Brown boys and rice queens: spellbinding performance in the Asias
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
New York University Press
[2014]
|
| Schriftenreihe: | Sexual cultures
|
| Schlagworte: |
Queer theory
> Asia
> Case studies
> Sex role
> Asia
> Case studies
> Orientalism
> Case studies
> Postcolonialism
> Asia
> Case studies
|
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xxii, 233 pages) illustrations |
| ISBN: | 0814760562 9780814760567 9780814760895 0814760899 9780814759400 0814759408 |
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| 505 | 8 | |a "A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around "Asian performance." Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series"-- | |
| 505 | 8 | |a Cover; Contents; Preface: The Queer Genesis of a Project; Acknowledgments; Introduction: Tropic Spells, Performance, and the Native Boy; 1. A Colonial Dyad in Balinese Performance; 2. The Global Asian Queer Boys of Singapore; 3. G.A.P. Drama, or The Gay Asian Princess Goes to the United States; Conclusion: Toward a Minor-Native Epistemology in Transcolonial Borderzones; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z; About the Author | |
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| 650 | 7 | |a SOCIAL SCIENCE / Popular Culture |2 bisacsh | |
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| 650 | 7 | |a Race relations |2 fast | |
| 650 | 7 | |a Sex role |2 fast | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Lim, Eng-Beng 1973- |
| author_facet | Lim, Eng-Beng 1973- |
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| contents | "A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around "Asian performance." Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series"-- Cover; Contents; Preface: The Queer Genesis of a Project; Acknowledgments; Introduction: Tropic Spells, Performance, and the Native Boy; 1. A Colonial Dyad in Balinese Performance; 2. The Global Asian Queer Boys of Singapore; 3. G.A.P. Drama, or The Gay Asian Princess Goes to the United States; Conclusion: Toward a Minor-Native Epistemology in Transcolonial Borderzones; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z; About the Author |
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| dewey-full | 305.3095 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 305 - Groups of people |
| dewey-raw | 305.3095 |
| dewey-search | 305.3095 |
| dewey-sort | 3305.3095 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series"--</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Cover; Contents; Preface: The Queer Genesis of a Project; Acknowledgments; Introduction: Tropic Spells, Performance, and the Native Boy; 1. A Colonial Dyad in Balinese Performance; 2. The Global Asian Queer Boys of Singapore; 3. G.A.P. 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| indexdate | 2024-07-10T07:35:00Z |
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| series2 | Sexual cultures |
| spelling | Lim, Eng-Beng 1973- Verfasser aut Brown boys and rice queens spellbinding performance in the Asias Eng-Beng Lim New York New York University Press [2014] © 2014 1 online resource (xxii, 233 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Sexual cultures Print version record "A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around "Asian performance." Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series"-- Cover; Contents; Preface: The Queer Genesis of a Project; Acknowledgments; Introduction: Tropic Spells, Performance, and the Native Boy; 1. A Colonial Dyad in Balinese Performance; 2. The Global Asian Queer Boys of Singapore; 3. G.A.P. Drama, or The Gay Asian Princess Goes to the United States; Conclusion: Toward a Minor-Native Epistemology in Transcolonial Borderzones; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z; About the Author Geschichte gnd rswk-swf Asia / Race relations / Case studies Orientalism / Case studies Postcolonialism / Asia / Case studies Queer theory / Asia / Case studies Sex role / Asia / Case studies SOCIAL SCIENCE / Customs & Traditions bisacsh SOCIAL SCIENCE / Gender Studies bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Orientalism fast Postcolonialism fast Queer theory fast Race relations fast Sex role fast Queer theory Asia Case studies Sex role Asia Case studies Orientalism Case studies Postcolonialism Asia Case studies Homosexualität Motiv (DE-588)4122204-0 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Asien Asien (DE-588)4003217-6 gnd rswk-swf (DE-588)4522595-3 Fallstudiensammlung gnd-content Asien (DE-588)4003217-6 g Homosexualität Motiv (DE-588)4122204-0 s Performance Künste (DE-588)4173750-7 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe Lim, Eng-Beng, 1973- Brown boys and rice