Making modern Japanese-style painting: Kano Hōgai and the search for images
The Western discovery of Japanese paintings at nineteenth-century world's fairs and in export shops catapulted Japanese art to new heights of international popularity. With that popularity came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in west...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago ; London
University of Chicago Press
[2015]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The Western discovery of Japanese paintings at nineteenth-century world's fairs and in export shops catapulted Japanese art to new heights of international popularity. With that popularity came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese resonse: nihonga, a traditional style of painting reframed for a contemporary international market. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relations to the past, its viewers, and emerging notions of the modern Japanese state. Chelsea Foxwell sheds light on interlinked trends in Japanese government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hōgai (1828-1888) is one telling example: originally produced for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hōgai and others broke with pre-Meiji painting even as it worked to neutralize the rupture. By arguing that fundamental changes in audience expectation led to the emergence of nihonga, Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan's development into a modern nation. -- from dust jacket |
Beschreibung: | Literaturverzeichnis Seite 253-267 |
Beschreibung: | XIII, 281 Seiten Illustrationen 29 cm |
ISBN: | 9780226110806 |
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520 | |a The Western discovery of Japanese paintings at nineteenth-century world's fairs and in export shops catapulted Japanese art to new heights of international popularity. With that popularity came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese resonse: nihonga, a traditional style of painting reframed for a contemporary international market. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relations to the past, its viewers, and emerging notions of the modern Japanese state. Chelsea Foxwell sheds light on interlinked trends in Japanese government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hōgai (1828-1888) is one telling example: originally produced for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hōgai and others broke with pre-Meiji painting even as it worked to neutralize the rupture. By arguing that fundamental changes in audience expectation led to the emergence of nihonga, Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan's development into a modern nation. -- from dust jacket | ||
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adam_text | Titel: Making modern Japanese-style painting
Autor: Foxwell, Chelsea
Jahr: 2015
CONTENTS
Acknowledgments ix
Notes to the Reader xiií
i Introduction: Nihonga and the Historical Inscription of
the Modern
15 1 Exhibitions and the Making of Modern Japanese Painting
43 2 In Search of Images
75 3 The Painter and His Audiences
107 4 Decadence and the Emergence of Nihonga Style
143 5 Naturalizing the Double Reading
173 6 Transmission and the Historicity of Nihonga
205 Conclusion
Notes 215
Bibliography 253
Index 269
|
any_adam_object | 1 |
author | Foxwell, Chelsea |
author_GND | (DE-588)1076597637 |
author_facet | Foxwell, Chelsea |
author_role | aut |
author_sort | Foxwell, Chelsea |
author_variant | c f cf |
building | Verbundindex |
bvnumber | BV043812678 |
classification_rvk | LO 89890 |
contents | Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion |
ctrlnum | (OCoLC)964319736 (DE-599)BVBBV043812678 |
discipline | Kunstgeschichte |
era | Geschichte 1850-1912 gnd |
era_facet | Geschichte 1850-1912 |
format | Book |
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spelling | Foxwell, Chelsea (DE-588)1076597637 aut Making modern Japanese-style painting Kano Hōgai and the search for images Chelsea Foxwell Chicago ; London University of Chicago Press [2015] © 2015 XIII, 281 Seiten Illustrationen 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 253-267 Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion The Western discovery of Japanese paintings at nineteenth-century world's fairs and in export shops catapulted Japanese art to new heights of international popularity. With that popularity came criticism, as Western writers began to lament a perceived end to pure Japanese art and a rise in westernized cultural hybrids. The Japanese resonse: nihonga, a traditional style of painting