Anthropology of the arts: a reader
A comprehensive introduction to the anthropology of the arts, this is the first textbook to go beyond visual art to cover the arts more broadly. Drawing together media such as painting, sound, performance, video, and film, it presents a clear overview of the cross-cultural human experience of art. I...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London ; Oxford ; New York ; New Delhi ; Sydney
Bloomsbury Academic
2017
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | A comprehensive introduction to the anthropology of the arts, this is the first textbook to go beyond visual art to cover the arts more broadly. Drawing together media such as painting, sound, performance, video, and film, it presents a clear overview of the cross-cultural human experience of art. Introducing students to the basics as well as the latest scholarship, the book features: - 45 chapters which combine classic texts from anthropologists such as Pierre Bourdieu, Claude Lévi-Strauss, Margaret Mead, Bronislaw Malinowski, Alfred Gell, Franz Boas, and Mary Douglas with recent scholarship by George Marcus, Tim Ingold, Roger Sansi, Christopher Pinney, Georgina Born, and others - Both theoretical and ethnographic readings, with coverage ranging from Bali, Papua New Guinea, Egypt, sub-Saharan Africa, Eastern Europe, and Australia to the United States - Introductory materials, ethnographic exercises, further reading ideas, and alternative suggestions for navigating the content based on medium, geography, theory, or ethnography Designed for classroom use, Anthropology of the Arts is invaluable for teaching and learning. Engaging and accessible, it is essential reading for students in anthropology of art, anthropology of design, anthropology of performance, and related courses. |
| Physical Description: | x, 384 Seiten Illustrationen 25 cm |
| ISBN: | 9781472585936 9781472585929 |
Staff View
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| 505 | 8 | |a List of Illustrations<br> Acknowledgments<br> Introduction<br> Part I: Art as Social Process<br> Part II: Making Art<br> Part III: Form and Aesthetics<br> Part IV: Modes of Embodiment<br> Part V: Matters of Engagement<br> Part VI: Infrastructures of Art<br> Part VII: Anthropology and the Arts: Intersections and Collisions<br> Permissions<br> Index | |
| 520 | |a A comprehensive introduction to the anthropology of the arts, this is the first textbook to go beyond visual art to cover the arts more broadly. Drawing together media such as painting, sound, performance, video, and film, it presents a clear overview of the cross-cultural human experience of art. Introducing students to the basics as well as the latest scholarship, the book features: - 45 chapters which combine classic texts from anthropologists such as Pierre Bourdieu, Claude Lévi-Strauss, Margaret Mead, Bronislaw Malinowski, Alfred Gell, Franz Boas, and Mary Douglas with recent scholarship by George Marcus, Tim Ingold, Roger Sansi, Christopher Pinney, Georgina Born, and others - Both theoretical and ethnographic readings, with coverage ranging from Bali, Papua New Guinea, Egypt, sub-Saharan Africa, Eastern Europe, and Australia to the United States - Introductory materials, ethnographic exercises, further reading ideas, and alternative suggestions for navigating the content based on medium, geography, theory, or ethnography Designed for classroom use, Anthropology of the Arts is invaluable for teaching and learning. Engaging and accessible, it is essential reading for students in anthropology of art, anthropology of design, anthropology of performance, and related courses. | ||
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Record in the Search Index
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| adam_text | CONTENTS
10 ON WEAVING A BASKET 85
TIM INGOLD
11 PERFORMING L.A. 93
MARINA PETERSON
12 THE ART AND SCIENCE OF HANDCRAFTING CHEESE IN THE UNITED STATES
97
HEATHER PAXSON
13 SURFACE REVELATIONS: ECOLOGIES AND EPISTEMOLOGIES OF ROCK ART 107
SEVERIN FOWLES AND BENJAMIN ALBERTI
PART III: FORM AND AESTHETICS 117
