Emulation on the Shakespearean stage:
The English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaiss...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London ; New York
Routledge
2016
|
| Series: | Studies in performance and early modern drama
|
| Subjects: | |
| Summary: | The English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics to analyze the conflicted uses of emulation in the period (including the theory and praxis of rhetorical imitatio, humanist notions of exemplarity, and the stage's purported ability to move spectators to emulate depicted characters) |
| Physical Description: | xx, 189 Seiten |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043806457 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 160929s2016 |||| 00||| eng d | ||
| 020 | |z 9781138248809 |c pbk |9 978-1-138-24880-9 | ||
| 020 | |z 9781409469285 |c hbk |9 978-1-4094-6928-5 | ||
| 035 | |a (OCoLC)959687665 | ||
| 035 | |a (DE-599)BVBBV043806457 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 | ||
| 082 | 0 | |a 822.3/3 | |
| 084 | |a HI 1140 |0 (DE-625)49778: |2 rvk | ||
| 084 | |a HI 1161 |0 (DE-625)49786: |2 rvk | ||
| 084 | |a HI 1264 |0 (DE-625)49814: |2 rvk | ||
| 100 | 1 | |a Dickson, Vernon Guy |e Verfasser |0 (DE-588)1044476931 |4 aut | |
| 245 | 1 | 0 | |a Emulation on the Shakespearean stage |c Vernon Guy Dickson, Florida International University, USA |
| 264 | 1 | |a London ; New York |b Routledge |c 2016 | |
| 300 | |a xx, 189 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Studies in performance and early modern drama | |
| 520 | |a The English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics to analyze the conflicted uses of emulation in the period (including the theory and praxis of rhetorical imitatio, humanist notions of exemplarity, and the stage's purported ability to move spectators to emulate depicted characters) | ||
| 600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Criticism and interpretation |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1500-1600 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Imitation in literature | |
| 650 | 4 | |a English drama / Early modern and Elizabethan, 1500-1600 / History and criticism | |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Nachahmung |0 (DE-588)4170992-5 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |D p |
| 689 | 0 | 1 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 0 | 2 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 3 | |a Nachahmung |0 (DE-588)4170992-5 |D s |
| 689 | 0 | 4 | |a Geschichte 1500-1600 |A z |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029217789 | ||
Record in the Search Index
| _version_ | 1804176652125601792 |
|---|---|
| any_adam_object | |
| author | Dickson, Vernon Guy |
| author_GND | (DE-588)1044476931 |
| author_facet | Dickson, Vernon Guy |
| author_role | aut |
| author_sort | Dickson, Vernon Guy |
| author_variant | v g d vg vgd |
| building | Verbundindex |
| bvnumber | BV043806457 |
| classification_rvk | HI 1140 HI 1161 HI 1264 |
| ctrlnum | (OCoLC)959687665 (DE-599)BVBBV043806457 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02450nam a2200505 c 4500</leader><controlfield tag="001">BV043806457</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160929s2016 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781138248809</subfield><subfield code="c">pbk</subfield><subfield code="9">978-1-138-24880-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781409469285</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-4094-6928-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)959687665</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043806457</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822.3/3</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 1140</subfield><subfield code="0">(DE-625)49778:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 1161</subfield><subfield code="0">(DE-625)49786:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 1264</subfield><subfield code="0">(DE-625)49814:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dickson, Vernon Guy</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1044476931</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Emulation on the Shakespearean stage</subfield><subfield code="c">Vernon Guy Dickson, Florida International University, USA</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xx, 189 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in performance and early modern drama</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics to analyze the conflicted uses of emulation in the period (including the theory and praxis of rhetorical imitatio, humanist notions of exemplarity, and the stage's purported ability to move spectators to emulate depicted characters)</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William / 1564-1616 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Imitation in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama / Early modern and Elizabethan, 1500-1600 / History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nachahmung</subfield><subfield code="0">(DE-588)4170992-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Nachahmung</subfield><subfield code="0">(DE-588)4170992-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1500-1600</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029217789</subfield></datafield></record></collection> |
| id | DE-604.BV043806457 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:35Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029217789 |
| oclc_num | 959687665 |
| open_access_boolean | |
| owner | DE-703 |
| owner_facet | DE-703 |
| physical | xx, 189 Seiten |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Routledge |
| record_format | marc |
| series2 | Studies in performance and early modern drama |
| spelling | Dickson, Vernon Guy Verfasser (DE-588)1044476931 aut Emulation on the Shakespearean stage Vernon Guy Dickson, Florida International University, USA London ; New York Routledge 2016 xx, 189 Seiten txt rdacontent n rdamedia nc rdacarrier Studies in performance and early modern drama The English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics to analyze the conflicted uses of emulation in the period (including the theory and praxis of rhetorical imitatio, humanist notions of exemplarity, and the stage's purported ability to move spectators to emulate depicted characters) Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1500-1600 gnd rswk-swf Imitation in literature English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Nachahmung (DE-588)4170992-5 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Nachahmung (DE-588)4170992-5 s Geschichte 1500-1600 z DE-604 |
| spellingShingle | Dickson, Vernon Guy Emulation on the Shakespearean stage Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Imitation in literature English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Nachahmung (DE-588)4170992-5 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4014777-0 (DE-588)4170992-5 |
| title | Emulation on the Shakespearean stage |
| title_auth | Emulation on the Shakespearean stage |
| title_exact_search | Emulation on the Shakespearean stage |
| title_full | Emulation on the Shakespearean stage Vernon Guy Dickson, Florida International University, USA |
| title_fullStr | Emulation on the Shakespearean stage Vernon Guy Dickson, Florida International University, USA |
| title_full_unstemmed | Emulation on the Shakespearean stage Vernon Guy Dickson, Florida International University, USA |
| title_short | Emulation on the Shakespearean stage |
| title_sort | emulation on the shakespearean stage |
| topic | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Imitation in literature English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Nachahmung (DE-588)4170992-5 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 Imitation in literature English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Drama Englisch Nachahmung |
| work_keys_str_mv | AT dicksonvernonguy emulationontheshakespeareanstage |