Painting, literature, and film in Colombian feminine culture, 1940-2005: of border guards, nomads and women
Women artists, writers and filmmakers in Colombia have consistently foregrounded the relationship between gender and the often violent processes which have marked the country's history over the past century. This book explores crucial moments in the emergence of feminine culture in Colombia hit...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Suffolk
Boydell & Brewer
2012
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| Subjects: | |
| Online Access: | DE-12 DE-473 Volltext |
| Summary: | Women artists, writers and filmmakers in Colombia have consistently foregrounded the relationship between gender and the often violent processes which have marked the country's history over the past century. This book explores crucial moments in the emergence of feminine culture in Colombia hitherto unexamined in English-language criticism through an examination of the work of ground-breaking artist Débora Arango, best-selling novelist Laura Restrepo, and three generations of documentary filmmakers. Deborah Martin shows how Colombian women writers and artists have critiqued discourses that territorialize femininity and provided alternative models that free women from their passive or allegorical representational status as border guards, re-thinking feminine subjectivity and taking it to new symbolic territories. The book's approach - comparing art, literature and film - reveals a resistive trajectory in dialogue with dominant tendencies in Colombian feminist theory, itself the product of an intellectual sphere conditioned by the need to think about political violence. DEBORAH MARTIN is a Lecturer in Latin American Cultural Studies at University College London |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Physical Description: | 1 online resource (x, 234 pages) |
| ISBN: | 9781782040910 |
Staff View
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| 520 | |a Women artists, writers and filmmakers in Colombia have consistently foregrounded the relationship between gender and the often violent processes which have marked the country's history over the past century. This book explores crucial moments in the emergence of feminine culture in Colombia hitherto unexamined in English-language criticism through an examination of the work of ground-breaking artist Débora Arango, best-selling novelist Laura Restrepo, and three generations of documentary filmmakers. Deborah Martin shows how Colombian women writers and artists have critiqued discourses that territorialize femininity and provided alternative models that free women from their passive or allegorical representational status as border guards, re-thinking feminine subjectivity and taking it to new symbolic territories. The book's approach - comparing art, literature and film - reveals a resistive trajectory in dialogue with dominant tendencies in Colombian feminist theory, itself the product of an intellectual sphere conditioned by the need to think about political violence. DEBORAH MARTIN is a Lecturer in Latin American Cultural Studies at University College London | ||
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Record in the Search Index
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| adam_text | |
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| author | Martin, Deborah |
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| contents | Introduction -- The female body in Débora Arango -- Gender, identity, and desire in Larua Restrepo -- Women's documentary film: slipping discursive frames -- Conclusion |
| ctrlnum | (ZDB-20-CBO)CR9781782040910 (OCoLC)967389605 (DE-599)BVBBV043917060 |
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| discipline | Soziologie |
| era | Geschichte 1900-2000 Geschichte 1940-2005 gnd |
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| spelling | Martin, Deborah Verfasser aut Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women Deborah Martin Painting, Literature & Film in Colombian Feminine Culture, 1940–2005 Suffolk Boydell & Brewer 2012 1 online resource (x, 234 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction -- The female body in Débora Arango -- Gender, identity, and desire in Larua Restrepo -- Women's documentary film: slipping discursive frames -- Conclusion Women artists, writers and filmmakers in Colombia have consistently foregrounded the relationship between gender and the often violent processes which have marked the country's history over the past century. This book explores crucial moments in the emergence of feminine culture in Colombia hitherto unexamined in English-language criticism through an examination of the work of ground-breaking artist Débora Arango, best-selling novelist Laura Restrepo, and three generations of