PREFACE
14 THE HISTORICAL GENESIS OF A PURE AESTHETIC 121
PIERRE BOURDIEU
15 MUSIC, MODERNISM AND SIGNIFICATION 125
GEORGINA BORN
16 MARVELS OF EVERYDAY VISION : THE ANTHROPOLOGY OF AESTHETICS AND THE
CATTLE-
KEEPING NILOTES 131
JEREMY COOTE
17 PIERCING THE SKIN OF THE IDOL 143
CHRISTOPHER PINNEY
18 FROM ETHNOMUSICOLOGY TO ECHO-MUSE-ECOLOGY: READING R. MURRAY SCHAFER
IN
THE PAPUA NEW GUINEA RAINFOREST 151
STEVEN FELD
19 MANSIONS OF THE LORD: ARCHITECTURE, INTERIORITY, DOMESTICITY 157
JOHN L. COMAROFF AND JEAN COMAROFF
PART IV: MODES OF EMBODIMENT 167
PREFACE
20 TECHNIQUES OF THE BODY 171
MARCEL MAUSS
21 A GESTURE NARROWLY DIVIDES US FROM CHAOS : GESTURE AND WORD IN
TRANCE TIME 175
DEBORAH KAPCHAN
CONTENTS
10 ON WEAVING A BASKET 85
TIM INGOLD
11 PERFORMING L. A. 93
MARINA PETERSON
12 THE ART AND SCIENCE OF HANDCRAFTING CHEESE IN THE UNITED STATES
97
HEATHER PAXSON
13 SURFACE REVELATIONS: ECOLOGIES AND EPISTEMOLOGIES OF ROCK ART 107
SEVERIN FOWLES AND BENJAMIN ALBERTI
PART III: FORM AND AESTHETICS 117
PREFACE
14 THE HISTORICAL GENESIS OF A PURE AESTHETIC 121
PIERRE BOURDIEU
15 MUSIC, MODERNISM AND SIGNIFICATION 125
GEORGINA BORN
16 MARVELS OF EVERYDAY VISION : THE ANTHROPOLOGY OF AESTHETICS AND THE
CATTLE-
KEEPING NILOTES 131
JEREMY COOTE
17 PIERCING THE SKIN OF THE IDOL 143
CHRISTOPHER PINNEY
18 FROM ETHNOMUSICOLOGY TO ECHO-MUSE-ECOLOGY: READING R. MURRAY SCHAFER
IN
THE PAPUA NEW GUINEA RAINFOREST 151
STEVEN VELD
19 MANSIONS OF THE LORD: ARCHITECTURE, INTERIORITY, DOMESTICITY 157
JOHN L. COMAROFF AND JEAN COMAROFF
PART IV: MODES OF EMBODIMENT 167
PREFACE
20 TECHNIQUES OF THE BODY 171
MARCEL MAUSS
21 A GESTURE NARROWLY DIVIDES US FROM CHAOS : GESTURE AND WORD IN
TRANCE TIME 175
DEBORAH KAPCHAN
CONTENTS
22 AN ANTHROPOLOGIST UNDERWATER: IMMERSIVE SOUNDSCAPES, SUBMARINE
CYBORGS,
AND TRANSDUCTIVE ETHNOGRAPHY 181
STEFAN HELMREICH
23 JOYOUS MAGGOTS : THE SYMBOLISM OF YOLNGU MORTUARY RITUALS 191
HOWARD MORPHY
24 NECRO-UTOPIA: THE POLITICS OF INDISTINCTION AND THE AESTHETICS OF THE
NON-SOVIET 201
ALEXEI YURCHAK
25 INCORPORATIONS: CONTEMPORARY SLOVENE ART AND THE BODY POLITIC 213
GRETCHEN BAKKE
PART V: MATTERS OF ENGAGEMENT 223
PREFACE
26 DEEP PLAY: NOTES ON THE BALINESE COCKFIGHT 227
CLIFFORD GEERTZ
27 THE NATURE OF PERFORMANCE 231
RICHARD BAUMAN
28 PRELIMINARY NOTES ON AUDIENCES IN AFRICA 237
KAREN BARBER
29 THE INTERPRETATION OF CULTURE(S) AFTER TELEVISION 245
LILA ABU-LUGHOD
30 GAMES AS THE PLAY OF SIMULATION 257
KATIE SALEN AND ERIC ZIMMERMAN
31 ON PUNK AND REPULSION, A MISFIT THEORY OF SOCIETY 263
SHANE GREENE
PART VI: INFRASTRUCTURES OF ART 275
PREFACE
32 HOLLYWOOD AND THE U.S.A. 279
HORTENSE POWDERMAKER
33 THE PRODUCTION OF EUROPEAN HIGH CULTURE IN LOS ANGELES: THE J. PAUL
GETTY
TRUST AS ARTIFICIAL CURIOSITY 281
GEORGE E. MARCUS
CONTENTS
34 DEGRADED IMAGES, DISTORTED SOUNDS: NIGERIAN VIDEO AND THE
INFRASTRUCTURE
OF PIRACY 287
BRIAN LARKIN
35 SOME PROPERTIES OF ART AND CULTURE 299
FRED MYERS
36 CULTURAL SOVEREIGNTY IN A GLOBAL ART ECONOMY: EGYPTIAN CULTURAL
POLICY AND
THE NEW WESTERN INTEREST IN ART FROM THE MIDDLE EAST 307
JESSICA WINEGAR
37 CULTURES IN DIALOGUE? 313
SALLY PRICE
38 FIELDS AND LABS 319
ROGER SANSI
PART VII: ANTHROPOLOGY AND THE ARTS*INTERSECTIONS AND COLLISIONS 325
PREFACE
39 ON ETHNOGRAPHIC SURREALISM 329
JAMES CLIFFORD
40 TWENTY-SEVENTH DAY 337
KATHERINE DUNHAM
41 A TALK WITH KATHERINE DUNHAM 343
DORATHI BOCK PIERRE
42 A PARADE IN ERHENRANG 345
URSULA LE GUIN
43 FOR GOD S SAKE, MARGARET: CONVERSATION WITH GREGORY BATESON AND
MARGARET
MEAD 349
GREGORY BATESON AND MARGARET MEAD
44 I SWEAR I SAW THIS: DRAWINGS IN FIELDWORK NOTEBOOKS, NAMELY MY OWN
359
MICHAEL TAUSSIG
45 MARINA ABRAMOVIC: INTERSECTING WORLDS, HIGHER DIMENSIONS, AND
METASTABLE
SHIMMERINGS 363
MARKO ZIVKOVIC
PERMISSIONS 373
INDEX 379
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| contents | List of Illustrations<br> Acknowledgments<br> Introduction<br> Part I: Art as Social Process<br> Part II: Making Art<br> Part III: Form and Aesthetics<br> Part IV: Modes of Embodiment<br> Part V: Matters of Engagement<br> Part VI: Infrastructures of Art<br> Part VII: Anthropology and the Arts: Intersections and Collisions<br> Permissions<br> Index |
