Javanese gamelan and the West:
In Javanese Gamelan and the West, gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. The book begins by looking at the "domestication" of Western music in Java during th...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Suffolk
Boydell & Brewer
2013
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| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | In Javanese Gamelan and the West, gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. The book begins by looking at the "domestication" of Western music in Java during the colonial and postcolonial eras, including brass bands in gendhing mares court music and West Javanese tanjidor; Western elements in contemporary wayang puppet plays; and works by contemporary composers and a choreographer. In the second part of the book, Sumarsam turns to the presentation and representation of gamelan in the West, exploring cross-cultural perspectives on gamelan theory and discussing the presence of gamelan in Western World's Fairs and American academia. Framing his discussion within the perspectives of interculturalism and hybridization, Sumarsam demonstrates how Javanese performing arts have developed over time as a manifestation and reflection of overlapping networks of individual, social, and institutional actions and ideas.Sumarsam is a University Professor of Music at Wesleyan University. He is the author of Gamelan: Cultural Interaction and Musical Development in Central Java (University of Chicago Press, 1995) and numerous articles in English and Indonesian. As a gamelan musician and a keen amateur dhalang (puppeteer) of Javanese wayang puppet play, he performs, conducts workshops, and lectures throughout the US, Australia, Europe, and Asia |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Physical Description: | 1 online resource (xviii, 202 pages) |
| ISBN: | 9781580467995 |
Staff View
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Record in the Search Index
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| any_adam_object | |
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| author_facet | Sumarsam |
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| contents | Hybridity in Javanese performing arts. Performing colonialism ; Performing the nation state ; Opera Diponegoro -- Gamelan as intercultural object. Deterritorializing and appropriating gamelan ; Cross-cultural perspectives on gamelan theory : metaphorical readings of gamelan |
| ctrlnum | (ZDB-20-CBO)CR9781580467995 (OCoLC)967410778 (DE-599)BVBBV043916831 |
| dewey-full | 780.9598/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9598/2 |
| dewey-search | 780.9598/2 |
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| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| language | English |
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| spelling | Sumarsam Verfasser aut Javanese gamelan and the West Sumarsam Javanese Gamelan & the West Suffolk Boydell & Brewer 2013 1 online resource (xviii, 202 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Hybridity in Javanese performing arts. Performing colonialism ; Performing the nation state ; Opera Diponegoro -- Gamelan as intercultural object. Deterritorializing and appropriating gamelan ; Cross-cultural perspectives on gamelan theory : metaphorical readings of gamelan In Javanese Gamelan and the West, gamelan performer and scholar Sumarsam explores the concept of hybridity in performance traditions that have developed in the context of Javanese encounters with the West. The book begins by looking at the "domestication" of Western music in Java during the colonial and postcolonial eras, including brass bands in gendhing mares court music and West Javanese tanjidor; Western elements in contemporary wayang puppet plays; and works by contemporary composers and a choreographer. In the second part of the book, Sumarsam turns to the presentation and representation of gamelan in the West, exploring cross-cultural perspectives on gamelan theory and discussing the presence of gamelan in Western World's Fairs and American academia. Framing his discussion within the perspectives of interculturalism and hybridization, Sumarsam demonstrates how Javanese performing arts have developed over time as a manifestation and reflection of overlapping networks of individual, social, and institutional actions and ideas.Sumarsam is a University Professor of Music at Wesleyan University. He is the author of Gamelan: Cultural Interaction and Musical Development in Central Java (University of Chicago Press, 1995) and numerous articles in English and Indonesian. As a gamelan musician and a keen amateur dhalang (puppeteer) of Javanese wayang puppet play, he performs, conducts workshops, and lectures throughout the US, Australia, Europe, and Asia Geschichte gnd rswk-swf Gamelan music / Indonesia / Java / History and criticism Gamelan music / Western countries / History and criticism Gamelan (DE-588)4155917-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Indonesien (DE-588)4026761-1 gnd rswk-swf Westliche Welt (DE-588)4079237-7 gnd rswk-swf Java (DE-588)4028527-3 gnd rswk-swf Indonesien (DE-588)4026761-1 g Java (DE-588)4028527-3 g Musik (DE-588)4040802-4 s Darstellende Kunst (DE-588)4129566-3 s Gamelan (DE-588)4155917-4 s Geschichte z 1\p DE-604 Rezeption (DE-588)4049716-1 s Westliche Welt (DE-588)4079237-7 g 2\p DE-604 Erscheint auch als Druckausgabe 978-1-58046-445-1 http://www.cambridge.org/core/product/identifier/9781580467995/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Sumarsam Javanese gamelan and the West Hybridity in Javanese performing arts. Performing colonialism ; Performing the nation state ; Opera Diponegoro -- Gamelan as intercultural object. Deterritorializing and appropriating gamelan ; Cross-cultural perspectives on gamelan theory : metaphorical readings of gamelan Gamelan music / Indonesia / Java / History and criticism Gamelan music / Western countries / History and criticism Gamelan (DE-588)4155917-4 gnd Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| subject_GND | (DE-588)4155917-4 (DE-588)4040802-4 (DE-588)4049716-1 (DE-588)4129566-3 (DE-588)4026761-1 (DE-588)4079237-7 (DE-588)4028527-3 |
| title | Javanese gamelan and the West |
| title_alt | Javanese Gamelan & the West |
| title_auth | Javanese gamelan and the West |
| title_exact_search | Javanese gamelan and the West |
| title_full | Javanese gamelan and the West Sumarsam |
| title_fullStr | Javanese gamelan and the West Sumarsam |
| title_full_unstemmed | Javanese gamelan and the West Sumarsam |
| title_short | Javanese gamelan and the West |
| title_sort | javanese gamelan and the west |
| topic | Gamelan music / Indonesia / Java / History and criticism Gamelan music / Western countries / History and criticism Gamelan (DE-588)4155917-4 gnd Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| topic_facet | Gamelan music / Indonesia / Java / History and criticism Gamelan music / Western countries / History and criticism Gamelan Musik Rezeption Darstellende Kunst Indonesien Westliche Welt Java |
| url | http://www.cambridge.org/core/product/identifier/9781580467995/type/BOOK |
| work_keys_str_mv | AT sumarsam javanesegamelanandthewest AT sumarsam javanesegamelanthewest |