Words and notes in the long nineteenth century:
Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relatio...
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Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Suffolk
Boydell & Brewer
2013
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Schlagworte: | |
Online-Zugang: | BSB01 BSB01 UBG01 UBT01 Volltext |
Zusammenfassung: | Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies. Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera; German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite. PHYLLIS WELIVER is Associate Professor of English, Saint Louis University. KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (x, 256 pages) |
ISBN: | 9781782041375 9781843838111 |
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505 | 8 | |a Introduction : Approaches to word-music studies of the long nineteenth century / Phyllis Weliver and Katharine Ellis -- Losing sense, making music : what Erik Satie's music and poetry do for each other / Peter Dayan -- Not listening in Paris : critical and fictional lapses of attention at the opera / Cormac Newark -- New expectations : how to listen to sonata form, 1800-1860 / Jon-Tomas Godin -- The science of musical memory : Vernon Lee and the remembrance of sounds past / Shafquat Towheed -- Musical listening in The mysteries of Udolpho / Noelle Chao -- Katherine Mansfield and nineteenth-century musicality / Delia da Sousa Correa -- E.T.A. Hoffmann beyond the "paradigm shift" : music and irony in the novellas 1815-1819 / Matthew Riley -- Fiction as musical critique : Virginia Woolf, The voyage out and the case of Wagner / Emma Sutton -- Théodore de Banville and the mysteries of song / David Evans -- Performing poetry as music : how composers accept Baudelaire's invitation to song / Helen Abbott -- The girl in the oyster, or, How to quarrel with a poet / Susan Youens -- Wording notes : musical marginalia in the guise of an afterword / Annegret Fauser | |
520 | |a Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies. Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera; German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite. PHYLLIS WELIVER is Associate Professor of English, Saint Louis University. KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol | ||
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Datensatz im Suchindex
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any_adam_object | |
author2 | Weliver, Phyllis 1968- Ellis, Katharine |
author2_role | edt edt |
author2_variant | p w pw k e ke |
author_GND | (DE-588)13338098X (DE-588)1029913625 |
author_facet | Weliver, Phyllis 1968- Ellis, Katharine |
building | Verbundindex |
bvnumber | BV043916150 |
collection | ZDB-20-CBO ZDB-1-PQM ZDB-30-PQE |
contents | Introduction : Approaches to word-music studies of the long nineteenth century / Phyllis Weliver and Katharine Ellis -- Losing sense, making music : what Erik Satie's music and poetry do for each other / Peter Dayan -- Not listening in Paris : critical and fictional lapses of attention at the opera / Cormac Newark -- New expectations : how to listen to sonata form, 1800-1860 / Jon-Tomas Godin -- The science of musical memory : Vernon Lee and the remembrance of sounds past / Shafquat Towheed -- Musical listening in The mysteries of Udolpho / Noelle Chao -- Katherine Mansfield and nineteenth-century musicality / Delia da Sousa Correa -- E.T.A. Hoffmann beyond the "paradigm shift" : music and irony in the novellas 1815-1819 / Matthew Riley -- Fiction as musical critique : Virginia Woolf, The voyage out and the case of Wagner / Emma Sutton -- Théodore de Banville and the mysteries of song / David Evans -- Performing poetry as music : how composers accept Baudelaire's invitation to song / Helen Abbott -- The girl in the oyster, or, How to quarrel with a poet / Susan Youens -- Wording notes : musical marginalia in the guise of an afterword / Annegret Fauser |
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dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.0809034 |
dewey-search | 780.0809034 |
dewey-sort | 3780.0809034 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
era_facet | Geschichte 1800-1900 |
format | Electronic eBook |
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language | English |
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publisher | Boydell & Brewer |
record_format | marc |
