Music and ultra-modernism in France: a fragile consensus, 1913-1939
Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Société Musicale Indépendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936. Exploring the ideas of consensus, resistance and rupture, the book contributes an important a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Suffolk
Boydell & Brewer
2013
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| Online-Zugang: | BSB01 BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Société Musicale Indépendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936. Exploring the ideas of consensus, resistance and rupture, the book contributes an important and nuanced reflection to the current debate on modernism in music. It considers the roles composers, critics and biographers played in shaping debates about contemporary music, showing how composers including Ravel, Poulenc, Milhaud, Jolivet and Messiaen and critics such as Paul Landormy, André Coeuroy and Roland-Manuel often worked in partnership to bring their ideas to a public forum. It also expands the notion of 'interwar' through the essential inclusion of World War I and the years before, reconfiguring the narrative for that period. This book challenges some of the stereotypes that characterise the period, in particular, neo-classicism and the dominance of secularism. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc and invited audiences and critics to rethink what it meant to be modern. The interwar years were also marked by commemoration and loss. Debussy's wartime death in 1918 stimulated competing efforts (by Emile Vuillermoz, Léon Vallas and Henry Prunières) to shape his legacy. They were motivated by nostalgia for a lost and glorious generation and a commitment to building a legacy of French achievement. Music and Ultra-Modernism in France argues for the vitality of French music in the period 1913-39 and challenges the received view that the period and its musical culture lacked dynamism, innovation or serious musical debate. BARBARA L. KELLY is Professor of Music at Keele University |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (x, 257 pages) |
| ISBN: | 9781782041689 9781843838104 |
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Datensatz im Suchindex
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| author | Kelly, Barbara L. |
| author_facet | Kelly, Barbara L. |
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| contents | Introduction: consensus, resistance and new music in France -- Remembering Debussy: nostalgia and modernism in interwar France -- Musical allegiances and factions: Ravel, Satie and the question of leadership -- Polemics and publicity: composer-critic partnerships -- Musical continuities: sonority, exoticism and abstraction -- In search of the Musical esprit du temps -- Surface division, deep consensus: classicism and secularism and their challenges -- Conclusions: music for the Patrimoine -- remembering interwar music in France |
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| dewey-full | 780.94409041 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.94409041 |
| dewey-search | 780.94409041 |
| dewey-sort | 3780.94409041 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1913-1939 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1913-1939 |
| format | Electronic eBook |
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| id | DE-604.BV043916997 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:28Z |
| institution | BVB |
| isbn | 9781782041689 9781843838104 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029326080 |
| oclc_num | 967391248 |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Boydell & Brewer |
| record_format | marc |
| spelling | Kelly, Barbara L. Verfasser aut Music and ultra-modernism in France a fragile consensus, 1913-1939 Barbara L. Kelly Music & Ultra-Modernism in France Suffolk Boydell & Brewer 2013 1 online resource (x, 257 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction: consensus, resistance and new music in France -- Remembering Debussy: nostalgia and modernism in interwar France -- Musical allegiances and factions: Ravel, Satie and the question of leadership -- Polemics and publicity: composer-critic partnerships -- Musical continuities: sonority, exoticism and abstraction -- In search of the Musical esprit du temps -- Surface division, deep consensus: classicism and secularism and their challenges -- Conclusions: music for the Patrimoine -- remembering interwar music in France Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Société Musicale Indépendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936. Exploring the ideas of consensus, resistance and rupture, the book contributes an important and nuanced reflection to the current debate on modernism in music. It considers the roles composers, critics and biographers played in shaping debates about contemporary music, showing how composers including Ravel, Poulenc, Milhaud, Jolivet and Messiaen and critics such as Paul Landormy, André Coeuroy and Roland-Manuel often worked in partnership to bring their ideas to a public forum. It also expands the notion of 'interwar' through the essential inclusion of World War I and the years before, reconfiguring the narrative for that period. This book challenges some of the stereotypes that characterise the period, in particular, neo-classicism and the dominance of secularism. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc and invited audiences and critics to rethink what it meant to be modern. The interwar years were also marked by commemoration and loss. Debussy's wartime death in 1918 stimulated competing efforts (by Emile Vuillermoz, Léon Vallas and Henry Prunières) to shape his legacy. They were motivated by nostalgia for a lost and glorious generation and a commitment to building a legacy of French achievement. Music and Ultra-Modernism in France argues for the vitality of French music in the period 1913-39 and challenges the received view that the period and its musical culture lacked dynamism, innovation or serious musical debate. BARBARA L. KELLY is Professor of Music at Keele University Geschichte 1900-2000 Geschichte 1913-1939 gnd rswk-swf Geschichte Musik Modernism (Music) / France / History / 20th century Music / France / 20th century / Philosophy and aesthetics Avantgarde (DE-588)4133965-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Säkularismus (DE-588)4463409-2 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Neuklassizismus (DE-588)4171565-2 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Musik (DE-588)4040802-4 s Avantgarde (DE-588)4133965-4 s Geschichte 1913-1939 z 1\p DE-604 Neue Musik (DE-588)4428235-7 s Moderne (DE-588)4039827-4 s 2\p DE-604 Neuklassizismus (DE-588)4171565-2 s Säkularismus (DE-588)4463409-2 s 3\p DE-604 http://www.cambridge.org/core/product/identifier/9781782041689/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kelly, Barbara L. Music and ultra-modernism in France a fragile consensus, 1913-1939 Introduction: consensus, resistance and new music in France -- Remembering Debussy: nostalgia and modernism in interwar France -- Musical allegiances and factions: Ravel, Satie and the question of leadership -- Polemics and publicity: composer-critic partnerships -- Musical continuities: sonority, exoticism and abstraction -- In search of the Musical esprit du temps -- Surface division, deep consensus: classicism and secularism and their challenges -- Conclusions: music for the Patrimoine -- remembering interwar music in France Geschichte Musik Modernism (Music) / France / History / 20th century Music / France / 20th century / Philosophy and aesthetics Avantgarde (DE-588)4133965-4 gnd Musik (DE-588)4040802-4 gnd Säkularismus (DE-588)4463409-2 gnd Neue Musik (DE-588)4428235-7 gnd Moderne (DE-588)4039827-4 gnd Neuklassizismus (DE-588)4171565-2 gnd |
| subject_GND | (DE-588)4133965-4 (DE-588)4040802-4 (DE-588)4463409-2 (DE-588)4428235-7 (DE-588)4039827-4 (DE-588)4171565-2 (DE-588)4018145-5 |
| title | Music and ultra-modernism in France a fragile consensus, 1913-1939 |
| title_alt | Music & Ultra-Modernism in France |
| title_auth | Music and ultra-modernism in France a fragile consensus, 1913-1939 |
| title_exact_search | Music and ultra-modernism in France a fragile consensus, 1913-1939 |
| title_full | Music and ultra-modernism in France a fragile consensus, 1913-1939 Barbara L. Kelly |
| title_fullStr | Music and ultra-modernism in France a fragile consensus, 1913-1939 Barbara L. Kelly |
| title_full_unstemmed | Music and ultra-modernism in France a fragile consensus, 1913-1939 Barbara L. Kelly |
| title_short | Music and ultra-modernism in France |
| title_sort | music and ultra modernism in france a fragile consensus 1913 1939 |
| title_sub | a fragile consensus, 1913-1939 |
| topic | Geschichte Musik Modernism (Music) / France / History / 20th century Music / France / 20th century / Philosophy and aesthetics Avantgarde (DE-588)4133965-4 gnd Musik (DE-588)4040802-4 gnd Säkularismus (DE-588)4463409-2 gnd Neue Musik (DE-588)4428235-7 gnd Moderne (DE-588)4039827-4 gnd Neuklassizismus (DE-588)4171565-2 gnd |
| topic_facet | Geschichte Musik Modernism (Music) / France / History / 20th century Music / France / 20th century / Philosophy and aesthetics Avantgarde Säkularismus Neue Musik Moderne Neuklassizismus Frankreich |
| url | http://www.cambridge.org/core/product/identifier/9781782041689/type/BOOK |
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