Shapes of American ballet: teachers and training before Balanchine
In "Shapes of American Ballet: Teachers and Training before Balanchine", Jessica Zeller introduces the first few decades of the twentieth century as an often overlooked, yet critical period for ballet's growth in America. While George Balanchine is often considered the sole creator of...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2016]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In "Shapes of American Ballet: Teachers and Training before Balanchine", Jessica Zeller introduces the first few decades of the twentieth century as an often overlooked, yet critical period for ballet's growth in America. While George Balanchine is often considered the sole creator of American ballet, numerous European and Russian émigrés had been working for decades to build a national ballet with an American identity. These pedagogues and others like them played critical yet largely unacknowledged roles in American ballet's development. Despite their prestigious ballet pedigrees, the dance field's exhaustive focus on Balanchine has led to the neglect of their work during the first few decades of the century, and in this light, this book offers a new perspective on American ballet during the period immediately prior to Balanchine's arrival. Zeller uses hundreds of rare archival documents to illuminate the pedagogies of several significant European and Russian teachers who worked in New York City. Bringing these contributions into the broader history of American ballet recasts American ballet's identity as diverse-comprised of numerous Euro-Russian and American elements, as opposed to the work of one individual. This new account of early twentieth century American ballet is situated against a bustling New York City backdrop, where mass immigration through Ellis Island brought the ballet from European and Russian opera houses into contact with a variety of American forms and sensibilities. Ballet from celebrated Euro-Russian lineages was performed in vaudeville and blended with American popular dance styles, and it developed new characteristics as it responded to the American economy. Shapes of American Ballet delves into ballet's struggle to define itself during this rich early twentieth century period, and it sheds new light on ballet's development of an American identity before Balanchine. Jessica Zeller is Assistant Professor of Dance at Texas Christian University |
| Beschreibung: | x, 201 Seiten Illustrationen 24 cm |
| ISBN: | 9780190296681 9780190296698 |
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| 520 | |a In "Shapes of American Ballet: Teachers and Training before Balanchine", Jessica Zeller introduces the first few decades of the twentieth century as an often overlooked, yet critical period for ballet's growth in America. While George Balanchine is often considered the sole creator of American ballet, numerous European and Russian émigrés had been working for decades to build a national ballet with an American identity. These pedagogues and others like them played critical yet largely unacknowledged roles in American ballet's development. Despite their prestigious ballet pedigrees, the dance field's exhaustive focus on Balanchine has led to the neglect of their work during the first few decades of the century, and in this light, this book offers a new perspective on American ballet during the period immediately prior to Balanchine's arrival. Zeller uses hundreds of rare archival documents to illuminate the pedagogies of several significant European and Russian teachers who worked in New York City. Bringing these contributions into the broader history of American ballet recasts American ballet's identity as diverse-comprised of numerous Euro-Russian and American elements, as opposed to the work of one individual. This new account of early twentieth century American ballet is situated against a bustling New York City backdrop, where mass immigration through Ellis Island brought the ballet from European and Russian opera houses into contact with a variety of American forms and sensibilities. Ballet from celebrated Euro-Russian lineages was performed in vaudeville and blended with American popular dance styles, and it developed new characteristics as it responded to the American economy. Shapes of American Ballet delves into ballet's struggle to define itself during this rich early twentieth century period, and it sheds new light on ballet's development of an American identity before Balanchine. | ||
| 520 | |a Jessica Zeller is Assistant Professor of Dance at Texas Christian University | ||
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Datensatz im Suchindex
| _version_ | 1804176687016968192 |
|---|---|
| adam_text | Shapes of
American Ballet
Teachers and Training before Balanchine
Jessica Zeller
OXFORD
UNIVERSITY PRESS
CONTENTS
Acknowledgments ix
Introduction 1
PART I: Historical Perspectives
1 Ballet as Migrant: From Italy and Russia to America 9
2 Themes of Heterogeneity and Pluralism: Ballet in
New York City, 1909-1934 31
3 Ballet in America: Coming of Age in a Market Economy 59
PART II: Teachers and Training
4 Ballet’s Traditionalists: Malvina Cavallazzi and Luigi Albertieri
5 Nostalgic Revisionists: Stefano Mascagno and Mikhail Mordkin
6 Pragmatic Revisionists: Veronine Vestoff, Sonia Serova,
and Louis H Chalif 151
Conclusion 181
Selected Bibliography 189
Index 197
|
| any_adam_object | 1 |
| author | Zeller, Jessica 1978- |
| author_GND | (DE-588)1114149152 |
| author_facet | Zeller, Jessica 1978- |
| author_role | aut |
| author_sort | Zeller, Jessica 1978- |
| author_variant | j z jz |
| building | Verbundindex |
| bvnumber | BV043827249 |
| classification_rvk | LR 53185 |
| contents | Includes bibliographical references and index Part I: Historical perspectives -- Ballet as migrant: From Italy and Russia to America -- Themes of heterogeneity and pluralism: Ballet in New York City, 1909-1934 -- Ballet in America: Coming of age in a market economy -- Part II: Teachers and training -- Ballet's traditionalists: Malvina Cavallazzi and Luigi Albertieri -- Nostalgic revisionists: Stefano Mascagno and Mikhail Mordkin -- Pragmatic revisionists: Veronine Vestoff, Sonia Serova, and Louis H. Chalif -- Conclusion |
