Schoenberg's twelve-tone music: symmetry and the musical idea
Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining �...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2016
|
| Ausgabe: | First paperback edition |
| Schriftenreihe: | Music since 1900
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer. - Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others). (Klappentext) |
| Beschreibung: | xxviii, 437 Seiten Illustrationen |
| ISBN: | 9781107624924 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043828066 | ||
| 003 | DE-604 | ||
| 005 | 20200302 | ||
| 007 | t | ||
| 008 | 161017s2016 a||| |||| 00||| eng d | ||
| 020 | |a 9781107624924 |c Paperback |9 978-1-107-62492-4 | ||
| 035 | |a (OCoLC)964683757 | ||
| 035 | |a (DE-599)BVBBV043828066 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-20 |a DE-355 | ||
| 084 | |a LP 94589 |0 (DE-625)108811: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Boss, Jack Forrest |e Verfasser |0 (DE-588)1066352275 |4 aut | |
| 245 | 1 | 0 | |a Schoenberg's twelve-tone music |b symmetry and the musical idea |c Jack Boss |
| 250 | |a First paperback edition | ||
| 264 | 1 | |a Cambridge, United Kingdom |b Cambridge University Press |c 2016 | |
| 300 | |a xxviii, 437 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Music since 1900 | |
| 520 | |a Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer. - Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others). (Klappentext) | ||
| 600 | 1 | 7 | |a Schönberg, Arnold |d 1874-1951 |0 (DE-588)118610023 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zwölftontechnik |0 (DE-588)4191359-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Schönberg, Arnold |d 1874-1951 |0 (DE-588)118610023 |D p |
| 689 | 0 | 1 | |a Zwölftontechnik |0 (DE-588)4191359-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Hardcover |z 978-1-107-04686-3 |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029238916 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 436 |
| 942 | 1 | 1 | |c 781 |e 22/bsb |f 09034 |g 436 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09034 |g 436 |
| 942 | 1 | 1 | |c 781 |e 22/bsb |f 0904 |g 436 |
Datensatz im Suchindex
| _version_ | 1804176688310910976 |
|---|---|
| adam_text | Contents List of music examples page x Acknowledgements xxv List of abbreviations and notational conventions xxvii 1 Musical idea and symmetrical ideal 2 Suite for Piano Op. 25: varieties of Idea in Schoenberg’s earliest twelve-tone music 35 3 Woodwind Quintet Op. 26: the twelve-tone Idea reanimates a large musical form 122 4 Three Satires Op. 28, No. 3: the earliest example of the “symmetrical ideal” in a (more or less) completely combinatorial context 180 5 Piano Piece Op. 33a: the “symmetrical ideal” conflicts with and is reconciled to row order 243 6 Fourth String Quartet Op. 37, movement I: two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form 274 7 Moses und Aron: an incomplete musical idea represents an unresolved conflict between using word and image to communicate God 330 8 String Trio Op. 45: a musical idea and a near-death experience are expressed as a conflict between alternative row forms 395 Bibliography Index 434 426 1
Schoenberg’s Twelve-Tone Music Jack Boss takes a unique approach to analyzing Arnold Schoenberg’s twelve-tone music, adapting the composer’s notion of a “musical idea” - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining “musical idea” as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg’s key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth String Quartet, and the String Trio, the study provides the reader with a clearer understanding of this stillcontroversial, challenging, but vitally important modernist composer.
