Colour change in paintings:
Changes in colour may completely alter the way we see a painting. From blue leaves in a still life, to the blue walls in Van Gogh?s bedroom, our perception of a painting can be informed by an understanding of these changes. When conserving paintings our comprehension of these alterations can influen...
Gespeichert in:
| Weitere Verfasser: | , , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Archetype Publications
2016
|
| Ausgabe: | First published |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Changes in colour may completely alter the way we see a painting. From blue leaves in a still life, to the blue walls in Van Gogh?s bedroom, our perception of a painting can be informed by an understanding of these changes. When conserving paintings our comprehension of these alterations can influence the way we display and restore them. The papers in this volume were presented at the ICON paintings Group conference 'Appearance and Reality: Examining Colour Change in Paintings' with the aim of providing an overview of colour change in paintings, from the work of the old masters to modern and contemporary painters. They also address the aesthetic considerations related to these changes when approaching conservation treatments and how understanding these variations can influence the restoration and presentation of paintings |
| Beschreibung: | "The papers in this volume were presented at the Icon Publishing Group conference 'Appearance and Reality: Examining Colour Change in Paintings' held at Tate Britain on 9 October 2015."--Page vii |
| Beschreibung: | ix, 130 Seiten Illustrationen, Diagramme 25 cm |
| ISBN: | 9781909492431 |
Internformat
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| 520 | |a Changes in colour may completely alter the way we see a painting. From blue leaves in a still life, to the blue walls in Van Gogh?s bedroom, our perception of a painting can be informed by an understanding of these changes. When conserving paintings our comprehension of these alterations can influence the way we display and restore them. The papers in this volume were presented at the ICON paintings Group conference 'Appearance and Reality: Examining Colour Change in Paintings' with the aim of providing an overview of colour change in paintings, from the work of the old masters to modern and contemporary painters. They also address the aesthetic considerations related to these changes when approaching conservation treatments and how understanding these variations can influence the restoration and presentation of paintings | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENS
- FADING, DARKENING, BROWNING, BLANCHING: A REVIEW OF OUR CURRENT UNDERSTANDING OF COLOUR CHANGE AND ITS CONSEQUENCES IN OLD MASTER PAINTINGS / MARIKA SPRING
- COLOUR CHANGE AND RESTORATION / LARRY KEITH
- COLOUR CHANGES DUE TO THE FADING OF PRUSSIAN BLUE IN DANISH GOLDEN AGE PAINTINGS / TROELS FILTENBORG, DAVID BUTI, ANNA VILA, JARGEN WADUM
- APAINTINGS FADE LIKE FLOWERSA: COLOUR CHANGE IN PAINTINGS BY VINCENT VAN GOGH / ELLA HENDRIKS
- COLOUR CHANGE AND MODERN PAINTS; AN OVERVIEW / BRONWYN ORMSBY AND JUDITH LEE
- NON-INVASIVE COLOUR RESTORATION OF MARK ROTHKO S HARVARD MURALS USING LIGHT FROM A DIGITAL PROJECTOR / JENS STENGER, NARAYAN KHANDEKAR, RAMESH RASKAR, SANTIAGO CUELLAR, ANKIT MOHAN, RUDOLF GSCHWIND, MARY SCHNEIDER ENRIQUEZ, CAROL MANCUSI-UNGARO , CHRISTINA ROSENBERGER
- MICROFADING: A USEFUL TOOL FOR PAINTINGS CONSERVATORS? / JOYCE H. TOWNSEND
- AN INTRODUCTION TO THE MEASUREMENT AND COMPARISON OF LIGHT SOURCES USED WITHIN CULTURAL HERITAGE / JOSEPH PADFIELD
- LOST PURPLES: DETECTION, COMPOSITION AND RECONSTRUCTION: RE-DISCOVERING THE APPEARANCE AND CONTEMPORARY RESONANCE OF PURPLE PAINT IN TUDOR AND STUART PORTRAITS / CAROLINE RAE, COURTAULD INSTITUTE OF ART AND LIBBY SHELDON, UNIVERSITY COLLEGE LONDON
- CHOOSING COLOUR; THE RECONSTRUCTION OF GREEN TEXTILES IN THE NATIONAL SYNOD BY POUWEL WEYTS / JOHANNEKE VERHAVE AND LIDWIEN SPELEERS
- VIVID COLOURS IN THE GOLDEN ROOM: AN EDUCATED BUT TENTATIVE RECONSTRUCTION OF AN ENSEMBLE BY PELLEGRINI IN THE MAURITSHUIS / CAROL POTTASCH , SABRINA MELONI , IVO HOEKSTRA, MARGRIET VAN EIKEMA HOMMES, RALPH HASWELL