queens 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lim, Eng-Beng 1973- Brown boys and rice queens spellbinding performance in the Asias "A transnational study of Asian performance shaped by the homoerotics of orientalism, Brown Boys and Rice Queens focuses on the relationship between the white man and the native boy. Eng-Beng Lim unpacks this as the central trope for understanding colonial and cultural encounters in 20th and 21st century Asia and its diaspora. Using the native boy as a critical guide, Lim formulates alternative readings of a traditional Balinese ritual, postcolonial Anglophone theatre in Singapore, and performance art in Asian America. Tracing the transnational formation of the native boy as racial fetish object across the last century, Lim follows this figure as he is passed from the hands of the colonial empire to the postcolonial nation-state to neoliberal globalization. Read through such figurations, the traffic in native boys among white men serves as an allegory of an infantilized and emasculated Asia, subordinate before colonial whiteness and modernity. Pushing further, Lim addresses the critical paradox of this entrenched relationship that resides even within queer theory itself by formulating critical interventions around "Asian performance." Eng-Beng Lim is Assistant Professor of Theatre Arts and Performance Studies at Brown University, and a faculty affiliate of the Center for the Study of Race and Ethnicity, Department of East Asian Studies, and Department of American Studies. He is also a Gender and Sexuality Studies board member at the Pembroke Center for Teaching and Research on Women. In the Sexual Cultures series"-- Cover; Contents; Preface: The Queer Genesis of a Project; Acknowledgments; Introduction: Tropic Spells, Performance, and the Native Boy; 1. A Colonial Dyad in Balinese Performance; 2. The Global Asian Queer Boys of Singapore; 3. G.A.P. Drama, or The Gay Asian Princess Goes to the United States; Conclusion: Toward a Minor-Native Epistemology in Transcolonial Borderzones; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z; About the Author Asia / Race relations / Case studies Orientalism / Case studies Postcolonialism / Asia / Case studies Queer theory / Asia / Case studies Sex role / Asia / Case studies SOCIAL SCIENCE / Customs & Traditions bisacsh SOCIAL SCIENCE / Gender Studies bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Orientalism fast Postcolonialism fast Queer theory fast Race relations fast Sex role fast Queer theory Asia Case studies Sex role Asia Case studies Orientalism Case studies Postcolonialism Asia Case studies Homosexualität Motiv (DE-588)4122204-0 gnd Performance Künste (DE-588)4173750-7 gnd |
| subject_GND | (DE-588)4122204-0 (DE-588)4173750-7 (DE-588)4003217-6 (DE-588)4522595-3 |
| title | Brown boys and rice queens spellbinding performance in the Asias |
| title_auth | Brown boys and rice queens spellbinding performance in the Asias |
| title_exact_search | Brown boys and rice queens spellbinding performance in the Asias |
| title_full | Brown boys and rice queens spellbinding performance in the Asias Eng-Beng Lim |
| title_fullStr | Brown boys and rice queens spellbinding performance in the Asias Eng-Beng Lim |
| title_full_unstemmed | Brown boys and rice queens spellbinding performance in the Asias Eng-Beng Lim |
| title_short | Brown boys and rice queens |
| title_sort | brown boys and rice queens spellbinding performance in the asias |
| title_sub | spellbinding performance in the Asias |
| topic | Asia / Race relations / Case studies Orientalism / Case studies Postcolonialism / Asia / Case studies Queer theory / Asia / Case studies Sex role / Asia / Case studies SOCIAL SCIENCE / Customs & Traditions bisacsh SOCIAL SCIENCE / Gender Studies bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Orientalism fast Postcolonialism fast Queer theory fast Race relations fast Sex role fast Queer theory Asia Case studies Sex role Asia Case studies Orientalism Case studies Postcolonialism Asia Case studies Homosexualität Motiv (DE-588)4122204-0 gnd Performance Künste (DE-588)4173750-7 gnd |
| topic_facet | Asia / Race relations / Case studies Orientalism / Case studies Postcolonialism / Asia / Case studies Queer theory / Asia / Case studies Sex role / Asia / Case studies SOCIAL SCIENCE / Customs & Traditions SOCIAL SCIENCE / Gender Studies SOCIAL SCIENCE / Popular Culture Orientalism Postcolonialism Queer theory Race relations Sex role Queer theory Asia Case studies Sex role Asia Case studies Orientalism Case studies Postcolonialism Asia Case studies Homosexualität Motiv Performance Künste Asien Fallstudiensammlung |
| work_keys_str_mv | AT limengbeng brownboysandricequeensspellbindingperformanceintheasias |