Corporate medievalism, 2:
In the wake of the many passionate responses to its predecessor, Studies in Medievalism 22 also addresses the role of corporations in medievalism. Amid the three opening essays, Amy S. Kaufman examines how three modern novelists have refracted contemporary corporate culture through an imagined and h...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Suffolk
Boydell & Brewer
2012
|
| Series: | Studies in medievalism
22 |
| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | In the wake of the many passionate responses to its predecessor, Studies in Medievalism 22 also addresses the role of corporations in medievalism. Amid the three opening essays, Amy S. Kaufman examines how three modern novelists have refracted contemporary corporate culture through an imagined and highly dystopic Middle Ages. On either side of that paper, Elizabeth Emery and Richard Utz explore how the Woolworth Company and Google have variously promoted, distorted, appropriated, resisted, and repudiated post-medieval interpretations of the Middle Ages. And Clare Simmons expands on that approach in a full-length article on the Lord Mayor's Show in London. Readers are then invited to find other permutations of corporate influence in six articles on the gendering of Percy's 'Reliques', the Romantic Pre-Reformation in Charles Reade's 'The Cloister and the Hearth', renovation and resurrection in M.R. James's "Episode of Cathedral History", salvation in the 'Commedia' references of Rodin's 'Gates of Hell', film theory and the relationship of the Sister Arts to the cinematic 'Beowulf', and American containment culture in medievalist comic-books. While offering close, thorough studies of traditional media and materials, the volume directly engages timely concerns about the motives and methods behind this field and many others in academia. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Aida Audeh, Elizabeth Emery, Katie Garner, Nickolas Haydock, Amy S. Kaufman, Peter W. Lee, Patrick J. Murphy, Fred Porcheddu, Clare A. Simmons, Mark B. Spencer, Richard Utz |
| Item Description: | Title from publisher's bibliographic system (viewed on 31 May 2016) |
| Physical Description: | 1 online resource (xiv, 202 pages) |
| ISBN: | 9781782041160 |
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| id | DE-604.BV043915642 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:25Z |
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| isbn | 9781782041160 |
| language | English |
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| series2 | Studies in medievalism |
| spelling | Corporate medievalism, 2 edited by Karl Fugelso Suffolk Boydell & Brewer 2012 1 online resource (xiv, 202 pages) txt rdacontent c rdamedia cr rdacarrier Studies in medievalism 22 Title from publisher's bibliographic system (viewed on 31 May 2016) In the wake of the many passionate responses to its predecessor, Studies in Medievalism 22 also addresses the role of corporations in medievalism. Amid the three opening essays, Amy S. Kaufman examines how three modern novelists have refracted contemporary corporate culture through an imagined and highly dystopic Middle Ages. On either side of that paper, Elizabeth Emery and Richard Utz explore how the Woolworth Company and Google have variously promoted, distorted, appropriated, resisted, and repudiated post-medieval interpretations of the Middle Ages. And Clare Simmons expands on that approach in a full-length article on the Lord Mayor's Show in London. Readers are then invited to find other permutations of corporate influence in six articles on the gendering of Percy's 'Reliques', the Romantic Pre-Reformation in Charles Reade's 'The Cloister and the Hearth', renovation and resurrection in M.R. James's "Episode of Cathedral History", salvation in the 'Commedia' references of Rodin's 'Gates of Hell', film theory and the relationship of the Sister Arts to the cinematic 'Beowulf', and American containment culture in medievalist comic-books. While offering close, thorough studies of traditional media and materials, the volume directly engages timely concerns about the motives and methods behind this field and many others in academia. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Aida Audeh, Elizabeth Emery, Katie Garner, Nickolas Haydock, Amy S. Kaufman, Peter W. Lee, Patrick J. Murphy, Fred Porcheddu, Clare A. Simmons, Mark B. Spencer, Richard Utz Medievalism Middle Ages / Historiography Civilization, Medieval Corporate culture Fugelso, Karl edt Erscheint auch als Druckausgabe 978-1-84384-355-9 http://www.cambridge.org/core/product/identifier/9781782041160/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Corporate medievalism, 2 Medievalism Middle Ages / Historiography Civilization, Medieval Corporate culture |
| title | Corporate medievalism, 2 |
| title_auth | Corporate medievalism, 2 |
| title_exact_search | Corporate medievalism, 2 |
| title_full | Corporate medievalism, 2 edited by Karl Fugelso |
| title_fullStr | Corporate medievalism, 2 edited by Karl Fugelso |
| title_full_unstemmed | Corporate medievalism, 2 edited by Karl Fugelso |
| title_short | Corporate medievalism, 2 |
| title_sort | corporate medievalism 2 |
| topic | Medievalism Middle Ages / Historiography Civilization, Medieval Corporate culture |
| topic_facet | Medievalism Middle Ages / Historiography Civilization, Medieval Corporate culture |
| url | http://www.cambridge.org/core/product/identifier/9781782041160/type/BOOK |
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