Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scho...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Pirholt, Mattias 1975- (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Suffolk Boydell & Brewer 2012
Schlagworte:	Goethe, Johann Wolfgang von / 1749-1832 / Wilhelm Meisters Lehrjahre Goethe, Johann Wolfgang von > 1749-1832 > Wilhelm Meisters Lehrjahre Novalis > 1772-1801 > Heinrich von Ofterdingen Brentano, Clemens > 1778-1842 > Godwi Schlegel, Friedrich von > 1772-1829 > Lucinde Mimesis in literature Romanticism / Germany Deutsch Literatur Romantik Mimesis Deutschland
Online-Zugang:	DE-12 DE-473 Volltext
Zusammenfassung:	Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negation of the ideal of imitation. In this view, the Romantics saw art as production ('poiesis'): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel 'Wilhelm Meister's Apprenticeship'. Among the novels examined are Friedrich Schlegel's 'Lucinde', shown to be transgressive in its use of the aesthetics of imitation; Novalis's 'Heinrich von Ofterdingen', interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's 'Godwi', seen to signal the end of Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden
Beschreibung:	Title from publisher's bibliographic system (viewed on 02 Oct 2015)
Beschreibung:	1 online resource (x, 230 pages)
ISBN:	9781571138330