Moving image theory: ecological considerations
Saved in:
| Format: | Electronic eBook |
|---|---|
| Language: | English |
| Published: |
Carbondale
Southern Illinois University Press
2007
|
| Subjects: | |
| Online Access: | FAW01 FAW02 |
| Item Description: | Print version record |
| Physical Description: | 1 online resource (xii, 253 pages) illustrations |
| ISBN: | 9780809387571 0809387573 1299754473 9781299754478 0809327465 9780809327461 |
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MARC
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| 245 | 1 | 0 | |a Moving image theory |b ecological considerations |c edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
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| 505 | 8 | |a Part One. Information Available in Moving Images: 1. Perceiving Scenes in Film and in the World / James E. Cutting ; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art / Robert E. Shaw and William M. Mace -- Part Two. Perception of Simulated Human Motion: 3. Creating Realistic Motion / Jessica K. Hodgins, James F. O'Brien, Nancy S. Pollard, Robert Sumner, Wayne L. Wooten, Gary Yngve, and Victor Zordan ; 4. Perceiving Human Motion in Synthesized Images / Joseph D. Anderson and Jessica K. Hodgins -- Part Three. Acoustic Events: 5. Background Tracks in Recent Cinema / Charles Eidsvik ; 6. Acoustic Specification of Object Properties / Claudia Carello, Jeffrey B. Wagman, and Michael T. Turvey -- Part Four. Information in Facial Expression: 7. Three Views of Facial Expression and Its Understanding in the Cinema / Ed S. Tan ; 8. Facial Motion as a Cue to Identity / Karen Lander and Vicki Bruce -- Part Five. Coupling of Perception and Emotion: 9. Film Lighting and Mood / Torben Kragh Grodal ; 10. Cinematic Creation of Emotion / Dolf Zillmann -- Part Six. Appeals of Reality-Based Moving Images: 11. Documentary's Peculiar Appeals / Dirk Eitzen ; 12. Reality Programming: Evolutionary Models of Film and Television Viewership / William Evans -- Part Seven. Events, Symbols, and Metaphors: 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality / Sheena Rogers ; 14. Metaphors in Movies / John M. Kennedy and Dan Chiappe | |
| 505 | 8 | |a Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions about cinema, Moving Image Theory: Ecological Considerations looks at film through its communication properties rather than its social or political implications. Drawing on the tenets of James J. Gibson's ecological theory of visual perception, the fifteen essays and forty-one illustrations gathered here by editors Joseph D. Anderson and Barbara Fisher Anderson offer a new understanding of how moving images are seen and understood.<B. | |
| 650 | 7 | |a PSYCHOLOGY / Social Psychology |2 bisacsh | |
| 650 | 7 | |a Motion picture audiences / Psychology |2 fast | |
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| contents | Part One. Information Available in Moving Images: 1. Perceiving Scenes in Film and in the World / James E. Cutting ; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art / Robert E. Shaw and William M. Mace -- Part Two. Perception of Simulated Human Motion: 3. Creating Realistic Motion / Jessica K. Hodgins, James F. O'Brien, Nancy S. Pollard, Robert Sumner, Wayne L. Wooten, Gary Yngve, and Victor Zordan ; 4. Perceiving Human Motion in Synthesized Images / Joseph D. Anderson and Jessica K. Hodgins -- Part Three. Acoustic Events: 5. Background Tracks in Recent Cinema / Charles Eidsvik ; 6. Acoustic Specification of Object Properties / Claudia Carello, Jeffrey B. Wagman, and Michael T. Turvey -- Part Four. Information in Facial Expression: 7. Three Views of Facial Expression and Its Understanding in the Cinema / Ed S. Tan ; 8. Facial Motion as a Cue to Identity / Karen Lander and Vicki Bruce -- Part Five. Coupling of Perception and Emotion: 9. Film Lighting and Mood / Torben Kragh Grodal ; 10. Cinematic Creation of Emotion / Dolf Zillmann -- Part Six. Appeals of Reality-Based Moving Images: 11. Documentary's Peculiar Appeals / Dirk Eitzen ; 12. Reality Programming: Evolutionary Models of Film and Television Viewership / William Evans -- Part Seven. Events, Symbols, and Metaphors: 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality / Sheena Rogers ; 14. Metaphors in Movies / John M. Kennedy and Dan Chiappe Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions about cinema, Moving Image Theory: Ecological Considerations looks at film through its communication properties rather than its social or political implications. Drawing on the tenets of James J. Gibson's ecological theory of visual perception, the fifteen essays and forty-one illustrations gathered here by editors Joseph D. Anderson and Barbara Fisher Anderson offer a new understanding of how moving images are seen and understood.<B. |
| ctrlnum | (ZDB-4-EBA)ocn859155918 (OCoLC)859155918 (DE-599)BVBBV043785230 |
| dewey-full | 302.23/43 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23/43 |
| dewey-search | 302.23/43 |
| dewey-sort | 3302.23 243 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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| id | DE-604.BV043785230 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:35:03Z |
| institution | BVB |
| isbn | 9780809387571 0809387573 1299754473 9781299754478 0809327465 9780809327461 |
| language | English |
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| physical | 1 online resource (xii, 253 pages) illustrations |
