Cinema's bodily illusions: flying, floating, and hallucinating
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Minneapolis
University of Minnesota Press
[2016]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext Klappentext |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 215 Seiten Illustrationen |
ISBN: | 9780816690961 9780816690992 |
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CINEMA'S BODILY ILLUSIONS
/ RICHMOND, SCOTT C.
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: PROPRIOCEPTIVE AESTHETICS, OR THE CINEMA
THE UNFINISHED BUSINESS OF MODERNISM: ANEMIC CINEMA
BEYOND THE INFINITE, AT HOME IN FINITUDE: 2001
ECOLOGICAL PHENOMENOLOGY: MERLEAU-PONTY AND GIBSON
PROPRIOCEPTION, THE OECART: KOYAANISQATSI
THE BODY, UNBOUNDED: GRAVITY
AESTHETICS BEYOND THE THE FLICKER
CONCLUSION: THE TECHNICITY OF THE CINEMA
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
CINEMA AND MEDIA STUDIES
"In laying out his theory of proprioceptive aesthetics in cinema, Scott C.
Richmond makes a boldly provocative contribution to the study of bodies,
film screens, and media technology. Rescuing cinematic illusion from
the pejorative sense with which modernist film scholarship disparages it,
Cinema's Bodily Illusions finds a visceral thematization of the resonance
between ordinary perception and cinematic perception."
—JENNIFER M. BARKER, author of The Tactile Eye: Touch and the
Cinematic Experience
Bridging genres and periods by focusing on cinema's power to evoke
illusions—feeling like you are flying through space, experiencing 3D without
glasses, or even hallucinating—Scott C. Richmond argues that cinema is,
first and foremost, a technology to modulate perception. He presents a
theory of cinema as a proprioceptive technology: cinema becomes art
by modulating the viewer's embodied sense of space. It works primarily
not at the level of the intellect but at the level of the body. Richmond
develops his theory through examples of direct perceptual illusion in
cinema: hallucinatory flicker phenomena in Tony Conrad's The Flicker;
eerie depth effects in Marcel Duchamp's Anémie ; and the illusion
of bodily movement through onscreen space in Stanley Kubrick's 2001:
A Space Odyssey, Godfrey Reggio's Koyaanisqatsi, and Alfonso Cuarôn's
Gravity. In doing so, he combines insights from Maurice Merleau-Ponty's
phenomenology of perception and James J. Gibson's ecological approach
to perception. The result is his distinctive ecological phenomenology,
which allows us to refocus on the cinema's perceptual, rather than
representational, power.
SCOTT C. RICHMOND is assistant professor of cinema and digital media in
the Cinema Studies Institute at the University of Toronto.
CINEMA AND MEDIA STUDIES
"In laying out his theory of proprioceptive aesthetics in cinema, Scott C.
Richmond makes a boldly provocative contribution to the study of bodies,
film screens, and media technology. Rescuing cinematic illusion from
the pejorative sense with which modernist film scholarship disparages it,
Cinema's Bodily Illusions finds a visceral thematization of the resonance
between ordinary perception and cinematic perception."
—JENNIFER M. BARKER, author of The Tactile Eye: Touch and the
Cinematic Experience
Bridging genres and periods by focusing on cinema's power to evoke
illusions—feeling like you are flying through space, experiencing 3D without
glasses, or even hallucinating—Scott C. Richmond argues that cinema is,
first and foremost, a technology to modulate perception. He presents a
theory of cinema as a proprioceptive technology: cinema becomes art
by modulating the viewer's embodied sense of space. It works primarily
not at the level of the intellect but at the level of the body. Richmond
develops his theory through examples of direct perceptual illusion in
cinema: hallucinatory flicker phenomena in Tony Conrad's The Flicker;
eerie depth effects in Marcel Duchamp's Anémie ; and the illusion
of bodily movement through onscreen space in Stanley Kubrick's 2001:
A Space Odyssey, Godfrey Reggio's Koyaanisqatsi, and Alfonso Cuarôn's
Gravity. In doing so, he combines insights from Maurice Merleau-Ponty's
phenomenology of perception and James J. Gibson's ecological approach
to perception. The result is his distinctive ecological phenomenology,
which allows us to refocus on the cinema's perceptual, rather than
representational, power.
SCOTT C. RICHMOND is assistant professor of cinema and digital media in
the Cinema Studies Institute at the University of Toronto. |
any_adam_object | 1 |
author | Richmond, Scott C. |
author_GND | (DE-588)1120617308 |
author_facet | Richmond, Scott C. |
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author_sort | Richmond, Scott C. |
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building | Verbundindex |
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callnumber-first | P - Language and Literature |
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callnumber-raw | PN1995 |
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dewey-full | 791.4301 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4301 |
dewey-search | 791.4301 |
dewey-sort | 3791.4301 |
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discipline | Allgemeines |
format | Book |
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spelling | Richmond, Scott C. Verfasser (DE-588)1120617308 aut Cinema's bodily illusions flying, floating, and hallucinating Scott C. Richmond Minneapolis University of Minnesota Press [2016] 215 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Film Psychologie Ästhetik Motion pictures Aesthetics Illusion in motion pictures Cinematography Special effects Motion pictures Psychological aspects Perception (Philosophy) Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Illusion (DE-588)4161274-7 gnd rswk-swf Film (DE-588)4017102-4 s Wahrnehmung (DE-588)4064317-7 s Illusion (DE-588)4161274-7 s DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029288669&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029288669&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029288669&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Richmond, Scott C. Cinema's bodily illusions flying, floating, and hallucinating Film Psychologie Ästhetik Motion pictures Aesthetics Illusion in motion pictures Cinematography Special effects Motion pictures Psychological aspects Perception (Philosophy) Wahrnehmung (DE-588)4064317-7 gnd Film (DE-588)4017102-4 gnd Illusion (DE-588)4161274-7 gnd |
subject_GND | (DE-588)4064317-7 (DE-588)4017102-4 (DE-588)4161274-7 |
title | Cinema's bodily illusions flying, floating, and hallucinating |
title_auth | Cinema's bodily illusions flying, floating, and hallucinating |
title_exact_search | Cinema's bodily illusions flying, floating, and hallucinating |
title_full | Cinema's bodily illusions flying, floating, and hallucinating Scott C. Richmond |
title_fullStr | Cinema's bodily illusions flying, floating, and hallucinating Scott C. Richmond |
title_full_unstemmed | Cinema's bodily illusions flying, floating, and hallucinating Scott C. Richmond |
title_short | Cinema's bodily illusions |
title_sort | cinema s bodily illusions flying floating and hallucinating |
title_sub | flying, floating, and hallucinating |
topic | Film Psychologie Ästhetik Motion pictures Aesthetics Illusion in motion pictures Cinematography Special effects Motion pictures Psychological aspects Perception (Philosophy) Wahrnehmung (DE-588)4064317-7 gnd Film (DE-588)4017102-4 gnd Illusion (DE-588)4161274-7 gnd |
topic_facet | Film Psychologie Ästhetik Motion pictures Aesthetics Illusion in motion pictures Cinematography Special effects Motion pictures Psychological aspects Perception (Philosophy) Wahrnehmung Illusion |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029288669&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029288669&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029288669&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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