Consuming music: individuals, institutions, communities, 1730-1830
The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who b...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Rochester, NY
University of Rochester Press
2017
|
| Series: | Eastman studies in music
V. 138 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Summary: | The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture. - Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah. (Klappentext) |
| Physical Description: | vi, 255 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781580465779 |
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| 505 | 8 | |a Introduction. - Music's First Consumers: Publishers in the Late Eighteenth Century. - Inside a Viennese Kunsthandlung: Artaria in 1784. - Morality and the "Fair-Sexing" of Telemann's Faithful Music Master. - Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print. - Musical Style as Commercial Strategy in Romantic Chamber Music. - In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century. - The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic. - Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824. - Parisian Opera between Commons and Commodity, ca. 1830. - Contributors. - Index | |
| 520 | |a The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture. - Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah. (Klappentext) | ||
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Record in the Search Index
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| adam_text | CONSUMING MUSIC
/
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
MUSIC S FIRST CONSUMERS : PUBLISHERS IN THE LATE EIGHTEENTH CENTURY /
EMILY H. GREEN
INSIDE A VIENNESE KUNSTHANDLUNG : ARTARIA IN 1784 / RUPERT RIDGEWELL
MORALITY AND THE FAIR-SEXING OF TELEMANN S FAITHFUL MUSIC MASTER /
STEVEN ZOHN
EIGHTEENTH-CENTURY MEDIATIONS OF MUSIC THEORY : METER, TEMPO, AND AFFECT
IN PRINT / ROGER MATHEW GRANT
MUSICAL STYLE AS COMMERCIAL STRATEGY IN ROMANTIC CHAMBER MUSIC / MARIE
SUMNER LOTT
IN VIENNA ONLY WALTZES GET PRINTED : THE DECLINE AND TRANSFORMATION OF
THE CONTREDANSE HONGROISE IN THE EARLY NINETEENTH CENTURY / CATHERINE
MAYES
THE POWER TO PLEASE : GENDER AND CELEBRITY SELF-COMMODIFICATION IN THE
EARLY AMERICAN REPUBLIC / GLENDA GOODMAN
EXCHANGING IDEAS IN A CHANGING WORLD : ADOLPH BERNHARD MARZ AND THE
BERLINER ALLGEMEINE MUSIKALISCHE ZEITUNG IN 1824 / PATRICK WOOD URIBE
PARISIAN OPERA BETWEEN COMMONS AND COMMODITY, CA. 1830 / PETER MONDELLI
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Titel: Consuming music
Autor: Green, Emily H
Jahr: 2017
Contents
Acknowledgments vii
Introduction 1
Emily H. Green and Catherine Mayes
Part One: Selling Varietv
1 Music s First Consumers: Publishers in the Latc
Eighteenth Century 13
Emily H. Green
2 Inside a Viennese Kumthandlung; Artaria in 1784 29
Rupert Ridgewell
Part Two: Edifying Readers
3 Morality and the Fair-Sexing of Telemann s Faithful Music Master 65
Steven Zohn
4 Eighteenth-Century Mediations of Music Theory: Meter, Tempo,
and Affect in Print 102
Roger Matheiü Grant
Part Thrce: Marketing the Mundane
5 Musical Style as Commercial Straiegv in Romantic Chamber Music 127
Marie Sumner Latl
6 In Vienna Only Waltzes Get Printed : The Decline and
Transformation of the Contredanse Hongroise in the Earlv
Nineteenth Century 154
Catherine Mayes
VI W CONTENTS
7 The Power to Please: Gender and Celebrity Self-Commodification
in the Earlv American Republic 176
Gknda Goodman
Part Four: Cultivating Communities
8 Exchanging Ideas in a Changing World: Adolph Bernhard Marx
and [he Berliner allgemeine musikalische Zeitung in 1824 205
Patrick Wood Uribe
9 Parisian Opera between Commons and Commodity, ca. 1830 222
Peter Mondelü
List of Contributors 241
Index 243
|
| any_adam_object | 1 |
| author2 | Green, Emily H. ca. 20./21. Jh Mayes, Catherine 1979- |
| author2_role | edt edt |
| author2_variant | e h g eh ehg c m cm |
| author_GND | (DE-588)102768856X (DE-588)1053815972 |
| author_facet | Green, Emily H. ca. 20./21. Jh Mayes, Catherine 1979- |
| building | Verbundindex |
| bvnumber | BV043797450 |
| callnumber-first | M - Music |
| callnumber-label | ML112 |
| callnumber-raw | ML112 |
| callnumber-search | ML112 |
| callnumber-sort | ML 3112 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 55860 LR 56604 LR 57430 LR 57434 LR 57435 LR 57760 |
| contents | Introduction. - Music's First Consumers: Publishers in the Late Eighteenth Century. - Inside a Viennese Kunsthandlung: Artaria in 1784. - Morality and the "Fair-Sexing" of Telemann's Faithful Music Master. - Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print. - Musical Style as Commercial Strategy in Romantic Chamber Music. - In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century. - The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic. - Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824. - Parisian Opera between Commons and Commodity, ca. 1830. - Contributors. - Index |
| ctrlnum | (OCoLC)992510687 (DE-599)BVBBV043797450 |
| dewey-full | 780.9/033 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/033 |
| dewey-search | 780.9/033 |
| dewey-sort | 3780.9 233 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1730-1830 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1730-1830 |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Europa (DE-588)4015701-5 gnd Nordamerika (DE-588)4042483-2 gnd |
