Generic histories of German cinema: genre and its deviations
Over the last few decades, the field of film studies has seen a rise in approaches oriented toward genre: studies that look at thematic, narrative, and stylistic similarities between films, contextualizing them within culture and society. Although there now exists a large body of genre-based scholar...
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| Other Authors: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Suffolk
Boydell & Brewer
2013
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| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | Over the last few decades, the field of film studies has seen a rise in approaches oriented toward genre: studies that look at thematic, narrative, and stylistic similarities between films, contextualizing them within culture and society. Although there now exists a large body of genre-based scholarship on international film, German film studies has largely ignored the importance of genre. Even as the last several years have witnessed increasing scholarly interest in popular cinema from Germany, very few works have substantively engaged with genre theory. Generic Histories offers a fresh approach, tracing a series of key genres -- including horror, science fiction, the thriller, Heimat films, and war films -- over the course of German cinema history. It also addresses detective films, comedies, policiers, and romances that deliberately localize global genres within Germany - a form of transnationalism frequently neglected. This focus on genre and history encourages rethinking of the traditional opposition (and hierarchy) between art and popular cinema that has informed German film studies. In these ways, the volume foregrounds genre theory's potential for rethinking film history as well as cultural history more broadly. Contributors: Marco Abel, Nora M. Alter, Antje Ascheid, Hester Baer, Steve Choe, Paul Cooke, Jaimey Fisher, Gerd Gemünden, Sascha Gerhards, Lutz Koepnick, Eric Rentschler, Kris Vander Lugt. Jaimey Fisher is Associate Professor of German and Cinema and Technocultural Studies, and Director of Cinema and Technocultural Studies, at the University of California, Davis |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Physical Description: | 1 online resource (vi, 326 pages) |
| ISBN: | 9781571138705 |
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| 505 | 8 | |a Introduction: toward generic histories: film genre, genre theory, and German film studies / Jaimey Fisher -- Parallel modernities: from haunted screen to universal horror / Gerd Gemunden -- The essay film and its German variations / Nora M. Alter -- The limits of futurity: German science fiction film in the course of time / Lutz Koepnick -- The situation is hopeless, but not desperate: UFA's early sound film musicals / Eric Rentschler -- Resisting the war (film): Wicki's "masterpiece" Die Brucke (1959) and its generic transformations / Jaimey Fisher -- Ironizing identity: the German crime genre and the Edgar Wallace production trend of the 1960s / Sascha Gerhards -- From Siodmak to Schlingensief: the return of history as horror / Kris Vander Lugt -- Producing adaptations: Bernd Eichinger, Christiane F., and German film history / Hester Baer -- Exceptional thrills: genrification, Dr. Mabuse, and Das Experiment / Steve Choe -- The Heimat film in the twenty-first century: negotiating the New German cinema to return to Papas Kino / Paul Cooke -- The romantic comedy and its other: representations of romance in German cinema since 1990 / Antje Ascheid -- Yearning for genre: the films of Dominik Graf / Marco Abel | |
| 520 | |a Over the last few decades, the field of film studies has seen a rise in approaches oriented toward genre: studies that look at thematic, narrative, and stylistic similarities between films, contextualizing them within culture and society. Although there now exists a large body of genre-based scholarship on international film, German film studies has largely ignored the importance of genre. Even as the last several years have witnessed increasing scholarly interest in popular cinema from Germany, very few works have substantively engaged with genre theory. Generic Histories offers a fresh approach, tracing a series of key genres -- including horror, science fiction, the thriller, Heimat films, and war films -- over the course of German cinema history. It also addresses detective films, comedies, policiers, and romances that deliberately localize global genres within Germany - a form of transnationalism frequently neglected. This focus on genre and history encourages rethinking of the traditional opposition (and hierarchy) between art and popular cinema that has informed German film studies. In these ways, the volume foregrounds genre theory's potential for rethinking film history as well as cultural history more broadly. Contributors: Marco Abel, Nora M. Alter, Antje Ascheid, Hester Baer, Steve Choe, Paul Cooke, Jaimey Fisher, Gerd Gemünden, Sascha Gerhards, Lutz Koepnick, Eric Rentschler, Kris Vander Lugt. Jaimey Fisher is Associate Professor of German and Cinema and Technocultural Studies, and Director of Cinema and Technocultural Studies, at the University of California, Davis | ||
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Record in the Search Index
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| contents | Introduction: toward generic histories: film genre, genre theory, and German film studies / Jaimey Fisher -- Parallel modernities: from haunted screen to universal horror / Gerd Gemunden -- The essay film and its German variations / Nora M. Alter -- The limits of futurity: German science fiction film in the course of time / Lutz Koepnick -- The situation is hopeless, but not desperate: UFA's early sound film musicals / Eric Rentschler -- Resisting the war (film): Wicki's "masterpiece" Die Brucke (1959) and its generic transformations / Jaimey Fisher -- Ironizing identity: the German crime genre and the Edgar Wallace production trend of the 1960s / Sascha Gerhards -- From Siodmak to Schlingensief: the return of history as horror / Kris Vander Lugt -- Producing adaptations: Bernd Eichinger, Christiane F., and German film history / Hester Baer -- Exceptional thrills: genrification, Dr. Mabuse, and Das Experiment / Steve Choe -- The Heimat film in the twenty-first century: negotiating the New German cinema to return to Papas Kino / Paul Cooke -- The romantic comedy and its other: representations of romance in German cinema since 1990 / Antje Ascheid -- Yearning for genre: the films of Dominik Graf / Marco Abel |