| ctrlnum | (OCoLC)964061803 (DE-599)HBZHT019093629 |
| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| format | Book |
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| spelling | Anthropology of the arts a reader edited by Gretchen Bakke and Marina Peterson London ; Oxford ; New York ; New Delhi ; Sydney Bloomsbury Academic 2017 x, 384 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier List of Illustrations<br> Acknowledgments<br> Introduction<br> Part I: Art as Social Process<br> Part II: Making Art<br> Part III: Form and Aesthetics<br> Part IV: Modes of Embodiment<br> Part V: Matters of Engagement<br> Part VI: Infrastructures of Art<br> Part VII: Anthropology and the Arts: Intersections and Collisions<br> Permissions<br> Index A comprehensive introduction to the anthropology of the arts, this is the first textbook to go beyond visual art to cover the arts more broadly. Drawing together media such as painting, sound, performance, video, and film, it presents a clear overview of the cross-cultural human experience of art. Introducing students to the basics as well as the latest scholarship, the book features: - 45 chapters which combine classic texts from anthropologists such as Pierre Bourdieu, Claude Lévi-Strauss, Margaret Mead, Bronislaw Malinowski, Alfred Gell, Franz Boas, and Mary Douglas with recent scholarship by George Marcus, Tim Ingold, Roger Sansi, Christopher Pinney, Georgina Born, and others - Both theoretical and ethnographic readings, with coverage ranging from Bali, Papua New Guinea, Egypt, sub-Saharan Africa, Eastern Europe, and Australia to the United States - Introductory materials, ethnographic exercises, further reading ideas, and alternative suggestions for navigating the content based on medium, geography, theory, or ethnography Designed for classroom use, Anthropology of the Arts is invaluable for teaching and learning. Engaging and accessible, it is essential reading for students in anthropology of art, anthropology of design, anthropology of performance, and related courses. Anthropology and the arts Kunstethnologie (DE-588)4452785-8 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Anthropologie (DE-588)4002230-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4151278-9 Einführung gnd-content Kunstethnologie (DE-588)4452785-8 s DE-604 Anthropologie (DE-588)4002230-4 s Künste (DE-588)4033422-3 s Bakke, Gretchen Anna 19XX- (DE-588)1118418654 edt Peterson, Marina 19XX- (DE-588)1020735325 edt SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029300429&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Anthropology of the arts a reader List of Illustrations<br> Acknowledgments<br> Introduction<br> Part I: Art as Social Process<br> Part II: Making Art<br> Part III: Form and Aesthetics<br> Part IV: Modes of Embodiment<br> Part V: Matters of Engagement<br> Part VI: Infrastructures of Art<br> Part VII: Anthropology and the Arts: Intersections and Collisions<br> Permissions<br> Index Anthropology and the arts Kunstethnologie (DE-588)4452785-8 gnd Künste (DE-588)4033422-3 gnd Anthropologie (DE-588)4002230-4 gnd |
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| title | Anthropology of the arts a reader |
| title_auth | Anthropology of the arts a reader |
| title_exact_search | Anthropology of the arts a reader |
| title_full | Anthropology of the arts a reader edited by Gretchen Bakke and Marina Peterson |
| title_fullStr | Anthropology of the arts a reader edited by Gretchen Bakke and Marina Peterson |
| title_full_unstemmed | Anthropology of the arts a reader edited by Gretchen Bakke and Marina Peterson |
| title_short | Anthropology of the arts |
| title_sort | anthropology of the arts a reader |
| title_sub | a reader |
| topic | Anthropology and the arts Kunstethnologie (DE-588)4452785-8 gnd Künste (DE-588)4033422-3 gnd Anthropologie (DE-588)4002230-4 gnd |
| topic_facet | Anthropology and the arts Kunstethnologie Künste Anthropologie Aufsatzsammlung Einführung |
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