| geographic_facet | Europa Nordamerika |
| id | DE-604.BV043797450 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:35:25Z |
| institution | BVB |
| isbn | 9781580465779 |
| language | English |
| lccn | 016038663 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029208876 |
| oclc_num | 992510687 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-12 DE-703 DE-11 DE-20 DE-B170 DE-1259 |
| owner_facet | DE-355 DE-BY-UBR DE-12 DE-703 DE-11 DE-20 DE-B170 DE-1259 |
| physical | vi, 255 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of Rochester Press |
| record_format | marc |
| series | Eastman studies in music |
| series2 | Eastman studies in music |
| spelling | Consuming music individuals, institutions, communities, 1730-1830 edited by Emily H. Green and Catherine Mayes Rochester, NY University of Rochester Press 2017 Woodbridge, Suffolk Boydell & Brewer Limited 2017 © 2017 vi, 255 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music V. 138 Introduction. - Music's First Consumers: Publishers in the Late Eighteenth Century. - Inside a Viennese Kunsthandlung: Artaria in 1784. - Morality and the "Fair-Sexing" of Telemann's Faithful Music Master. - Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print. - Musical Style as Commercial Strategy in Romantic Chamber Music. - In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century. - The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic. - Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824. - Parisian Opera between Commons and Commodity, ca. 1830. - Contributors. - Index The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture. - Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah. (Klappentext) Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1730-1830 gnd rswk-swf Geschichte Music publishing History 18th century Music publishing History 19th century Musikleben (DE-588)4075128-4 gnd rswk-swf Musikkonsum (DE-588)4129542-0 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Musikmarkt (DE-588)4396689-5 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Nordamerika (DE-588)4042483-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Nordamerika (DE-588)4042483-2 g Musikmarkt (DE-588)4396689-5 s Musikkonsum (DE-588)4129542-0 s Musikleben (DE-588)4075128-4 s Geschlechterrolle (DE-588)4071776-8 s Geschichte 1730-1830 z DE-604 Green, Emily H. ca. 20./21. Jh. (DE-588)102768856X edt Mayes, Catherine 1979- (DE-588)1053815972 edt Eastman studies in music V. 138 (DE-604)BV010127859 138 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029208876&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029208876&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Consuming music individuals, institutions, communities, 1730-1830 Eastman studies in music Introduction. - Music's First Consumers: Publishers in the Late Eighteenth Century. - Inside a Viennese Kunsthandlung: Artaria in 1784. - Morality and the "Fair-Sexing" of Telemann's Faithful Music Master. - Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print. - Musical Style as Commercial Strategy in Romantic Chamber Music. - In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century. - The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic. - Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824. - Parisian Opera between Commons and Commodity, ca. 1830. - Contributors. - Index Geschichte Music publishing History 18th century Music publishing History 19th century Musikleben (DE-588)4075128-4 gnd Musikkonsum (DE-588)4129542-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musikmarkt (DE-588)4396689-5 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4129542-0 (DE-588)4071776-8 (DE-588)4396689-5 (DE-588)4015701-5 (DE-588)4042483-2 (DE-588)4143413-4 |
| title | Consuming music individuals, institutions, communities, 1730-1830 |
| title_auth | Consuming music individuals, institutions, communities, 1730-1830 |
| title_exact_search | Consuming music individuals, institutions, communities, 1730-1830 |
| title_full | Consuming music individuals, institutions, communities, 1730-1830 edited by Emily H. Green and Catherine Mayes |
| title_fullStr | Consuming music individuals, institutions, communities, 1730-1830 edited by Emily H. Green and Catherine Mayes |
| title_full_unstemmed | Consuming music individuals, institutions, communities, 1730-1830 edited by Emily H. Green and Catherine Mayes |
| title_short | Consuming music |
| title_sort | consuming music individuals institutions communities 1730 1830 |
| title_sub | individuals, institutions, communities, 1730-1830 |
| topic | Geschichte Music publishing History 18th century Music publishing History 19th century Musikleben (DE-588)4075128-4 gnd Musikkonsum (DE-588)4129542-0 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musikmarkt (DE-588)4396689-5 gnd |
| topic_facet | Geschichte Music publishing History 18th century Music publishing History 19th century Musikleben Musikkonsum Geschlechterrolle Musikmarkt Europa Nordamerika Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029208876&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029208876&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV010127859 |
| work_keys_str_mv | AT greenemilyh consumingmusicindividualsinstitutionscommunities17301830 AT mayescatherine consumingmusicindividualsinstitutionscommunities17301830 |
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