reframed for a contemporary international market. Making Modern Japanese-Style Painting explores the visual characteristics and social functions of nihonga and traces its relations to the past, its viewers, and emerging notions of the modern Japanese state. Chelsea Foxwell sheds light on interlinked trends in Japanese government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hōgai (1828-1888) is one telling example: originally produced for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hōgai and others broke with pre-Meiji painting even as it worked to neutralize the rupture. By arguing that fundamental changes in audience expectation led to the emergence of nihonga, Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan's development into a modern nation. -- from dust jacket Kanō, Hōgai 1828-1888 / Kanō, Hōgai 1828-1888 / 1868 - 1912 Fenollosa, Ernest Francisco 1853-1908 (DE-588)119342626 gnd rswk-swf Kanō, Hōgai 1828-1888 (DE-588)140760261 gnd rswk-swf Geschichte 1850-1912 gnd rswk-swf Painting, Japanese / Meiji period, 1868-1912 Painting, Japanese / Exhibitions / Meiji period, 1868-1912 Painting, Japanese / Meiji period / Exhibition catalogs Malerei (DE-588)4037220-0 gnd rswk-swf Meiji-Zeit (DE-588)7857166-2 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf Tradition (DE-588)4060560-7 gnd rswk-swf Nihonga (DE-588)7676779-6 gnd rswk-swf Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content Kanō, Hōgai 1828-1888 (DE-588)140760261 p DE-604 Meiji-Zeit (DE-588)7857166-2 s Kunstausstellung (DE-588)4033628-1 s Nihonga (DE-588)7676779-6 s Kulturelle Identität (DE-588)4033542-2 s Fenollosa, Ernest Francisco 1853-1908 (DE-588)119342626 p Japan (DE-588)4028495-5 g Malerei (DE-588)4037220-0 s Tradition (DE-588)4060560-7 s Geschichte 1850-1912 z Erscheint auch als Online-Ressource 978-0226-19597-1 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029223904&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Foxwell, Chelsea Making modern Japanese-style painting Kano Hōgai and the search for images Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion Kanō, Hōgai 1828-1888 / Kanō, Hōgai 1828-1888 / 1868 - 1912 Fenollosa, Ernest Francisco 1853-1908 (DE-588)119342626 gnd Kanō, Hōgai 1828-1888 (DE-588)140760261 gnd Painting, Japanese / Meiji period, 1868-1912 Painting, Japanese / Exhibitions / Meiji period, 1868-1912 Painting, Japanese / Meiji period / Exhibition catalogs Malerei (DE-588)4037220-0 gnd Meiji-Zeit (DE-588)7857166-2 gnd Kunstausstellung (DE-588)4033628-1 gnd Tradition (DE-588)4060560-7 gnd Nihonga (DE-588)7676779-6 gnd Kulturelle Identität (DE-588)4033542-2 gnd |
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title | Making modern Japanese-style painting Kano Hōgai and the search for images |
title_auth | Making modern Japanese-style painting Kano Hōgai and the search for images |
title_exact_search | Making modern Japanese-style painting Kano Hōgai and the search for images |
title_full | Making modern Japanese-style painting Kano Hōgai and the search for images Chelsea Foxwell |
title_fullStr | Making modern Japanese-style painting Kano Hōgai and the search for images Chelsea Foxwell |
title_full_unstemmed | Making modern Japanese-style painting Kano Hōgai and the search for images Chelsea Foxwell |
title_short | Making modern Japanese-style painting |
title_sort | making modern japanese style painting kano hogai and the search for images |
title_sub | Kano Hōgai and the search for images |
topic | Kanō, Hōgai 1828-1888 / Kanō, Hōgai 1828-1888 / 1868 - 1912 Fenollosa, Ernest Francisco 1853-1908 (DE-588)119342626 gnd Kanō, Hōgai 1828-1888 (DE-588)140760261 gnd Painting, Japanese / Meiji period, 1868-1912 Painting, Japanese / Exhibitions / Meiji period, 1868-1912 Painting, Japanese / Meiji period / Exhibition catalogs Malerei (DE-588)4037220-0 gnd Meiji-Zeit (DE-588)7857166-2 gnd Kunstausstellung (DE-588)4033628-1 gnd Tradition (DE-588)4060560-7 gnd Nihonga (DE-588)7676779-6 gnd Kulturelle Identität (DE-588)4033542-2 gnd |
topic_facet | Kanō, Hōgai 1828-1888 / Kanō, Hōgai 1828-1888 / 1868 - 1912 Fenollosa, Ernest Francisco 1853-1908 Kanō, Hōgai 1828-1888 Painting, Japanese / Meiji period, 1868-1912 Painting, Japanese / Exhibitions / Meiji period, 1868-1912 Painting, Japanese / Meiji period / Exhibition catalogs Malerei Meiji-Zeit Kunstausstellung Tradition Nihonga Kulturelle Identität Japan Ausstellungskatalog |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029223904&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT foxwellchelsea makingmodernjapanesestylepaintingkanohogaiandthesearchforimages |