spelling | Words and notes in the long nineteenth century edited by Phyllis Weliver and Katharine Ellis Words & Notes in the Long Nineteenth Century Suffolk Boydell & Brewer 2013 1 online resource (x, 256 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction : Approaches to word-music studies of the long nineteenth century / Phyllis Weliver and Katharine Ellis -- Losing sense, making music : what Erik Satie's music and poetry do for each other / Peter Dayan -- Not listening in Paris : critical and fictional lapses of attention at the opera / Cormac Newark -- New expectations : how to listen to sonata form, 1800-1860 / Jon-Tomas Godin -- The science of musical memory : Vernon Lee and the remembrance of sounds past / Shafquat Towheed -- Musical listening in The mysteries of Udolpho / Noelle Chao -- Katherine Mansfield and nineteenth-century musicality / Delia da Sousa Correa -- E.T.A. Hoffmann beyond the "paradigm shift" : music and irony in the novellas 1815-1819 / Matthew Riley -- Fiction as musical critique : Virginia Woolf, The voyage out and the case of Wagner / Emma Sutton -- Théodore de Banville and the mysteries of song / David Evans -- Performing poetry as music : how composers accept Baudelaire's invitation to song / Helen Abbott -- The girl in the oyster, or, How to quarrel with a poet / Susan Youens -- Wording notes : musical marginalia in the guise of an afterword / Annegret Fauser Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies. Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera; German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite. PHYLLIS WELIVER is Associate Professor of English, Saint Louis University. KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte Music and literature / History / 19th century Music and literature Musik (DE-588)4040802-4 gnd rswk-swf Vertonung (DE-588)4063269-6 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Literatur (DE-588)4035964-5 s Lyrik (DE-588)4036774-5 s Vertonung (DE-588)4063269-6 s Geschichte 1800-1900 z 2\p DE-604 Weliver, Phyllis 1968- (DE-588)13338098X edt Ellis, Katharine (DE-588)1029913625 edt http://www.cambridge.org/core/product/identifier/9781782041375/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Words and notes in the long nineteenth century Introduction : Approaches to word-music studies of the long nineteenth century / Phyllis Weliver and Katharine Ellis -- Losing sense, making music : what Erik Satie's music and poetry do for each other / Peter Dayan -- Not listening in Paris : critical and fictional lapses of attention at the opera / Cormac Newark -- New expectations : how to listen to sonata form, 1800-1860 / Jon-Tomas Godin -- The science of musical memory : Vernon Lee and the remembrance of sounds past / Shafquat Towheed -- Musical listening in The mysteries of Udolpho / Noelle Chao -- Katherine Mansfield and nineteenth-century musicality / Delia da Sousa Correa -- E.T.A. Hoffmann beyond the "paradigm shift" : music and irony in the novellas 1815-1819 / Matthew Riley -- Fiction as musical critique : Virginia Woolf, The voyage out and the case of Wagner / Emma Sutton -- Théodore de Banville and the mysteries of song / David Evans -- Performing poetry as music : how composers accept Baudelaire's invitation to song / Helen Abbott -- The girl in the oyster, or, How to quarrel with a poet / Susan Youens -- Wording notes : musical marginalia in the guise of an afterword / Annegret Fauser Geschichte Music and literature / History / 19th century Music and literature Musik (DE-588)4040802-4 gnd Vertonung (DE-588)4063269-6 gnd Lyrik (DE-588)4036774-5 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4063269-6 (DE-588)4036774-5 (DE-588)4035964-5 (DE-588)4143413-4 |
title | Words and notes in the long nineteenth century |
title_alt | Words & Notes in the Long Nineteenth Century |
title_auth | Words and notes in the long nineteenth century |
title_exact_search | Words and notes in the long nineteenth century |
title_full | Words and notes in the long nineteenth century edited by Phyllis Weliver and Katharine Ellis |
title_fullStr | Words and notes in the long nineteenth century edited by Phyllis Weliver and Katharine Ellis |
title_full_unstemmed | Words and notes in the long nineteenth century edited by Phyllis Weliver and Katharine Ellis |
title_short | Words and notes in the long nineteenth century |
title_sort | words and notes in the long nineteenth century |
topic | Geschichte Music and literature / History / 19th century Music and literature Musik (DE-588)4040802-4 gnd Vertonung (DE-588)4063269-6 gnd Lyrik (DE-588)4036774-5 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | Geschichte Music and literature / History / 19th century Music and literature Musik Vertonung Lyrik Literatur Aufsatzsammlung |
url | http://www.cambridge.org/core/product/identifier/9781782041375/type/BOOK |
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