The future of the music business: how to succeed with the new digital technologies : a guide for artists and entrepreneurs
New technologies have revolutionized the music business. While these technologies have wreaked havoc on traditional business models, they've also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Milwaukee, WI
Hal Leonard Books
[2015]
|
| Ausgabe: | Fourth edition |
| Schriftenreihe: | MusicPro guides
|
| Schlagworte: | |
| Zusammenfassung: | New technologies have revolutionized the music business. While these technologies have wreaked havoc on traditional business models, they've also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels and music publishers. The Future of the Music Business provides a road map for success by explaining legal fundamentals including copyright law's application to the music business, basic forms of agreement such as recording, songwriting and management co ntracts, PLUS the rules pertaining to digital streaming, downloading and Internet radio. This book also shows exactly how much money is generated by each of these models, and details how the money flows to the principal stakeholders: artists, record labels, songwriters and music publishers.--Amazon.com |
| Beschreibung: | Auf dem Umschlag: Foreword by Amanda Palmer Previous edition: 2011 |
| Beschreibung: | xlv, 353 Seiten Diagramme 24 cm |
| ISBN: | 9781480360655 1480360651 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043883497 | ||
| 003 | DE-604 | ||
| 005 | 20170410 | ||
| 007 | t | ||
| 008 | 161117s2015 |||| |||| 00||| eng d | ||
| 015 | |a GBB4C3411 |2 dnb | ||
| 020 | |a 9781480360655 |9 978-1-4803-6065-5 | ||
| 020 | |a 1480360651 |9 1-4803-6065-1 | ||
| 035 | |a (DE-599)BVBBV043883497 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M382 | ||
| 100 | 1 | |a Gordon, Steve |4 aut | |
| 245 | 1 | 0 | |a The future of the music business |b how to succeed with the new digital technologies : a guide for artists and entrepreneurs |c Steve Gordon |
| 250 | |a Fourth edition | ||
| 264 | 1 | |a Milwaukee, WI |b Hal Leonard Books |c [2015] | |
| 264 | 4 | |c © 2015 | |
| 300 | |a xlv, 353 Seiten |b Diagramme |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a MusicPro guides | |
| 500 | |a Auf dem Umschlag: Foreword by Amanda Palmer | ||
| 500 | |a Previous edition: 2011 | ||
| 505 | 8 | |a Literaturangaben und Index | |
| 505 | 8 | |a Foreword / Amanda Palmer -- Introduction: The current state of the music business -- Part one: Music law and business practices (1. Music law and business primer ; 2. Practical advice in reposnse to clients' most-asked questions ; 3. Overview of digital music law ; 4. Downloading ; 5. Interactive streaming ; 6. Noninteractive digital streaming, including webcasting and satellite radio ; 7. The direct-licensing controversy ; 8. International digital music licensing) | |
| 505 | 8 | |a Part two: Music clearances (9. Introduction to music clearances ; 10. Audiovisual projects ; 11. Audio-only clearances, parody and fair use ; 12. Special cases ; 13. How to clear music for various stand-alone digital projects ; 14. Tips and commentary) | |
| 505 | 8 | |a Part three: The recording industry in transition: a brief history of digital music, current status of the battle against unauthorized "free" music, and current controversies and trends (15. A brief history of the recording industry's struggle with digital music ; 16. Update on piracy ; 17. Network neutrality ; 18. Current controversies, trends and developments ; 19. Current state of the music business in the largest potential market on Earth: the People's Republic of China) | |
| 505 | 8 | |a Part four: Winning strategies and compelling ideas (20. How to write hit songs in the digital age ; 21. How to market a record in the digital age ; 22. How to use Spotify to expand your fan base and make money ; 23. How to use YouTube to get discovered (and how to use MCNs to expand your YouTube audience and make money ; 24. How to use other digital tools to succeed (and why there is no guarantee that they will work) ; 25. How to use crowdfunding ; 26. How to develop a successful Internet radio station ; 27. How a jazz club is using the Internet to reach a worldwide audience and create new revenue streams for the artists who play there ; 28. How to use a music college education) | |
| 520 | |a New technologies have revolutionized the music business. While these technologies have wreaked havoc on traditional business models, they've also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels and music publishers. The Future of the Music Business provides a road map for success by explaining legal fundamentals including copyright law's application to the music business, basic forms of agreement such as recording, songwriting and management co ntracts, PLUS the rules pertaining to digital streaming, downloading and Internet radio. This book also shows exactly how much money is generated by each of these models, and details how the money flows to the principal stakeholders: artists, record labels, songwriters and music publishers.--Amazon.com | ||
| 650 | 4 | |a Music trade / Vocational guidance | |
| 650 | 4 | |a Music trade / Technological innovations | |
| 650 | 4 | |a Sound / Recording and reproducing / Digital techniques | |
| 650 | 4 | |a Music / Computer network resources | |
| 650 | 7 | |a Musik |2 sao | |
| 650 | 7 | |a Music / Computer network resources |2 fast | |
| 650 | 7 | |a Music trade / Technological innovations |2 fast | |
| 650 | 7 | |a Music trade / Vocational guidance |2 fast | |
| 650 | 7 | |a Sound / Recording and reproducing / Digital techniques |2 fast | |
| 650 | 4 | |a Musik | |
