Music, indigeneity, digital media:
The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cu...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2017
Woodbridge, Suffolk Boydell & Brewer Limited 2017 |
| Schriftenreihe: | Eastman/Rochester studies ethnomusicology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be indigenous in the twenty-first century. - Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace. - Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London. (Klappentext) |
| Beschreibung: | VIII, 224 Seiten Illustrationen, Diagramme |
| ISBN: | 9781580465731 |
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| 520 | |a The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be indigenous in the twenty-first century. - Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace. - Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London. (Klappentext) | ||
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Datensatz im Suchindex
| _version_ | 1804176739107078144 |
|---|---|
| adam_text | Contents
List of Illustrations ix
Acknowledgments xi
Music, Indigeneity, Digital Media: An Introduction 1
Thomas R. Hilder
1 Taiwan’s Aboriginal Music on the Internet 28
ShzrEe Tan
2 Recording Technology, Traditioning, and Urban American
Indian Powwow Performance 53
John-Carlos Perea
3 YouTubing the “Other”: Lima’s Upper Classes and
Andean Imaginaries 74
Fiorella Montero-Diaz
4 An Interview with Russell Wallace 95
Russell Wallace
5 Mixing It Up: A Comparative Approach to
Sámi Audio Production 106
Beverley Diamond
6 Creative Pragmatism: Competency and Aesthetics in
Bolivian Indigenous Music Video (VCD) Production 127
Henry Stobart
7 Keepsakes and Surrogates: Hijacking Music Technology at
Wadeye (Northwest Australia) 156
Linda Barwick
VI11 W CONTENTS
8 The Politics of Virtuality: Sami Cultural Simulation through
Digital Musical Media 176
Thomas R. Hilder
Selected Bibliography 205
List of Contributors 215
Index
217
|
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| author2 | Hilder, Thomas R. 1982- Stobart, Henry 1958- Tan, Shzr Ee ca. 20./21. Jh |
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| building | Verbundindex |
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| contents | Music, Indigeneity, Digital Media: An Introduction. - Taiwan's Aboriginal Music on the Internet. - Recording Technology, Traditioning, and Urban American Indian Powwow Performance. - YouTubing the "Other": Lima's Upper Classes and Andean Imaginaries. - An Interview with Russell Wallace. - Mixing It Up: A Comparative Approach to Sámi Audio Production. - Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production. - Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia). - The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media. - Selected Bibliography. - List of Contributors. - Index |
| ctrlnum | (OCoLC)1020677883 (DE-599)BVBBV043859726 |
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| physical | VIII, 224 Seiten Illustrationen, Diagramme |
| publishDate | 2017 |
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| publisher | University of Rochester Press Boydell & Brewer Limited |
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| spelling | Music, indigeneity, digital media edited by Thomas R. Hilder, Henry Stobart, and Shzr Ee Tan Rochester, NY University of Rochester Press 2017 Woodbridge, Suffolk Boydell & Brewer Limited 2017 VIII, 224 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Eastman/Rochester studies ethnomusicology Music, Indigeneity, Digital Media: An Introduction. - Taiwan's Aboriginal Music on the Internet. - Recording Technology, Traditioning, and Urban American Indian Powwow Performance. - YouTubing the "Other": Lima's Upper Classes and Andean Imaginaries. - An Interview with Russell Wallace. - Mixing It Up: A Comparative Approach to Sámi Audio Production. - Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production. - Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia). - The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media. - Selected Bibliography. - List of Contributors. - Index The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together the work of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be indigenous in the twenty-first century. - Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace. - Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London. (Klappentext) Neue Medien (DE-588)4196910-8 gnd rswk-swf Indigenes Volk (DE-588)4187207-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2010 London gnd-content Indigenes Volk (DE-588)4187207-1 s Musik (DE-588)4040802-4 s Neue Medien (DE-588)4196910-8 s DE-604 Hilder, Thomas R. 1982- (DE-588)102808868X edt Stobart, Henry 1958- (DE-588)1028059906 edt Tan, Shzr Ee ca. 20./21. Jh. (DE-588)1028054602 edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029269859&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music, indigeneity, digital media Music, Indigeneity, Digital Media: An Introduction. - Taiwan's Aboriginal Music on the Internet. - Recording Technology, Traditioning, and Urban American Indian Powwow Performance. - YouTubing the "Other": Lima's Upper Classes and Andean Imaginaries. - An Interview with Russell Wallace. - Mixing It Up: A Comparative Approach to Sámi Audio Production. - Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production. - Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia). - The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media. - Selected Bibliography. - List of Contributors. - Index Neue Medien (DE-588)4196910-8 gnd Indigenes Volk (DE-588)4187207-1 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4196910-8 (DE-588)4187207-1 (DE-588)4040802-4 (DE-588)1071861417 |
| title | Music, indigeneity, digital media |
| title_auth | Music, indigeneity, digital media |
| title_exact_search | Music, indigeneity, digital media |
| title_full | Music, indigeneity, digital media edited by Thomas R. Hilder, Henry Stobart, and Shzr Ee Tan |
| title_fullStr | Music, indigeneity, digital media edited by Thomas R. Hilder, Henry Stobart, and Shzr Ee Tan |
| title_full_unstemmed | Music, indigeneity, digital media edited by Thomas R. Hilder, Henry Stobart, and Shzr Ee Tan |
| title_short | Music, indigeneity, digital media |
| title_sort | music indigeneity digital media |
| topic | Neue Medien (DE-588)4196910-8 gnd Indigenes Volk (DE-588)4187207-1 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Neue Medien Indigenes Volk Musik Konferenzschrift 2010 London |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029269859&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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