Dickens and modernity:
The scale of the 2012 bicentenary celebrations of Dickens's birth is testimony to his status as one of the most globally popular literary authors the world has ever seen. Yet Dickens has also become associated in the public imagination with a particular version of the Victorian past and with re...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Suffolk
Boydell & Brewer
2012
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| Zusammenfassung: | The scale of the 2012 bicentenary celebrations of Dickens's birth is testimony to his status as one of the most globally popular literary authors the world has ever seen. Yet Dickens has also become associated in the public imagination with a particular version of the Victorian past and with respectability. His continued cultural prominence and the "brand recognition" achieved by his image and images suggest that his vision reaches out beyond the Victorian period. Yet what is the relationship between Dickens and the modern world? Do his works offer a consoling version of the past or are they attuned to that state of uncertainty and instability we associate with the nebulous but resonant concept of modernity? This volume positions Dickens as both a literary and a cultural icon with a complex relationship to the cultural landscape in his own period and since. It seeks to demonstrate that oppositions which have pervaded approaches to Dickens - Victorian vs modern, artist vs entertainer, culture vs commerce - are false, by exploring the diversity and multiplicity of Dickens's textual and extra-textual lives. A specially commissioned Afterword by Florian Schweizer, Director of the Dickens 2012 celebrations, offers a fascinating insight into the shaping of this year-long public programme of commemoration of Dickens. Like the volume as a whole, it asks us to consider the nature of our connection with "this quintessentially Victorian writer" and what it is about Dickens that still appeals to people around the world. Professor Juliet John holds the Hildred Carlile Chair of English Literature, Royal Holloway, University of London. Contributors: Jay Clayton, Holly Furneaux, John Drew, Michaela Mahlberg, Juliet John, Michael Hollington, Joss Marsh, Carrie Sickmann, Kim Edwardes Keates, Dominic Rainsford, Florian Schweizer |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (xi, 232 pages) |
| ISBN: | 9781782040262 |
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| 505 | 8 | 0 | |t The Dickens tape : affect and sound reproduction in The Chimes |r Jay Clayton |t Dickens, sexuality and the body ; or, Clock loving : Master Humphrey's queer objects of desire |r Holly Furneaux |t Texts, paratexts and 'E-texts' : the poetics of communication in Dickens's journalism |r John Drew |t Corpus stylistics : Dickens, text-drivenness and the fictional world |r Michaela Mahlberg |t Things, words, and the meaning of art |r Juliet John |t Dickens and the circus of modernity |r Michael Hollington |t The Oliver! phenomenon, or, 'Please, sir, we want more and more!' |r Joss Marsh and Carrie Sickmann |t 'Wow! she's a lesbian. Got to be!' : re-reading/re-viewing Dickens and neo-Victorianism on the BBC |r Kim Edwards Keates |t Out of place : David Copperfield's irresolvable geographies |r Dominic Rainsford |t Afterword: The 2012 bicentenary |r Florian Schweizer |
| 520 | |a The scale of the 2012 bicentenary celebrations of Dickens's birth is testimony to his status as one of the most globally popular literary authors the world has ever seen. Yet Dickens has also become associated in the public imagination with a particular version of the Victorian past and with respectability. His continued cultural prominence and the "brand recognition" achieved by his image and images suggest that his vision reaches out beyond the Victorian period. Yet what is the relationship between Dickens and the modern world? Do his works offer a consoling version of the past or are they attuned to that state of uncertainty and instability we associate with the nebulous but resonant concept of modernity? This volume positions Dickens as both a literary and a cultural icon with a complex relationship to the cultural landscape in his own period and since. It seeks to demonstrate that oppositions which have pervaded approaches to Dickens - Victorian vs modern, artist vs entertainer, culture vs commerce - are false, by exploring the diversity and multiplicity of Dickens's textual and extra-textual lives. A specially commissioned Afterword by Florian Schweizer, Director of the Dickens 2012 celebrations, offers a fascinating insight into the shaping of this year-long public programme of commemoration of Dickens. Like the volume as a whole, it asks us to consider the nature of our connection with "this quintessentially Victorian writer" and what it is about Dickens that still appeals to people around the world. Professor Juliet John holds the Hildred Carlile Chair of English Literature, Royal Holloway, University of London. Contributors: Jay Clayton, Holly Furneaux, John Drew, Michaela Mahlberg, Juliet John, Michael Hollington, Joss Marsh, Carrie Sickmann, Kim Edwardes Keates, Dominic Rainsford, Florian Schweizer | ||
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Datensatz im Suchindex
| _version_ | 1804176831022104576 |
|---|---|
| any_adam_object | |
| author2 | John, Juliet 1967- |
| author2_role | edt |
| author2_variant | j j jj |
| author_additional | Jay Clayton Holly Furneaux John Drew Michaela Mahlberg Juliet John Michael Hollington Joss Marsh and Carrie Sickmann Kim Edwards Keates Dominic Rainsford Florian Schweizer |
| author_facet | John, Juliet 1967- |
| building | Verbundindex |
| bvnumber | BV043915685 |
| classification_rvk | HL 2585 |
| collection | ZDB-20-CBO |
| contents | The Dickens tape : affect and sound reproduction in The Chimes Dickens, sexuality and the body ; or, Clock loving : Master Humphrey's queer objects of desire Texts, paratexts and 'E-texts' : the poetics of communication in Dickens's journalism Corpus stylistics : Dickens, text-drivenness and the fictional world Things, words, and the meaning of art Dickens and the circus of modernity The Oliver! phenomenon, or, 'Please, sir, we want more and more!' 'Wow! she's a lesbian. Got to be!' : re-reading/re-viewing Dickens and neo-Victorianism on the BBC Out of place : David Copperfield's irresolvable geographies Afterword: The 2012 bicentenary |
