Hildegard of Bingen and musical reception: the modern revival of a medieval composer
Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of cle...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Cambridge
Cambridge University Press
2015
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| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xiii, 235 pages) |
| ISBN: | 9781139924597 |
| DOI: | 10.1017/CBO9781139924597 |
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| 505 | 8 | |a Introduction. O virga ac diadema : historiography of a song -- Forgotten? Hildegard's reception from 1179 to 1850 -- Hildegard's increased veneration and emergence as a composer -- The German revival of chant -- Hildegard and the Kulturkampf -- Hildegard, tourism, and the politics of chant -- Conclusion. New century, new abbey, new Hildegard | |
| 520 | |a Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities | ||
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Datensatz im Suchindex
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| author | Bain, Jennifer 1967- |
| author_facet | Bain, Jennifer 1967- |
| author_role | aut |
| author_sort | Bain, Jennifer 1967- |
| author_variant | j b jb |
| building | Verbundindex |
| bvnumber | BV043917998 |
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| collection | ZDB-20-CBO |
| contents | Introduction. O virga ac diadema : historiography of a song -- Forgotten? Hildegard's reception from 1179 to 1850 -- Hildegard's increased veneration and emergence as a composer -- The German revival of chant -- Hildegard and the Kulturkampf -- Hildegard, tourism, and the politics of chant -- Conclusion. New century, new abbey, new Hildegard |
| ctrlnum | (ZDB-20-CBO)CR9781139924597 (OCoLC)949925589 (DE-599)BVBBV043917998 |
| dewey-full | 782.25092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.25092 |
| dewey-search | 782.25092 |
| dewey-sort | 3782.25092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139924597 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV043917998 |
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| indexdate | 2024-07-10T07:38:30Z |
| institution | BVB |
| isbn | 9781139924597 |
| language | English |
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| spelling | Bain, Jennifer 1967- Verfasser aut Hildegard of Bingen and musical reception the modern revival of a medieval composer Jennifer Bain Hildegard of Bingen & Musical Reception Cambridge Cambridge University Press 2015 1 online resource (xiii, 235 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction. O virga ac diadema : historiography of a song -- Forgotten? Hildegard's reception from 1179 to 1850 -- Hildegard's increased veneration and emergence as a composer -- The German revival of chant -- Hildegard and the Kulturkampf -- Hildegard, tourism, and the politics of chant -- Conclusion. New century, new abbey, new Hildegard Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities Hildegard / Saint / 1098-1179 / Appreciation / History Hildegard Bingen, Äbtissin, Heilige 1098-1179 (DE-588)118550993 gnd rswk-swf Geschichte gnd rswk-swf Geschichte Gregorian chants / History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Hildegard Bingen, Äbtissin, Heilige 1098-1179 (DE-588)118550993 p Musik (DE-588)4040802-4 s Rezeption (DE-588)4049716-1 s Geschichte z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-07666-2 Erscheint auch als Druckausgabe 978-1-107-43387-8 https://doi.org/10.1017/CBO9781139924597 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bain, Jennifer 1967- Hildegard of Bingen and musical reception the modern revival of a medieval composer Introduction. O virga ac diadema : historiography of a song -- Forgotten? Hildegard's reception from 1179 to 1850 -- Hildegard's increased veneration and emergence as a composer -- The German revival of chant -- Hildegard and the Kulturkampf -- Hildegard, tourism, and the politics of chant -- Conclusion. New century, new abbey, new Hildegard Hildegard / Saint / 1098-1179 / Appreciation / History Hildegard Bingen, Äbtissin, Heilige 1098-1179 (DE-588)118550993 gnd Geschichte Gregorian chants / History and criticism Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118550993 (DE-588)4040802-4 (DE-588)4049716-1 |
| title | Hildegard of Bingen and musical reception the modern revival of a medieval composer |
| title_alt | Hildegard of Bingen & Musical Reception |
| title_auth | Hildegard of Bingen and musical reception the modern revival of a medieval composer |
| title_exact_search | Hildegard of Bingen and musical reception the modern revival of a medieval composer |
| title_full | Hildegard of Bingen and musical reception the modern revival of a medieval composer Jennifer Bain |
| title_fullStr | Hildegard of Bingen and musical reception the modern revival of a medieval composer Jennifer Bain |
| title_full_unstemmed | Hildegard of Bingen and musical reception the modern revival of a medieval composer Jennifer Bain |
| title_short | Hildegard of Bingen and musical reception |
| title_sort | hildegard of bingen and musical reception the modern revival of a medieval composer |
| title_sub | the modern revival of a medieval composer |
| topic | Hildegard / Saint / 1098-1179 / Appreciation / History Hildegard Bingen, Äbtissin, Heilige 1098-1179 (DE-588)118550993 gnd Geschichte Gregorian chants / History and criticism Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Hildegard / Saint / 1098-1179 / Appreciation / History Hildegard Bingen, Äbtissin, Heilige 1098-1179 Geschichte Gregorian chants / History and criticism Musik Rezeption |
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