Pierre Boulez studies:
Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the contex...
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| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2016
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| Schlagworte: | |
| Online-Zugang: | Autorenbiografie Verlagsangabe Inhaltsverzeichnis |
| Zusammenfassung: | Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music. - Edward Campbell is senior lecturer in music at the University of Aberdeen and a member of the University's Centre for Modern Thought. He specialises in contemporary European art music and aesthetics. He is the author of the books Boulez, Music and Philosophy (Cambridge, 2010) and Music after Deleuze (2013). Peter O'Hagan is a pianist specialising in the performance of contemporary music. He has performed Boulez's piano works at Festivals in the UK and abroad, and in 2008 gave the London premiere of the unpublished three-movement version of the Third Sonata at Wigmore Hall with the composer's authorisation. He has recently completed a monograph, Pierre Boulez and the Piano. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xv, 395 Seiten Notenbeispiele, Faksimiles |
| ISBN: | 9781107062658 |
Internformat
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| 520 | |a Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music. - Edward Campbell is senior lecturer in music at the University of Aberdeen and a member of the University's Centre for Modern Thought. He specialises in contemporary European art music and aesthetics. He is the author of the books Boulez, Music and Philosophy (Cambridge, 2010) and Music after Deleuze (2013). Peter O'Hagan is a pianist specialising in the performance of contemporary music. He has performed Boulez's piano works at Festivals in the UK and abroad, and in 2008 gave the London premiere of the unpublished three-movement version of the Third Sonata at Wigmore Hall with the composer's authorisation. He has recently completed a monograph, Pierre Boulez and the Piano. | ||
| 600 | 1 | 4 | |a Boulez, Pierre |d 1925-2016 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Boulez, Pierre |d 1925-2016 |0 (DE-588)118514024 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |y 20th century |x History and criticism | |
| 650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
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| 689 | 0 | 0 | |a Boulez, Pierre |d 1925-2016 |0 (DE-588)118514024 |D p |
| 689 | 0 | 1 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
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| 700 | 1 | |a Campbell, Edward |d 1958- |0 (DE-588)143485822 |4 edt | |
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| 856 | 4 | |u https://www.loc.gov/catdir/enhancements/fy1614/2016021875-d.html |3 Verlagsangabe | |
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Datensatz im Suchindex
| _version_ | 1804176692153942016 |
|---|---|
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| author2 | Campbell, Edward 1958- O'Hagan, Peter 1945- |
| author2_role | edt edt |
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| author_GND | (DE-588)143485822 (DE-588)1030310378 |
| author_facet | Campbell, Edward 1958- O'Hagan, Peter 1945- |
| building | Verbundindex |
| bvnumber | BV043830327 |
| callnumber-first | M - Music |
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| callnumber-raw | ML410.B773 |
| callnumber-search | ML410.B773 |
| callnumber-sort | ML 3410 B773 |
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| ctrlnum | (OCoLC)964685285 (DE-599)BVBBV043830327 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
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| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
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| id | DE-604.BV043830327 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:36:13Z |
| institution | BVB |
| isbn | 9781107062658 |
| language | English |
| lccn | 016021875 |
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| physical | xv, 395 Seiten Notenbeispiele, Faksimiles |
| publishDate | 2016 |
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| publishDateSort | 2016 |
| publisher | Cambridge University Press |
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| spelling | Pierre Boulez studies edited by Edward Campbell and Peter O'Hagan Cambridge Cambridge University Press 2016 xv, 395 Seiten Notenbeispiele, Faksimiles txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music. - Edward Campbell is senior lecturer in music at the University of Aberdeen and a member of the University's Centre for Modern Thought. He specialises in contemporary European art music and aesthetics. He is the author of the books Boulez, Music and Philosophy (Cambridge, 2010) and Music after Deleuze (2013). Peter O'Hagan is a pianist specialising in the performance of contemporary music. He has performed Boulez's piano works at Festivals in the UK and abroad, and in 2008 gave the London premiere of the unpublished three-movement version of the Third Sonata at Wigmore Hall with the composer's authorisation. He has recently completed a monograph, Pierre Boulez and the Piano. Boulez, Pierre 1925-2016 Criticism and interpretation Boulez, Pierre 1925-2016 (DE-588)118514024 gnd rswk-swf Geschichte 1900-2000 Musik Music 20th century History and criticism Komposition Musik (DE-588)4133320-2 gnd rswk-swf Serielle Musik (DE-588)4054608-1 gnd rswk-swf Boulez, Pierre 1925-2016 (DE-588)118514024 p Komposition Musik (DE-588)4133320-2 s Serielle Musik (DE-588)4054608-1 s DE-604 Campbell, Edward 1958- (DE-588)143485822 edt O'Hagan, Peter 1945- (DE-588)1030310378 edt Erscheint auch als Online-Ausgabe 978-1-107-47721-6 https://www.loc.gov/catdir/enhancements/fy1614/2016021875-b.html Autorenbiografie https://www.loc.gov/catdir/enhancements/fy1614/2016021875-d.html Verlagsangabe https://www.loc.gov/catdir/enhancements/fy1614/2016021875-t.html Inhaltsverzeichnis |
| spellingShingle | Pierre Boulez studies Boulez, Pierre 1925-2016 Criticism and interpretation Boulez, Pierre 1925-2016 (DE-588)118514024 gnd Musik Music 20th century History and criticism Komposition Musik (DE-588)4133320-2 gnd Serielle Musik (DE-588)4054608-1 gnd |
| subject_GND | (DE-588)118514024 (DE-588)4133320-2 (DE-588)4054608-1 |
| title | Pierre Boulez studies |
| title_auth | Pierre Boulez studies |
| title_exact_search | Pierre Boulez studies |
| title_full | Pierre Boulez studies edited by Edward Campbell and Peter O'Hagan |
| title_fullStr | Pierre Boulez studies edited by Edward Campbell and Peter O'Hagan |
| title_full_unstemmed | Pierre Boulez studies edited by Edward Campbell and Peter O'Hagan |
| title_short | Pierre Boulez studies |
| title_sort | pierre boulez studies |
| topic | Boulez, Pierre 1925-2016 Criticism and interpretation Boulez, Pierre 1925-2016 (DE-588)118514024 gnd Musik Music 20th century History and criticism Komposition Musik (DE-588)4133320-2 gnd Serielle Musik (DE-588)4054608-1 gnd |
| topic_facet | Boulez, Pierre 1925-2016 Criticism and interpretation Boulez, Pierre 1925-2016 Musik Music 20th century History and criticism Komposition Musik Serielle Musik |
| url | https://www.loc.gov/catdir/enhancements/fy1614/2016021875-b.html https://www.loc.gov/catdir/enhancements/fy1614/2016021875-d.html https://www.loc.gov/catdir/enhancements/fy1614/2016021875-t.html |
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