| ctrlnum | (ZDB-20-CBO)CR9781782040262 (OCoLC)967388447 (DE-599)BVBBV043915685 |
| dewey-full | 823.8 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823.8 |
| dewey-search | 823.8 |
| dewey-sort | 3823.8 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| spelling | Dickens and modernity edited by Juliet John for the English Association Dickens & Modernity Suffolk Boydell & Brewer 2012 1 online resource (xi, 232 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) The Dickens tape : affect and sound reproduction in The Chimes Jay Clayton Dickens, sexuality and the body ; or, Clock loving : Master Humphrey's queer objects of desire Holly Furneaux Texts, paratexts and 'E-texts' : the poetics of communication in Dickens's journalism John Drew Corpus stylistics : Dickens, text-drivenness and the fictional world Michaela Mahlberg Things, words, and the meaning of art Juliet John Dickens and the circus of modernity Michael Hollington The Oliver! phenomenon, or, 'Please, sir, we want more and more!' Joss Marsh and Carrie Sickmann 'Wow! she's a lesbian. Got to be!' : re-reading/re-viewing Dickens and neo-Victorianism on the BBC Kim Edwards Keates Out of place : David Copperfield's irresolvable geographies Dominic Rainsford Afterword: The 2012 bicentenary Florian Schweizer The scale of the 2012 bicentenary celebrations of Dickens's birth is testimony to his status as one of the most globally popular literary authors the world has ever seen. Yet Dickens has also become associated in the public imagination with a particular version of the Victorian past and with respectability. His continued cultural prominence and the "brand recognition" achieved by his image and images suggest that his vision reaches out beyond the Victorian period. Yet what is the relationship between Dickens and the modern world? Do his works offer a consoling version of the past or are they attuned to that state of uncertainty and instability we associate with the nebulous but resonant concept of modernity? This volume positions Dickens as both a literary and a cultural icon with a complex relationship to the cultural landscape in his own period and since. It seeks to demonstrate that oppositions which have pervaded approaches to Dickens - Victorian vs modern, artist vs entertainer, culture vs commerce - are false, by exploring the diversity and multiplicity of Dickens's textual and extra-textual lives. A specially commissioned Afterword by Florian Schweizer, Director of the Dickens 2012 celebrations, offers a fascinating insight into the shaping of this year-long public programme of commemoration of Dickens. Like the volume as a whole, it asks us to consider the nature of our connection with "this quintessentially Victorian writer" and what it is about Dickens that still appeals to people around the world. Professor Juliet John holds the Hildred Carlile Chair of English Literature, Royal Holloway, University of London. Contributors: Jay Clayton, Holly Furneaux, John Drew, Michaela Mahlberg, Juliet John, Michael Hollington, Joss Marsh, Carrie Sickmann, Kim Edwardes Keates, Dominic Rainsford, Florian Schweizer Dickens, Charles / 1812-1870 / Criticism and interpretation Dickens, Charles 1812-1870 (DE-588)118525239 gnd rswk-swf Civilization, Modern, in literature 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Dickens, Charles 1812-1870 (DE-588)118525239 p 2\p DE-604 John, Juliet 1967- edt Erscheint auch als Druckausgabe 978-1-84384-326-9 http://www.cambridge.org/core/product/identifier/9781782040262/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dickens and modernity The Dickens tape : affect and sound reproduction in The Chimes Dickens, sexuality and the body ; or, Clock loving : Master Humphrey's queer objects of desire Texts, paratexts and 'E-texts' : the poetics of communication in Dickens's journalism Corpus stylistics : Dickens, text-drivenness and the fictional world Things, words, and the meaning of art Dickens and the circus of modernity The Oliver! phenomenon, or, 'Please, sir, we want more and more!' 'Wow! she's a lesbian. Got to be!' : re-reading/re-viewing Dickens and neo-Victorianism on the BBC Out of place : David Copperfield's irresolvable geographies Afterword: The 2012 bicentenary Dickens, Charles / 1812-1870 / Criticism and interpretation Dickens, Charles 1812-1870 (DE-588)118525239 gnd Civilization, Modern, in literature |
| subject_GND | (DE-588)118525239 (DE-588)4143413-4 |
| title | Dickens and modernity |
| title_alt | Dickens & Modernity The Dickens tape : affect and sound reproduction in The Chimes Dickens, sexuality and the body ; or, Clock loving : Master Humphrey's queer objects of desire Texts, paratexts and 'E-texts' : the poetics of communication in Dickens's journalism Corpus stylistics : Dickens, text-drivenness and the fictional world Things, words, and the meaning of art Dickens and the circus of modernity The Oliver! phenomenon, or, 'Please, sir, we want more and more!' 'Wow! she's a lesbian. Got to be!' : re-reading/re-viewing Dickens and neo-Victorianism on the BBC Out of place : David Copperfield's irresolvable geographies Afterword: The 2012 bicentenary |
| title_auth | Dickens and modernity |
| title_exact_search | Dickens and modernity |
| title_full | Dickens and modernity edited by Juliet John for the English Association |
| title_fullStr | Dickens and modernity edited by Juliet John for the English Association |
| title_full_unstemmed | Dickens and modernity edited by Juliet John for the English Association |
| title_short | Dickens and modernity |
| title_sort | dickens and modernity |
| topic | Dickens, Charles / 1812-1870 / Criticism and interpretation Dickens, Charles 1812-1870 (DE-588)118525239 gnd Civilization, Modern, in literature |
| topic_facet | Dickens, Charles / 1812-1870 / Criticism and interpretation Dickens, Charles 1812-1870 Civilization, Modern, in literature Aufsatzsammlung |
| url | http://www.cambridge.org/core/product/identifier/9781782040262/type/BOOK |
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