Memory and the moving image: French film in the digital era
A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body o...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
2010
|
| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience. Memory and the Moving Image: *Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films *Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability *Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations *Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnès Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui *Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories. Works considered include Jean-Luc Godard's Histoire(s) du Cinéma (1989-98), Yamina Benguigui's Mémoires d'Immigrés (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Caché (2005) and Agnès Varda's multi-media exhibition, L'Île et Elle (2006) |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Physical Description: | 1 online resource (viii, 181 pages) |
| ISBN: | 9780748642205 |
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| 520 | |a A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience. Memory and the Moving Image: *Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films *Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability *Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations *Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnès Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui *Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories. Works considered include Jean-Luc Godard's Histoire(s) du Cinéma (1989-98), Yamina Benguigui's Mémoires d'Immigrés (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Caché (2005) and Agnès Varda's multi-media exhibition, L'Île et Elle (2006) | ||
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Record in the Search Index
| _version_ | 1804176833755742208 |
|---|---|
| any_adam_object | |
| author | McNeill, Isabelle |
| author_facet | McNeill, Isabelle |
| author_role | aut |
| author_sort | McNeill, Isabelle |
| author_variant | i m im |
| building | Verbundindex |
| bvnumber | BV043916964 |
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| collection | ZDB-20-CBO |
| contents | Introduction: film and memory in contemporary France -- Memory and the moving image -- Virtual museums and memory objects -- Facing the past -- Memory maps and city space -- Conclusion |
| ctrlnum | (ZDB-20-CBO)CR9780748642205 (OCoLC)967389226 (DE-599)BVBBV043916964 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430944 |
| dewey-search | 791.430944 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Romanistik |
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| indexdate | 2024-07-10T07:38:28Z |
| institution | BVB |
| isbn | 9780748642205 |
| language | English |
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| spelling | McNeill, Isabelle Verfasser aut Memory and the moving image French film in the digital era Isabelle McNeill Memory & the Moving Image Edinburgh Edinburgh University Press 2010 1 online resource (viii, 181 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction: film and memory in contemporary France -- Memory and the moving image -- Virtual museums and memory objects -- Facing the past -- Memory maps and city space -- Conclusion A vital rethinking of memory and the moving image for the digital age, Isabelle McNeill investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual culture. Drawing on an interdisciplinary range of theoretical resources and an unusual body of films and moving image works, the author examines the ways in which recent French filmmaking conceptualises both the past and the workings of memory. Ultimately the author argues that memory is an intersubjective process, in which filmic forms continue to play a crucial role even as new media come to dominate our contemporary experience. Memory and the Moving Image: *Introduces new ways of thinking about the relation between film and memory, arising from a compelling, interdisciplinary study of theories and films *Subtly explores the French context while drawing theoretical conclusions with wider implications and applicability *Provides detailed and illuminating close readings of varied moving image works to aid theoretical explorations *Moves away from auteurist approaches, examining work by canonical directors including Jean-Luc Godard, Chris Marker and Agnès Varda alongside that of less well-known filmmakers such as Claire Simon and Yamina Benguigui *Brings together thinkers such as Bergson, Deleuze, Bazin and Barthes with, for example, Rodowick and Mulvey, in an engaging interweaving of theories. Works considered include Jean-Luc Godard's Histoire(s) du Cinéma (1989-98), Yamina Benguigui's Mémoires d'Immigrés (1997), Chris Marker's CD-ROM Immemory (1998), Claire Simon's Mimi (2003), Michael Haneke's Caché (2005) and Agnès Varda's multi-media exhibition, L'Île et Elle (2006) Collective memory Memory in motion pictures Motion pictures, French Film (DE-588)4017102-4 gnd rswk-swf Erinnerung Motiv (DE-588)4193441-6 gnd rswk-swf Gedächtnis (DE-588)4019614-8 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Film (DE-588)4017102-4 s Gedächtnis (DE-588)4019614-8 s 1\p DE-604 Erinnerung Motiv (DE-588)4193441-6 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-3891-8 Erscheint auch als Druckausgabe 978-0-7486-4942-6 http://www.cambridge.org/core/product/identifier/9780748642205/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | McNeill, Isabelle Memory and the moving image French film in the digital era Introduction: film and memory in contemporary France -- Memory and the moving image -- Virtual museums and memory objects -- Facing the past -- Memory maps and city space -- Conclusion Collective memory Memory in motion pictures Motion pictures, French Film (DE-588)4017102-4 gnd Erinnerung Motiv (DE-588)4193441-6 gnd Gedächtnis (DE-588)4019614-8 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4193441-6 (DE-588)4019614-8 (DE-588)4018145-5 |
| title | Memory and the moving image French film in the digital era |
| title_alt | Memory & the Moving Image |
| title_auth | Memory and the moving image French film in the digital era |
| title_exact_search | Memory and the moving image French film in the digital era |
| title_full | Memory and the moving image French film in the digital era Isabelle McNeill |
| title_fullStr | Memory and the moving image French film in the digital era Isabelle McNeill |
| title_full_unstemmed | Memory and the moving image French film in the digital era Isabelle McNeill |
| title_short | Memory and the moving image |
| title_sort | memory and the moving image french film in the digital era |
| title_sub | French film in the digital era |
| topic | Collective memory Memory in motion pictures Motion pictures, French Film (DE-588)4017102-4 gnd Erinnerung Motiv (DE-588)4193441-6 gnd Gedächtnis (DE-588)4019614-8 gnd |
| topic_facet | Collective memory Memory in motion pictures Motion pictures, French Film Erinnerung Motiv Gedächtnis Frankreich |
| url | http://www.cambridge.org/core/product/identifier/9780748642205/type/BOOK |
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