins Freeman Charlotte Perkins Gilman, Kate Chopin, Edith Wharton and Willa Cather Growth, fragmentation, new aesthetics and new voices in the early twentieth century O. Henry and Jack London Sherwood Anderson Ernest Hemingway F. Scott Fitzgerald William Faulkner Katherine Anne Porter, Eudora Welty and Flannery O'Connor Charles Chesnutt, Richard Wright, James Baldwin and the African American short story to 1965 Aspects of the American short story 1930-1980 Two traditions and the changing idea of the mainstream <<The>> postmodern short story in America Raymond Carver <<The>> contemporary American short story |
| ctrlnum | (ZDB-20-CBO)CR9780511607257 (OCoLC)830937046 (DE-599)BVBBV043918547 |
| dewey-full | 813.0109 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English |
| dewey-raw | 813.0109 |
| dewey-search | 813.0109 |
| dewey-sort | 3813.0109 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511607257 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV043918547 |
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| indexdate | 2024-07-10T07:38:31Z |
| institution | BVB |
| isbn | 9780511607257 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029327630 |
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| spelling | Scofield, Martin Verfasser (DE-588)1046075322 aut The Cambridge introduction to the American short story Martin Scofield Cambridge Cambridge University Press 2006 1 online resource (ix, 291 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge introductions to literature Title from publisher's bibliographic system (viewed on 05 Oct 2015) <<The>> short story as ironic myth: Washington Irving and William Austin Nathaniel Hawthorne Edgar Allan Poe Herman Melville New territories: Bret Harte and Mark Twain Realism, the grotesque and impressionism: Hamlin Garland, Ambrose Bierce and Stephen Crane Henry James Rebecca Harding Davis, Sarah Orne Jewett and Mary Wilkins Freeman Charlotte Perkins Gilman, Kate Chopin, Edith Wharton and Willa Cather Growth, fragmentation, new aesthetics and new voices in the early twentieth century O. Henry and Jack London Sherwood Anderson Ernest Hemingway F. Scott Fitzgerald William Faulkner Katherine Anne Porter, Eudora Welty and Flannery O'Connor Charles Chesnutt, Richard Wright, James Baldwin and the African American short story to 1965 Aspects of the American short story 1930-1980 Two traditions and the changing idea of the mainstream <<The>> postmodern short story in America Raymond Carver <<The>> contemporary American short story This wide-ranging introduction to the short story tradition in the United States of America traces the genre from its beginnings in the early nineteenth century with Irving, Hawthorne and Poe via Fitzgerald, Hemingway and Faulkner to O'Connor and Carver. The major writers in the genre are covered in depth with a general view of their work and detailed discussion of a number of examples of individual stories. The Cambridge Introduction to the American Short Story offers a comprehensive and accessible guide to this rich literary tradition. It will be invaluable to students and readers looking for critical approaches to the short story and wishing to deepen their understanding of how authors have approached and developed this fascinating and challenging genre. Further reading suggestions are included to explore the subject in more depth. This is an invaluable overview for all students and readers of American fiction Geschichte gnd rswk-swf Short stories, American / History and criticism Kurzgeschichte (DE-588)4033842-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Kurzgeschichte (DE-588)4033842-3 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-82643-3 Erscheint auch als Druck-Ausgabe, Paperback 978-0-521-53381-2 https://doi.org/10.1017/CBO9780511607257 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Scofield, Martin The Cambridge introduction to the American short story <<The>> short story as ironic myth: Washington Irving and William Austin Nathaniel Hawthorne Edgar Allan Poe Herman Melville New territories: Bret Harte and Mark Twain Realism, the grotesque and impressionism: Hamlin Garland, Ambrose Bierce and Stephen Crane Henry James Rebecca Harding Davis, Sarah Orne Jewett and Mary Wilkins Freeman Charlotte Perkins Gilman, Kate Chopin, Edith Wharton and Willa Cather Growth, fragmentation, new aesthetics and new voices in the early twentieth century O. Henry and Jack London Sherwood Anderson Ernest Hemingway F. Scott Fitzgerald William Faulkner Katherine Anne Porter, Eudora Welty and Flannery O'Connor Charles Chesnutt, Richard Wright, James Baldwin and the African American short story to 1965 Aspects of the American short story 1930-1980 Two traditions and the changing idea of the mainstream <<The>> postmodern short story in America Raymond Carver <<The>> contemporary American short story Short stories, American / History and criticism Kurzgeschichte (DE-588)4033842-3 gnd |
| subject_GND | (DE-588)4033842-3 (DE-588)4078704-7 |
| title | The Cambridge introduction to the American short story |
| title_alt | <<The>> short story as ironic myth: Washington Irving and William Austin Nathaniel Hawthorne Edgar Allan Poe Herman Melville New territories: Bret Harte and Mark Twain Realism, the grotesque and impressionism: Hamlin Garland, Ambrose Bierce and Stephen Crane Henry James Rebecca Harding Davis, Sarah Orne Jewett and Mary Wilkins Freeman Charlotte Perkins Gilman, Kate Chopin, Edith Wharton and Willa Cather Growth, fragmentation, new aesthetics and new voices in the early twentieth century O. Henry and Jack London Sherwood Anderson Ernest Hemingway F. Scott Fitzgerald William Faulkner Katherine Anne Porter, Eudora Welty and Flannery O'Connor Charles Chesnutt, Richard Wright, James Baldwin and the African American short story to 1965 Aspects of the American short story 1930-1980 Two traditions and the changing idea of the mainstream <<The>> postmodern short story in America Raymond Carver <<The>> contemporary American short story |
| title_auth | The Cambridge introduction to the American short story |
| title_exact_search | The Cambridge introduction to the American short story |
| title_full | The Cambridge introduction to the American short story Martin Scofield |
| title_fullStr | The Cambridge introduction to the American short story Martin Scofield |
| title_full_unstemmed | The Cambridge introduction to the American short story Martin Scofield |
| title_short | The Cambridge introduction to the American short story |
| title_sort | the cambridge introduction to the american short story |
| topic | Short stories, American / History and criticism Kurzgeschichte (DE-588)4033842-3 gnd |
| topic_facet | Short stories, American / History and criticism Kurzgeschichte USA |
| url | https://doi.org/10.1017/CBO9780511607257 |
| work_keys_str_mv | AT scofieldmartin thecambridgeintroductiontotheamericanshortstory |