- INVESTIGATING SURFACE PHENOMENA IN PAINTS AND PAINTINGS BY EDVARD MUNCH (1863A1944) A IN THE CONTEXT OF THE ARTISTAS PAINTING MATERIALS / JIN STRAND FERRER, ALYSSA HULL AND TERJE SYVERSEN
|
| any_adam_object | 1 |
| author2 | Clarricoates, Rhiannon Dowding, Helen Gent, Alexandra |
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| author_facet | Clarricoates, Rhiannon Dowding, Helen Gent, Alexandra |
| building | Verbundindex |
| bvnumber | BV043887147 |
| classification_rvk | AK 87200 |
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| discipline | Allgemeines |
| edition | First published |
| era | Geschichte gnd |
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| format | Book |
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| spelling | Colour change in paintings edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent Appearance and reality : examining colour change in paintings First published London Archetype Publications 2016 ix, 130 Seiten Illustrationen, Diagramme 25 cm txt rdacontent n rdamedia nc rdacarrier "The papers in this volume were presented at the Icon Publishing Group conference 'Appearance and Reality: Examining Colour Change in Paintings' held at Tate Britain on 9 October 2015."--Page vii Changes in colour may completely alter the way we see a painting. From blue leaves in a still life, to the blue walls in Van Gogh?s bedroom, our perception of a painting can be informed by an understanding of these changes. When conserving paintings our comprehension of these alterations can influence the way we display and restore them. The papers in this volume were presented at the ICON paintings Group conference 'Appearance and Reality: Examining Colour Change in Paintings' with the aim of providing an overview of colour change in paintings, from the work of the old masters to modern and contemporary painters. They also address the aesthetic considerations related to these changes when approaching conservation treatments and how understanding these variations can influence the restoration and presentation of paintings Geschichte gnd rswk-swf Art objects / Conservation and restoration Pigments / Deterioration / Congresses Pigments / Preservation / Congresses Painting / Conservation and restoration / Congresses Farbe (DE-588)4016443-3 gnd rswk-swf Altern (DE-588)4068596-2 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Restaurierung (DE-588)4049600-4 gnd rswk-swf Künstlerisches Material (DE-588)4304079-2 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content (DE-588)1071861417 Konferenzschrift Tate Britain 09.10.2015 London gnd-content Malerei (DE-588)4037220-0 s Farbe (DE-588)4016443-3 s Künstlerisches Material (DE-588)4304079-2 s Altern (DE-588)4068596-2 s Restaurierung (DE-588)4049600-4 s Geschichte z DE-604 Clarricoates, Rhiannon edt Dowding, Helen edt Gent, Alexandra edt Institute of Conservation (DE-588)10121317-7 isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029296616&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Colour change in paintings |
| title_alt | Appearance and reality : examining colour change in paintings |
| title_auth | Colour change in paintings |
| title_exact_search | Colour change in paintings |
| title_full | Colour change in paintings edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent |
| title_fullStr | Colour change in paintings edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent |
| title_full_unstemmed | Colour change in paintings edited by Rhiannon Clarricoates, Helen Dowding and Alexandra Gent |
| title_short | Colour change in paintings |
| title_sort | colour change in paintings |
| topic | Art objects / Conservation and restoration Pigments / Deterioration / Congresses Pigments / Preservation / Congresses Painting / Conservation and restoration / Congresses Farbe (DE-588)4016443-3 gnd Altern (DE-588)4068596-2 gnd Malerei (DE-588)4037220-0 gnd Restaurierung (DE-588)4049600-4 gnd Künstlerisches Material (DE-588)4304079-2 gnd |
| topic_facet | Art objects / Conservation and restoration Pigments / Deterioration / Congresses Pigments / Preservation / Congresses Painting / Conservation and restoration / Congresses Farbe Altern Malerei Restaurierung Künstlerisches Material Konferenzschrift Konferenzschrift Tate Britain 09.10.2015 London |
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