| 650 | 0 | 7 | |a Digitale Audiotechnik |0 (DE-588)4140447-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Internet |0 (DE-588)4308416-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Internet |0 (DE-588)4308416-3 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Musikwirtschaft |0 (DE-588)4268614-3 |D s |
| 689 | 1 | 1 | |a Digitale Audiotechnik |0 (DE-588)4140447-6 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Palmer, Amanda |d 1976- |0 (DE-588)13538088X |4 wpr | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029293058 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804176780611813376 |
|---|---|
| any_adam_object | |
| author | Gordon, Steve |
| author_GND | (DE-588)13538088X |
| author_facet | Gordon, Steve |
| author_role | aut |
| author_sort | Gordon, Steve |
| author_variant | s g sg |
| building | Verbundindex |
| bvnumber | BV043883497 |
| contents | Literaturangaben und Index Foreword / Amanda Palmer -- Introduction: The current state of the music business -- Part one: Music law and business practices (1. Music law and business primer ; 2. Practical advice in reposnse to clients' most-asked questions ; 3. Overview of digital music law ; 4. Downloading ; 5. Interactive streaming ; 6. Noninteractive digital streaming, including webcasting and satellite radio ; 7. The direct-licensing controversy ; 8. International digital music licensing) Part two: Music clearances (9. Introduction to music clearances ; 10. Audiovisual projects ; 11. Audio-only clearances, parody and fair use ; 12. Special cases ; 13. How to clear music for various stand-alone digital projects ; 14. Tips and commentary) Part three: The recording industry in transition: a brief history of digital music, current status of the battle against unauthorized "free" music, and current controversies and trends (15. A brief history of the recording industry's struggle with digital music ; 16. Update on piracy ; 17. Network neutrality ; 18. Current controversies, trends and developments ; 19. Current state of the music business in the largest potential market on Earth: the People's Republic of China) Part four: Winning strategies and compelling ideas (20. How to write hit songs in the digital age ; 21. How to market a record in the digital age ; 22. How to use Spotify to expand your fan base and make money ; 23. How to use YouTube to get discovered (and how to use MCNs to expand your YouTube audience and make money ; 24. How to use other digital tools to succeed (and why there is no guarantee that they will work) ; 25. How to use crowdfunding ; 26. How to develop a successful Internet radio station ; 27. How a jazz club is using the Internet to reach a worldwide audience and create new revenue streams for the artists who play there ; 28. How to use a music college education) |
| ctrlnum | (DE-599)BVBBV043883497 |
| edition | Fourth edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05175nam a2200673 c 4500</leader><controlfield tag="001">BV043883497</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170410 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">161117s2015 |||| |||| 00||| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB4C3411</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781480360655</subfield><subfield code="9">978-1-4803-6065-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1480360651</subfield><subfield code="9">1-4803-6065-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043883497</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M382</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gordon, Steve</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The future of the music business</subfield><subfield code="b">how to succeed with the new digital technologies : a guide for artists and entrepreneurs</subfield><subfield code="c">Steve Gordon</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Fourth edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Milwaukee, WI</subfield><subfield code="b">Hal Leonard Books</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xlv, 353 Seiten</subfield><subfield code="b">Diagramme</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">MusicPro guides</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Auf dem Umschlag: Foreword by Amanda Palmer</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Previous edition: 2011</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Literaturangaben und Index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Foreword / Amanda Palmer -- Introduction: The current state of the music business -- Part one: Music law and business practices (1. Music law and business primer ; 2. Practical advice in reposnse to clients' most-asked questions ; 3. Overview of digital music law ; 4. Downloading ; 5. Interactive streaming ; 6. Noninteractive digital streaming, including webcasting and satellite radio ; 7. The direct-licensing controversy ; 8. International digital music licensing)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part two: Music clearances (9. Introduction to music clearances ; 10. Audiovisual projects ; 11. Audio-only clearances, parody and fair use ; 12. Special cases ; 13. How to clear music for various stand-alone digital projects ; 14. Tips and commentary)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part three: The recording industry in transition: a brief history of digital music, current status of the battle against unauthorized "free" music, and current controversies and trends (15. A brief history of the recording industry's struggle with digital music ; 16. Update on piracy ; 17. Network neutrality ; 18. Current controversies, trends and developments ; 19. Current state of the music business in the largest potential market on Earth: the People's Republic