|
| any_adam_object | 1 |
| author | Boss, Jack Forrest |
| author_GND | (DE-588)1066352275 |
| author_facet | Boss, Jack Forrest |
| author_role | aut |
| author_sort | Boss, Jack Forrest |
| author_variant | j f b jf jfb |
| building | Verbundindex |
| bvnumber | BV043828066 |
| classification_rvk | LP 94589 |
| ctrlnum | (OCoLC)964683757 (DE-599)BVBBV043828066 |
| discipline | Musikwissenschaft |
| edition | First paperback edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03436nam a2200457 c 4500</leader><controlfield tag="001">BV043828066</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200302 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">161017s2016 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107624924</subfield><subfield code="c">Paperback</subfield><subfield code="9">978-1-107-62492-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)964683757</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043828066</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 94589</subfield><subfield code="0">(DE-625)108811:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Boss, Jack Forrest</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1066352275</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Schoenberg's twelve-tone music</subfield><subfield code="b">symmetry and the musical idea</subfield><subfield code="c">Jack Boss</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxviii, 437 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music since 1900</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer. - Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others). (Klappentext)</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Schönberg, Arnold</subfield><subfield code="d">1874-1951</subfield><subfield code="0">(DE-588)118610023</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zwölftontechnik</subfield><subfield code="0">(DE-588)4191359-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Schönberg, Arnold</subfield><subfield code="d">1874-1951</subfield><subfield code="0">(DE-588)118610023</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Zwölftontechnik</subfield><subfield code="0">(DE-588)4191359-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="775" ind1="0" ind2="8"><subfield code="i">Äquivalent</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-107-04686-3</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029238916</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">436</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">436</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">436</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">436</subfield></datafield></record></collection> |
| id | DE-604.BV043828066 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:36:09Z |
| institution | BVB |
| isbn | 9781107624924 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029238916 |
| oclc_num | 964683757 |
| open_access_boolean | |
| owner | DE-20 DE-355 DE-BY-UBR |
| owner_facet | DE-20 DE-355 DE-BY-UBR |
| physical | xxviii, 437 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music since 1900 |
| spelling | Boss, Jack Forrest Verfasser (DE-588)1066352275 aut Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss First paperback edition Cambridge, United Kingdom Cambridge University Press 2016 xxviii, 437 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Music since 1900 Jack Boss takes a unique approach to analyzing Arnold Schoenberg's twelve-tone music, adapting the composer's notion of a 'musical idea' - problem, elaboration, solution - as a framework and focusing on the large-scale coherence of the whole piece. The book begins by defining 'musical idea' as a large, overarching process involving conflict between musical elements or situations, elaboration of that conflict, and resolution, and examines how such conflicts often involve symmetrical pitch and interval shapes that are obscured in some way. Containing close analytical readings of a large number of Schoenberg's key twelve-tone works, including Moses und Aron, the Suite for Piano Op. 25, the Fourth Quartet, and the String Trio, the study provides the reader with a clearer understanding of this still-controversial, challenging, but vitally important modernist composer. - Jack Boss is Associate Professor of Music at the University of Oregon. His research interests centre around large-scale coherence in Schoenberg's music, and he has published numerous articles relating to that topic in journals such as Journal of Music Theory, Music Theory Spectrum, Perspectives of New Music and Music Theory Online. He has co-edited two collections of music-analytic essays: Musical Currents from the Left and Analyzing the Music of Living Composers (and Others). (Klappentext) Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd rswk-swf Zwölftontechnik (DE-588)4191359-0 gnd rswk-swf Schönberg, Arnold 1874-1951 (DE-588)118610023 p Zwölftontechnik (DE-588)4191359-0 s DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-107-04686-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Boss, Jack Forrest Schoenberg's twelve-tone music symmetry and the musical idea Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd Zwölftontechnik (DE-588)4191359-0 gnd |
| subject_GND | (DE-588)118610023 (DE-588)4191359-0 |
| title | Schoenberg's twelve-tone music symmetry and the musical idea |
| title_auth | Schoenberg's twelve-tone music symmetry and the musical idea |
| title_exact_search | Schoenberg's twelve-tone music symmetry and the musical idea |
| title_full | Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss |
| title_fullStr | Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss |
| title_full_unstemmed | Schoenberg's twelve-tone music symmetry and the musical idea Jack Boss |
| title_short | Schoenberg's twelve-tone music |
| title_sort | schoenberg s twelve tone music symmetry and the musical idea |
| title_sub | symmetry and the musical idea |
| topic | Schönberg, Arnold 1874-1951 (DE-588)118610023 gnd Zwölftontechnik (DE-588)4191359-0 gnd |
| topic_facet | Schönberg, Arnold 1874-1951 Zwölftontechnik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238916&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bossjackforrest schoenbergstwelvetonemusicsymmetryandthemusicalidea |