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| spelling | Moving image theory ecological considerations edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell Carbondale Southern Illinois University Press 2007 1 online resource (xii, 253 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Print version record Part One. Information Available in Moving Images: 1. Perceiving Scenes in Film and in the World / James E. Cutting ; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art / Robert E. Shaw and William M. Mace -- Part Two. Perception of Simulated Human Motion: 3. Creating Realistic Motion / Jessica K. Hodgins, James F. O'Brien, Nancy S. Pollard, Robert Sumner, Wayne L. Wooten, Gary Yngve, and Victor Zordan ; 4. Perceiving Human Motion in Synthesized Images / Joseph D. Anderson and Jessica K. Hodgins -- Part Three. Acoustic Events: 5. Background Tracks in Recent Cinema / Charles Eidsvik ; 6. Acoustic Specification of Object Properties / Claudia Carello, Jeffrey B. Wagman, and Michael T. Turvey -- Part Four. Information in Facial Expression: 7. Three Views of Facial Expression and Its Understanding in the Cinema / Ed S. Tan ; 8. Facial Motion as a Cue to Identity / Karen Lander and Vicki Bruce -- Part Five. Coupling of Perception and Emotion: 9. Film Lighting and Mood / Torben Kragh Grodal ; 10. Cinematic Creation of Emotion / Dolf Zillmann -- Part Six. Appeals of Reality-Based Moving Images: 11. Documentary's Peculiar Appeals / Dirk Eitzen ; 12. Reality Programming: Evolutionary Models of Film and Television Viewership / William Evans -- Part Seven. Events, Symbols, and Metaphors: 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality / Sheena Rogers ; 14. Metaphors in Movies / John M. Kennedy and Dan Chiappe Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions about cinema, Moving Image Theory: Ecological Considerations looks at film through its communication properties rather than its social or political implications. Drawing on the tenets of James J. Gibson's ecological theory of visual perception, the fifteen essays and forty-one illustrations gathered here by editors Joseph D. Anderson and Barbara Fisher Anderson offer a new understanding of how moving images are seen and understood.<B. PSYCHOLOGY / Social Psychology bisacsh Motion picture audiences / Psychology fast Motion pictures / Psychological aspects fast Film swd Psychologie swd Zuschauer swd Film Psychologie Motion pictures Psychological aspects Motion picture audiences Psychology Zuschauer (DE-588)4127324-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Psychologie (DE-588)4047704-6 gnd rswk-swf Film (DE-588)4017102-4 s Zuschauer (DE-588)4127324-2 s Psychologie (DE-588)4047704-6 s 1\p DE-604 Anderson, Joseph 1940- Sonstige oth Anderson, Barbara Fisher 1951- Sonstige oth Erscheint auch als Druck-Ausgabe Moving image theory 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Moving image theory ecological considerations Part One. Information Available in Moving Images: 1. Perceiving Scenes in Film and in the World / James E. Cutting ; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art / Robert E. Shaw and William M. Mace -- Part Two. Perception of Simulated Human Motion: 3. Creating Realistic Motion / Jessica K. Hodgins, James F. O'Brien, Nancy S. Pollard, Robert Sumner, Wayne L. Wooten, Gary Yngve, and Victor Zordan ; 4. Perceiving Human Motion in Synthesized Images / Joseph D. Anderson and Jessica K. Hodgins -- Part Three. Acoustic Events: 5. Background Tracks in Recent Cinema / Charles Eidsvik ; 6. Acoustic Specification of Object Properties / Claudia Carello, Jeffrey B. Wagman, and Michael T. Turvey -- Part Four. Information in Facial Expression: 7. Three Views of Facial Expression and Its Understanding in the Cinema / Ed S. Tan ; 8. Facial Motion as a Cue to Identity / Karen Lander and Vicki Bruce -- Part Five. Coupling of Perception and Emotion: 9. Film Lighting and Mood / Torben Kragh Grodal ; 10. Cinematic Creation of Emotion / Dolf Zillmann -- Part Six. Appeals of Reality-Based Moving Images: 11. Documentary's Peculiar Appeals / Dirk Eitzen ; 12. Reality Programming: Evolutionary Models of Film and Television Viewership / William Evans -- Part Seven. Events, Symbols, and Metaphors: 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality / Sheena Rogers ; 14. Metaphors in Movies / John M. Kennedy and Dan Chiappe Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions about cinema, Moving Image Theory: Ecological Considerations looks at film through its communication properties rather than its social or political implications. Drawing on the tenets of James J. Gibson's ecological theory of visual perception, the fifteen essays and forty-one illustrations gathered here by editors Joseph D. Anderson and Barbara Fisher Anderson offer a new understanding of how moving images are seen and understood.<B. PSYCHOLOGY / Social Psychology bisacsh Motion picture audiences / Psychology fast Motion pictures / Psychological aspects fast Film swd Psychologie swd Zuschauer swd Film Psychologie Motion pictures Psychological aspects Motion picture audiences Psychology Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd Psychologie (DE-588)4047704-6 gnd |
| subject_GND | (DE-588)4127324-2 (DE-588)4017102-4 (DE-588)4047704-6 |
| title | Moving image theory ecological considerations |
| title_auth | Moving image theory ecological considerations |
| title_exact_search | Moving image theory ecological considerations |
| title_full | Moving image theory ecological considerations edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
| title_fullStr | Moving image theory ecological considerations edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
| title_full_unstemmed | Moving image theory ecological considerations edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
| title_short | Moving image theory |
| title_sort | moving image theory ecological considerations |
| title_sub | ecological considerations |
| topic | PSYCHOLOGY / Social Psychology bisacsh Motion picture audiences / Psychology fast Motion pictures / Psychological aspects fast Film swd Psychologie swd Zuschauer swd Film Psychologie Motion pictures Psychological aspects Motion picture audiences Psychology Zuschauer (DE-588)4127324-2 gnd Film (DE-588)4017102-4 gnd Psychologie (DE-588)4047704-6 gnd |
| topic_facet | PSYCHOLOGY / Social Psychology Motion picture audiences / Psychology Motion pictures / Psychological aspects Film Psychologie Zuschauer Motion pictures Psychological aspects Motion picture audiences Psychology |
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