of China)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part four: Winning strategies and compelling ideas (20. How to write hit songs in the digital age ; 21. How to market a record in the digital age ; 22. How to use Spotify to expand your fan base and make money ; 23. How to use YouTube to get discovered (and how to use MCNs to expand your YouTube audience and make money ; 24. How to use other digital tools to succeed (and why there is no guarantee that they will work) ; 25. How to use crowdfunding ; 26. How to develop a successful Internet radio station ; 27. How a jazz club is using the Internet to reach a worldwide audience and create new revenue streams for the artists who play there ; 28. How to use a music college education)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">New technologies have revolutionized the music business. While these technologies have wreaked havoc on traditional business models, they've also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels and music publishers. The Future of the Music Business provides a road map for success by explaining legal fundamentals including copyright law's application to the music business, basic forms of agreement such as recording, songwriting and management co ntracts, PLUS the rules pertaining to digital streaming, downloading and Internet radio. This book also shows exactly how much money is generated by each of these models, and details how the money flows to the principal stakeholders: artists, record labels, songwriters and music publishers.--Amazon.com</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music trade / Vocational guidance</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music trade / Technological innovations</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound / Recording and reproducing / Digital techniques</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Computer network resources</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musik</subfield><subfield code="2">sao</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music / Computer network resources</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music trade / Technological innovations</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music trade / Vocational guidance</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sound / Recording and reproducing / Digital techniques</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Digitale Audiotechnik</subfield><subfield code="0">(DE-588)4140447-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Digitale Audiotechnik</subfield><subfield code="0">(DE-588)4140447-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Palmer, Amanda</subfield><subfield code="d">1976-</subfield><subfield code="0">(DE-588)13538088X</subfield><subfield code="4">wpr</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029293058</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV043883497 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:37:37Z |
| institution | BVB |
| isbn | 9781480360655 1480360651 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029293058 |
| open_access_boolean | |
| owner | DE-M382 |
| owner_facet | DE-M382 |
| physical | xlv, 353 Seiten Diagramme 24 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Hal Leonard Books |
| record_format | marc |
| series2 | MusicPro guides |
| spelling | Gordon, Steve aut The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs Steve Gordon Fourth edition Milwaukee, WI Hal Leonard Books [2015] © 2015 xlv, 353 Seiten Diagramme 24 cm txt rdacontent n rdamedia nc rdacarrier MusicPro guides Auf dem Umschlag: Foreword by Amanda Palmer Previous edition: 2011 Literaturangaben und Index Foreword / Amanda Palmer -- Introduction: The current state of the music business -- Part one: Music law and business practices (1. Music law and business primer ; 2. Practical advice in reposnse to clients' most-asked questions ; 3. Overview of digital music law ; 4. Downloading ; 5. Interactive streaming ; 6. Noninteractive digital streaming, including webcasting and satellite radio ; 7. The direct-licensing controversy ; 8. International digital music licensing) Part two: Music clearances (9. Introduction to music clearances ; 10. Audiovisual projects ; 11. Audio-only clearances, parody and fair use ; 12. Special cases ; 13. How to clear music for various stand-alone digital projects ; 14. Tips and commentary) Part three: The recording industry in transition: a brief history of digital music, current status of the battle against unauthorized "free" music, and current controversies and trends (15. A brief history of the recording industry's struggle with digital music ; 16. Update on piracy ; 17. Network neutrality ; 18. Current controversies, trends and developments ; 19. Current state of the music business in the largest potential market on Earth: the People's Republic of China) Part four: Winning strategies and compelling ideas (20. How to write hit songs in the digital age ; 21. How to market a record in the digital age ; 22. How to use Spotify to expand your fan base and make money ; 23. How to use YouTube to get discovered (and how to use MCNs to expand your YouTube audience and make money ; 24. How to use other digital tools to succeed (and why there is no guarantee that they will work) ; 25. How to use crowdfunding ; 26. How to develop a successful Internet radio station ; 27. How a jazz club is using the Internet to reach a worldwide audience and create new revenue streams for the artists who play there ; 28. How to use a music college education) New technologies have revolutionized the music business. While these technologies have wreaked havoc on traditional business models, they've also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels and music publishers. The Future of the Music Business provides a road map for success by explaining legal fundamentals including copyright law's application to the music business, basic forms of agreement such as recording, songwriting and management co ntracts, PLUS the rules pertaining to digital streaming, downloading and Internet radio. This book also shows exactly how much money is generated by each of these models, and details how the money flows to the principal stakeholders: artists, record labels, songwriters and music publishers.