| ctrlnum | (OCoLC)958035083 (DE-599)BVBBV043827249 |
| dewey-full | 792.80973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.80973 |
| dewey-search | 792.80973 |
| dewey-sort | 3792.80973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1909-1934 gnd |
| era_facet | Geschichte 1909-1934 |
| format | Book |
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| spelling | Zeller, Jessica 1978- Verfasser (DE-588)1114149152 aut Shapes of American ballet teachers and training before Balanchine Jessica Zeller New York, NY Oxford University Press [2016] © 2016 x, 201 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Part I: Historical perspectives -- Ballet as migrant: From Italy and Russia to America -- Themes of heterogeneity and pluralism: Ballet in New York City, 1909-1934 -- Ballet in America: Coming of age in a market economy -- Part II: Teachers and training -- Ballet's traditionalists: Malvina Cavallazzi and Luigi Albertieri -- Nostalgic revisionists: Stefano Mascagno and Mikhail Mordkin -- Pragmatic revisionists: Veronine Vestoff, Sonia Serova, and Louis H. Chalif -- Conclusion In "Shapes of American Ballet: Teachers and Training before Balanchine", Jessica Zeller introduces the first few decades of the twentieth century as an often overlooked, yet critical period for ballet's growth in America. While George Balanchine is often considered the sole creator of American ballet, numerous European and Russian émigrés had been working for decades to build a national ballet with an American identity. These pedagogues and others like them played critical yet largely unacknowledged roles in American ballet's development. Despite their prestigious ballet pedigrees, the dance field's exhaustive focus on Balanchine has led to the neglect of their work during the first few decades of the century, and in this light, this book offers a new perspective on American ballet during the period immediately prior to Balanchine's arrival. Zeller uses hundreds of rare archival documents to illuminate the pedagogies of several significant European and Russian teachers who worked in New York City. Bringing these contributions into the broader history of American ballet recasts American ballet's identity as diverse-comprised of numerous Euro-Russian and American elements, as opposed to the work of one individual. This new account of early twentieth century American ballet is situated against a bustling New York City backdrop, where mass immigration through Ellis Island brought the ballet from European and Russian opera houses into contact with a variety of American forms and sensibilities. Ballet from celebrated Euro-Russian lineages was performed in vaudeville and blended with American popular dance styles, and it developed new characteristics as it responded to the American economy. Shapes of American Ballet delves into ballet's struggle to define itself during this rich early twentieth century period, and it sheds new light on ballet's development of an American identity before Balanchine. Jessica Zeller is Assistant Professor of Dance at Texas Christian University Geschichte 1909-1934 gnd rswk-swf Ballet / United States / History Ballet / Study and teaching / United States Dance teachers / United States Ballet fast Ballet / Study and teaching fast Dance teachers fast Geschichte Ballett (DE-588)4004351-4 gnd rswk-swf United States fast USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Ballett (DE-588)4004351-4 s Geschichte 1909-1934 z DE-604 Erscheint auch als Online-Ausgabe, UPDF 978-0-19-029670-4 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-029671-1 Erscheint auch als Online-Ausgabe, PDF HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029238123&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zeller, Jessica 1978- Shapes of American ballet teachers and training before Balanchine Includes bibliographical references and index Part I: Historical perspectives -- Ballet as migrant: From Italy and Russia to America -- Themes of heterogeneity and pluralism: Ballet in New York City, 1909-1934 -- Ballet in America: Coming of age in a market economy -- Part II: Teachers and training -- Ballet's traditionalists: Malvina Cavallazzi and Luigi Albertieri -- Nostalgic revisionists: Stefano Mascagno and Mikhail Mordkin -- Pragmatic revisionists: Veronine Vestoff, Sonia Serova, and Louis H. Chalif -- Conclusion Ballet / United States / History Ballet / Study and teaching / United States Dance teachers / United States Ballet fast Ballet / Study and teaching fast Dance teachers fast Geschichte Ballett (DE-588)4004351-4 gnd |
| subject_GND | (DE-588)4004351-4 (DE-588)4078704-7 |
| title | Shapes of American ballet teachers and training before Balanchine |
| title_auth | Shapes of American ballet teachers and training before Balanchine |
| title_exact_search | Shapes of American ballet teachers and training before Balanchine |
| title_full | Shapes of American ballet teachers and training before Balanchine Jessica Zeller |
| title_fullStr | Shapes of American ballet teachers and training before Balanchine Jessica Zeller |
| title_full_unstemmed | Shapes of American ballet teachers and training before Balanchine Jessica Zeller |
| title_short | Shapes of American ballet |
| title_sort | shapes of american ballet teachers and training before balanchine |
| title_sub | teachers and training before Balanchine |
| topic | Ballet / United States / History Ballet / Study and teaching / United States Dance teachers / United States Ballet fast Ballet / Study and teaching fast Dance teachers fast Geschichte Ballett (DE-588)4004351-4 gnd |
| topic_facet | Ballet / United States / History Ballet / Study and teaching / United States Dance teachers / United States Ballet Ballet / Study and teaching Dance teachers Geschichte Ballett United States USA |
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