documentary filmmakers. Deborah Martin shows how Colombian women writers and artists have critiqued discourses that territorialize femininity and provided alternative models that free women from their passive or allegorical representational status as border guards, re-thinking feminine subjectivity and taking it to new symbolic territories. The book's approach - comparing art, literature and film - reveals a resistive trajectory in dialogue with dominant tendencies in Colombian feminist theory, itself the product of an intellectual sphere conditioned by the need to think about political violence. DEBORAH MARTIN is a Lecturer in Latin American Cultural Studies at University College London Arango Pérez, Débora / Criticism and interpretation Restrepo, Laura / Criticism and interpretation Geschichte 1900-2000 Geschichte 1940-2005 gnd rswk-swf Alltag, Brauchtum Frau Women and the arts / Colombia Women and literature / Colombia Motion pictures and women / Colombia Women / Colombia / Social life and customs / 20th century Feminism / Colombia Feminism and art / Colombia Feminism and literature / Colombia Feminism and motion pictures / Colombia Documentary films / Colombia / History and criticism Women in art Women in literature Frauenliteratur (DE-588)4113622-6 gnd rswk-swf Frauenkunst (DE-588)4370467-0 gnd rswk-swf Frauenfilm (DE-588)4125060-6 gnd rswk-swf Kolumbien (DE-588)4031812-6 gnd rswk-swf Kolumbien (DE-588)4031812-6 g Frauenfilm (DE-588)4125060-6 s Frauenliteratur (DE-588)4113622-6 s Frauenkunst (DE-588)4370467-0 s Geschichte 1940-2005 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-85566-242-1 http://www.cambridge.org/core/product/identifier/9781782040910/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Martin, Deborah Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women Introduction -- The female body in Débora Arango -- Gender, identity, and desire in Larua Restrepo -- Women's documentary film: slipping discursive frames -- Conclusion Arango Pérez, Débora / Criticism and interpretation Restrepo, Laura / Criticism and interpretation Alltag, Brauchtum Frau Women and the arts / Colombia Women and literature / Colombia Motion pictures and women / Colombia Women / Colombia / Social life and customs / 20th century Feminism / Colombia Feminism and art / Colombia Feminism and literature / Colombia Feminism and motion pictures / Colombia Documentary films / Colombia / History and criticism Women in art Women in literature Frauenliteratur (DE-588)4113622-6 gnd Frauenkunst (DE-588)4370467-0 gnd Frauenfilm (DE-588)4125060-6 gnd |
| subject_GND | (DE-588)4113622-6 (DE-588)4370467-0 (DE-588)4125060-6 (DE-588)4031812-6 |
| title | Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women |
| title_alt | Painting, Literature & Film in Colombian Feminine Culture, 1940–2005 |
| title_auth | Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women |
| title_exact_search | Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women |
| title_full | Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women Deborah Martin |
| title_fullStr | Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women Deborah Martin |
| title_full_unstemmed | Painting, literature, and film in Colombian feminine culture, 1940-2005 of border guards, nomads and women Deborah Martin |
| title_short | Painting, literature, and film in Colombian feminine culture, 1940-2005 |
| title_sort | painting literature and film in colombian feminine culture 1940 2005 of border guards nomads and women |
| title_sub | of border guards, nomads and women |
| topic | Arango Pérez, Débora / Criticism and interpretation Restrepo, Laura / Criticism and interpretation Alltag, Brauchtum Frau Women and the arts / Colombia Women and literature / Colombia Motion pictures and women / Colombia Women / Colombia / Social life and customs / 20th century Feminism / Colombia Feminism and art / Colombia Feminism and literature / Colombia Feminism and motion pictures / Colombia Documentary films / Colombia / History and criticism Women in art Women in literature Frauenliteratur (DE-588)4113622-6 gnd Frauenkunst (DE-588)4370467-0 gnd Frauenfilm (DE-588)4125060-6 gnd |
| topic_facet | Arango Pérez, Débora / Criticism and interpretation Restrepo, Laura / Criticism and interpretation Alltag, Brauchtum Frau Women and the arts / Colombia Women and literature / Colombia Motion pictures and women / Colombia Women / Colombia / Social life and customs / 20th century Feminism / Colombia Feminism and art / Colombia Feminism and literature / Colombia Feminism and motion pictures / Colombia Documentary films / Colombia / History and criticism Women in art Women in literature Frauenliteratur Frauenkunst Frauenfilm Kolumbien |
| url | http://www.cambridge.org/core/product/identifier/9781782040910/type/BOOK |
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