--Amazon.com Music trade / Vocational guidance Music trade / Technological innovations Sound / Recording and reproducing / Digital techniques Music / Computer network resources Musik sao Music / Computer network resources fast Music trade / Technological innovations fast Music trade / Vocational guidance fast Sound / Recording and reproducing / Digital techniques fast Musik Digitale Audiotechnik (DE-588)4140447-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Musik (DE-588)4040802-4 s Internet (DE-588)4308416-3 s 1\p DE-604 Musikwirtschaft (DE-588)4268614-3 s Digitale Audiotechnik (DE-588)4140447-6 s 2\p DE-604 Palmer, Amanda 1976- (DE-588)13538088X wpr 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gordon, Steve The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs Literaturangaben und Index Foreword / Amanda Palmer -- Introduction: The current state of the music business -- Part one: Music law and business practices (1. Music law and business primer ; 2. Practical advice in reposnse to clients' most-asked questions ; 3. Overview of digital music law ; 4. Downloading ; 5. Interactive streaming ; 6. Noninteractive digital streaming, including webcasting and satellite radio ; 7. The direct-licensing controversy ; 8. International digital music licensing) Part two: Music clearances (9. Introduction to music clearances ; 10. Audiovisual projects ; 11. Audio-only clearances, parody and fair use ; 12. Special cases ; 13. How to clear music for various stand-alone digital projects ; 14. Tips and commentary) Part three: The recording industry in transition: a brief history of digital music, current status of the battle against unauthorized "free" music, and current controversies and trends (15. A brief history of the recording industry's struggle with digital music ; 16. Update on piracy ; 17. Network neutrality ; 18. Current controversies, trends and developments ; 19. Current state of the music business in the largest potential market on Earth: the People's Republic of China) Part four: Winning strategies and compelling ideas (20. How to write hit songs in the digital age ; 21. How to market a record in the digital age ; 22. How to use Spotify to expand your fan base and make money ; 23. How to use YouTube to get discovered (and how to use MCNs to expand your YouTube audience and make money ; 24. How to use other digital tools to succeed (and why there is no guarantee that they will work) ; 25. How to use crowdfunding ; 26. How to develop a successful Internet radio station ; 27. How a jazz club is using the Internet to reach a worldwide audience and create new revenue streams for the artists who play there ; 28. How to use a music college education) Music trade / Vocational guidance Music trade / Technological innovations Sound / Recording and reproducing / Digital techniques Music / Computer network resources Musik sao Music / Computer network resources fast Music trade / Technological innovations fast Music trade / Vocational guidance fast Sound / Recording and reproducing / Digital techniques fast Musik Digitale Audiotechnik (DE-588)4140447-6 gnd Musik (DE-588)4040802-4 gnd Internet (DE-588)4308416-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4140447-6 (DE-588)4040802-4 (DE-588)4308416-3 (DE-588)4268614-3 |
| title | The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs |
| title_auth | The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs |
| title_exact_search | The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs |
| title_full | The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs Steve Gordon |
| title_fullStr | The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs Steve Gordon |
| title_full_unstemmed | The future of the music business how to succeed with the new digital technologies : a guide for artists and entrepreneurs Steve Gordon |
| title_short | The future of the music business |
| title_sort | the future of the music business how to succeed with the new digital technologies a guide for artists and entrepreneurs |
| title_sub | how to succeed with the new digital technologies : a guide for artists and entrepreneurs |
| topic | Music trade / Vocational guidance Music trade / Technological innovations Sound / Recording and reproducing / Digital techniques Music / Computer network resources Musik sao Music / Computer network resources fast Music trade / Technological innovations fast Music trade / Vocational guidance fast Sound / Recording and reproducing / Digital techniques fast Musik Digitale Audiotechnik (DE-588)4140447-6 gnd Musik (DE-588)4040802-4 gnd Internet (DE-588)4308416-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Music trade / Vocational guidance Music trade / Technological innovations Sound / Recording and reproducing / Digital techniques Music / Computer network resources Musik Digitale Audiotechnik Internet Musikwirtschaft |
| work_keys_str_mv | AT gordonsteve thefutureofthemusicbusinesshowtosucceedwiththenewdigitaltechnologiesaguideforartistsandentrepreneurs AT palmeramanda thefutureofthemusicbusinesshowtosucceedwiththenewdigitaltechnologiesaguideforartistsandentrepreneurs |