Correspondence and Table-Talk, Volume 2: With a Memoir by his Son
Artist, diarist, and devotee of the Elgin Marbles, Benjamin Robert Haydon (1786–1846) is best known for his large-scale paintings, such as Christ's Entry into Jerusalem and The Raising of Lazarus. After he entered the Royal Academy in 1805 as a student of Henry Fuseli, his forthright views and...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Cambridge
Cambridge University Press
1876
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| Schriftenreihe: | Cambridge library collection. Art and architecture
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| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Artist, diarist, and devotee of the Elgin Marbles, Benjamin Robert Haydon (1786–1846) is best known for his large-scale paintings, such as Christ's Entry into Jerusalem and The Raising of Lazarus. After he entered the Royal Academy in 1805 as a student of Henry Fuseli, his forthright views and combative manner fuelled a feud with the institution and perceived enemies. His unshakeable belief in his own genius and his unwillingness to compromise his artistic standards drew him ever further into debt, which ultimately contributed to his suicide. As a writer, Haydon's acute eye for the humorous is demonstrated throughout his correspondence and diary. In this two-volume work, first published in 1876, his son Frederick Wordsworth Haydon (1827–86) brings together letters and extracts from his father's journals. Volume 2 contains selected letters, including those to and from Keats and Wordsworth, along with a host of witty and erudite journal extracts |
| Beschreibung: | 1 online resource (vi, 484 pages) |
| ISBN: | 9781107324923 |
| DOI: | 10.1017/CBO9781107324923 |
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| 520 | |a Artist, diarist, and devotee of the Elgin Marbles, Benjamin Robert Haydon (1786–1846) is best known for his large-scale paintings, such as Christ's Entry into Jerusalem and The Raising of Lazarus. After he entered the Royal Academy in 1805 as a student of Henry Fuseli, his forthright views and combative manner fuelled a feud with the institution and perceived enemies. His unshakeable belief in his own genius and his unwillingness to compromise his artistic standards drew him ever further into debt, which ultimately contributed to his suicide. As a writer, Haydon's acute eye for the humorous is demonstrated throughout his correspondence and diary. In this two-volume work, first published in 1876, his son Frederick Wordsworth Haydon (1827–86) brings together letters and extracts from his father's journals. Volume 2 contains selected letters, including those to and from Keats and Wordsworth, along with a host of witty and erudite journal extracts | ||
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Datensatz im Suchindex
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| dewey-full | 759.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.2 |
| dewey-search | 759.2 |
| dewey-sort | 3759.2 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1017/CBO9781107324923 |
| format | Electronic eBook |
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| isbn | 9781107324923 |
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| spelling | Haydon, Benjamin Robert 1786-1846 Verfasser aut Correspondence and Table-Talk, Volume 2 With a Memoir by his Son Benjamin Robert Haydon, Edited by Frederick Wordsworth Haydon Correspondence & Table-Talk Cambridge Cambridge University Press 1876 1 online resource (vi, 484 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge library collection. Art and architecture Artist, diarist, and devotee of the Elgin Marbles, Benjamin Robert Haydon (1786–1846) is best known for his large-scale paintings, such as Christ's Entry into Jerusalem and The Raising of Lazarus. After he entered the Royal Academy in 1805 as a student of Henry Fuseli, his forthright views and combative manner fuelled a feud with the institution and perceived enemies. His unshakeable belief in his own genius and his unwillingness to compromise his artistic standards drew him ever further into debt, which ultimately contributed to his suicide. As a writer, Haydon's acute eye for the humorous is demonstrated throughout his correspondence and diary. In this two-volume work, first published in 1876, his son Frederick Wordsworth Haydon (1827–86) brings together letters and extracts from his father's journals. Volume 2 contains selected letters, including those to and from Keats and Wordsworth, along with a host of witty and erudite journal extracts Painters / Great Britain / Correspondence Painters / Great Britain / Biography Großbritannien (DE-588)4006804-3 Biografie gnd-content Haydon, Frederick Wordsworth edt Erscheint auch als Druckausgabe 978-1-108-06542-9 https://doi.org/10.1017/CBO9781107324923 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Haydon, Benjamin Robert 1786-1846 Correspondence and Table-Talk, Volume 2 With a Memoir by his Son Painters / Great Britain / Correspondence Painters / Great Britain / Biography |
| subject_GND | (DE-588)4006804-3 |
| title | Correspondence and Table-Talk, Volume 2 With a Memoir by his Son |
| title_alt | Correspondence & Table-Talk |
| title_auth | Correspondence and Table-Talk, Volume 2 With a Memoir by his Son |
| title_exact_search | Correspondence and Table-Talk, Volume 2 With a Memoir by his Son |
| title_full | Correspondence and Table-Talk, Volume 2 With a Memoir by his Son Benjamin Robert Haydon, Edited by Frederick Wordsworth Haydon |
| title_fullStr | Correspondence and Table-Talk, Volume 2 With a Memoir by his Son Benjamin Robert Haydon, Edited by Frederick Wordsworth Haydon |
| title_full_unstemmed | Correspondence and Table-Talk, Volume 2 With a Memoir by his Son Benjamin Robert Haydon, Edited by Frederick Wordsworth Haydon |
| title_short | Correspondence and Table-Talk, Volume 2 |
| title_sort | correspondence and table talk volume 2 with a memoir by his son |
| title_sub | With a Memoir by his Son |
| topic | Painters / Great Britain / Correspondence Painters / Great Britain / Biography |
| topic_facet | Painters / Great Britain / Correspondence Painters / Great Britain / Biography Großbritannien Biografie |
| url | https://doi.org/10.1017/CBO9781107324923 |
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