| ctrlnum | (ZDB-20-CBO)CR9781571138705 (OCoLC)967388585 (DE-599)BVBBV043915755 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Generic histories of German cinema genre and its deviations edited by Jaimey Fisher Suffolk Boydell & Brewer 2013 1 online resource (vi, 326 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction: toward generic histories: film genre, genre theory, and German film studies / Jaimey Fisher -- Parallel modernities: from haunted screen to universal horror / Gerd Gemunden -- The essay film and its German variations / Nora M. Alter -- The limits of futurity: German science fiction film in the course of time / Lutz Koepnick -- The situation is hopeless, but not desperate: UFA's early sound film musicals / Eric Rentschler -- Resisting the war (film): Wicki's "masterpiece" Die Brucke (1959) and its generic transformations / Jaimey Fisher -- Ironizing identity: the German crime genre and the Edgar Wallace production trend of the 1960s / Sascha Gerhards -- From Siodmak to Schlingensief: the return of history as horror / Kris Vander Lugt -- Producing adaptations: Bernd Eichinger, Christiane F., and German film history / Hester Baer -- Exceptional thrills: genrification, Dr. Mabuse, and Das Experiment / Steve Choe -- The Heimat film in the twenty-first century: negotiating the New German cinema to return to Papas Kino / Paul Cooke -- The romantic comedy and its other: representations of romance in German cinema since 1990 / Antje Ascheid -- Yearning for genre: the films of Dominik Graf / Marco Abel Over the last few decades, the field of film studies has seen a rise in approaches oriented toward genre: studies that look at thematic, narrative, and stylistic similarities between films, contextualizing them within culture and society. Although there now exists a large body of genre-based scholarship on international film, German film studies has largely ignored the importance of genre. Even as the last several years have witnessed increasing scholarly interest in popular cinema from Germany, very few works have substantively engaged with genre theory. Generic Histories offers a fresh approach, tracing a series of key genres -- including horror, science fiction, the thriller, Heimat films, and war films -- over the course of German cinema history. It also addresses detective films, comedies, policiers, and romances that deliberately localize global genres within Germany - a form of transnationalism frequently neglected. This focus on genre and history encourages rethinking of the traditional opposition (and hierarchy) between art and popular cinema that has informed German film studies. In these ways, the volume foregrounds genre theory's potential for rethinking film history as well as cultural history more broadly. Contributors: Marco Abel, Nora M. Alter, Antje Ascheid, Hester Baer, Steve Choe, Paul Cooke, Jaimey Fisher, Gerd Gemünden, Sascha Gerhards, Lutz Koepnick, Eric Rentschler, Kris Vander Lugt. Jaimey Fisher is Associate Professor of German and Cinema and Technocultural Studies, and Director of Cinema and Technocultural Studies, at the University of California, Davis Geschichte gnd rswk-swf Film Motion pictures / Germany / History and criticism Film genres / Germany Filmgenre (DE-588)4328427-9 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutschland (DE-588)4011882-4 g Filmgenre (DE-588)4328427-9 s Geschichte z 2\p DE-604 Fisher, Jaimey edt Erscheint auch als Druckausgabe 978-1-57113-570-4 http://www.cambridge.org/core/product/identifier/9781571138705/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Generic histories of German cinema genre and its deviations Introduction: toward generic histories: film genre, genre theory, and German film studies / Jaimey Fisher -- Parallel modernities: from haunted screen to universal horror / Gerd Gemunden -- The essay film and its German variations / Nora M. Alter -- The limits of futurity: German science fiction film in the course of time / Lutz Koepnick -- The situation is hopeless, but not desperate: UFA's early sound film musicals / Eric Rentschler -- Resisting the war (film): Wicki's "masterpiece" Die Brucke (1959) and its generic transformations / Jaimey Fisher -- Ironizing identity: the German crime genre and the Edgar Wallace production trend of the 1960s / Sascha Gerhards -- From Siodmak to Schlingensief: the return of history as horror / Kris Vander Lugt -- Producing adaptations: Bernd Eichinger, Christiane F., and German film history / Hester Baer -- Exceptional thrills: genrification, Dr. Mabuse, and Das Experiment / Steve Choe -- The Heimat film in the twenty-first century: negotiating the New German cinema to return to Papas Kino / Paul Cooke -- The romantic comedy and its other: representations of romance in German cinema since 1990 / Antje Ascheid -- Yearning for genre: the films of Dominik Graf / Marco Abel Film Motion pictures / Germany / History and criticism Film genres / Germany Filmgenre (DE-588)4328427-9 gnd |
| subject_GND | (DE-588)4328427-9 (DE-588)4011882-4 (DE-588)4143413-4 |
| title | Generic histories of German cinema genre and its deviations |
| title_auth | Generic histories of German cinema genre and its deviations |
| title_exact_search | Generic histories of German cinema genre and its deviations |
| title_full | Generic histories of German cinema genre and its deviations edited by Jaimey Fisher |
| title_fullStr | Generic histories of German cinema genre and its deviations edited by Jaimey Fisher |
| title_full_unstemmed | Generic histories of German cinema genre and its deviations edited by Jaimey Fisher |
| title_short | Generic histories of German cinema |
| title_sort | generic histories of german cinema genre and its deviations |
| title_sub | genre and its deviations |
| topic | Film Motion pictures / Germany / History and criticism Film genres / Germany Filmgenre (DE-588)4328427-9 gnd |
| topic_facet | Film Motion pictures / Germany / History and criticism Film genres / Germany Filmgenre Deutschland Aufsatzsammlung |
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