Thirty Years' Musical Recollections, Volume 1:
Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. It's author was music critic of The Athaneum for over thirty years and also wrote book reviews...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
1862
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Schriftenreihe: | Cambridge library collection. Music
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Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. It's author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 1 covers the period 1830–1847 and serves as a valuable reference work to the musical life of London during these years. Starting with his reminiscences of the opera season in 1830, Chorley takes the reader on a journey from early performances of Italian and German opera in England, via works by Rossini, Bellini and Donizetti and the first appearances of Lablache and of Mademoiselle Taglioni, through to Verdi's operas in 1846. He also describes famous opera singers including Maria Malibran, Giambattista Rubini, Madame Grisi, Madame Pasta, Madame Persiani, Rachel Felix, Signor Mario, and Mademoiselle Jenny Lind |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (336 pages) |
ISBN: | 9780511701603 |
DOI: | 10.1017/CBO9780511701603 |
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520 | |a Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. It's author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 1 covers the period 1830–1847 and serves as a valuable reference work to the musical life of London during these years. Starting with his reminiscences of the opera season in 1830, Chorley takes the reader on a journey from early performances of Italian and German opera in England, via works by Rossini, Bellini and Donizetti and the first appearances of Lablache and of Mademoiselle Taglioni, through to Verdi's operas in 1846. He also describes famous opera singers including Maria Malibran, Giambattista Rubini, Madame Grisi, Madame Pasta, Madame Persiani, Rachel Felix, Signor Mario, and Mademoiselle Jenny Lind | ||
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Datensatz im Suchindex
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author | Chorley, Henry Fothergill |
author_facet | Chorley, Henry Fothergill |
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illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:20Z |
institution | BVB |
isbn | 9780511701603 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029321372 |
oclc_num | 967378212 |
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publishDate | 1862 |
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publisher | Cambridge University Press |
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series2 | Cambridge library collection. Music |
spelling | Chorley, Henry Fothergill Verfasser aut Thirty Years' Musical Recollections, Volume 1 Henry Fothergill Chorley Cambridge Cambridge University Press 1862 1 online resource (336 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge library collection. Music Title from publisher's bibliographic system (viewed on 05 Oct 2015) Thirty Years' Musical Recollections, first published in 1862, is a year-by-year commentary in two volumes on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. It's author was music critic of The Athaneum for over thirty years and also wrote book reviews, novels, plays and poems. Volume 1 covers the period 1830–1847 and serves as a valuable reference work to the musical life of London during these years. Starting with his reminiscences of the opera season in 1830, Chorley takes the reader on a journey from early performances of Italian and German opera in England, via works by Rossini, Bellini and Donizetti and the first appearances of Lablache and of Mademoiselle Taglioni, through to Verdi's operas in 1846. He also describes famous opera singers including Maria Malibran, Giambattista Rubini, Madame Grisi, Madame Pasta, Madame Persiani, Rachel Felix, Signor Mario, and Mademoiselle Jenny Lind Erscheint auch als Druckausgabe 978-1-108-00140-3 https://doi.org/10.1017/CBO9780511701603 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Chorley, Henry Fothergill Thirty Years' Musical Recollections, Volume 1 |
title | Thirty Years' Musical Recollections, Volume 1 |
title_auth | Thirty Years' Musical Recollections, Volume 1 |
title_exact_search | Thirty Years' Musical Recollections, Volume 1 |
title_full | Thirty Years' Musical Recollections, Volume 1 Henry Fothergill Chorley |
title_fullStr | Thirty Years' Musical Recollections, Volume 1 Henry Fothergill Chorley |
title_full_unstemmed | Thirty Years' Musical Recollections, Volume 1 Henry Fothergill Chorley |
title_short | Thirty Years' Musical Recollections, Volume 1 |
title_sort | thirty years musical recollections volume 1 |
url | https://doi.org/10.1017/CBO9780511701603 |
work_keys_str_mv | AT chorleyhenryfothergill thirtyyearsmusicalrecollectionsvolume1 |