Emir Kusturica:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Urbana
University of Illinois Press
2014
|
| Series: | Contemporary film directors
|
| Subjects: | |
| Online Access: | FAW01 FAW02 |
| Item Description: | Print version record |
| Physical Description: | 1 online resource |
| ISBN: | 9780252096853 0252096851 9780252038891 0252038894 9780252080449 0252080440 |
Staff View
MARC
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Record in the Search Index
| _version_ | 1804176615501987840 |
|---|---|
| any_adam_object | |
| author | Bertellini, Giorgio 1967- |
| author_facet | Bertellini, Giorgio 1967- |
| author_role | aut |
| author_sort | Bertellini, Giorgio 1967- |
| author_variant | g b gb |
| building | Verbundindex |
| bvnumber | BV043783487 |
| collection | ZDB-4-EBA |
| contents | "Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester. Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism. Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema"-- |
| ctrlnum | (ZDB-4-EBA)ocn895260073 (OCoLC)895260073 (DE-599)BVBBV043783487 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre_facet | Bibliografie Biografie Werkverzeichnis |
| id | DE-604.BV043783487 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:00Z |
| institution | BVB |
| isbn | 9780252096853 0252096851 9780252038891 0252038894 9780252080449 0252080440 |
| language | English |
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| oclc_num | 895260073 |
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| publishDate | 2014 |
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| publisher | University of Illinois Press |
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| series2 | Contemporary film directors |
| spelling | Bertellini, Giorgio 1967- Verfasser aut Emir Kusturica by Giorgio Bertellini Urbana University of Illinois Press 2014 1 online resource txt rdacontent c rdamedia cr rdacarrier Contemporary film directors Print version record "Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester. Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism. Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema"-- Kusturica, Emir Kusturica, Emir fast Kusturica, Emir Criticism and interpretation Kusturica, Emir 1955- (DE-588)120132079 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / Direction & Production bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh PERFORMING ARTS / Reference bisacsh Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4006432-3 Bibliografie gnd-content 2\p (DE-588)4006804-3 Biografie gnd-content 3\p (DE-588)4189680-4 Werkverzeichnis gnd-content Kusturica, Emir 1955- (DE-588)120132079 p Film (DE-588)4017102-4 s 4\p DE-604 Erscheint auch als Druck-Ausgabe Bertellini, Giorgio, 1967- Emir Kusturica 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bertellini, Giorgio 1967- Emir Kusturica "Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester. Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism. Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema"-- Kusturica, Emir Kusturica, Emir fast Kusturica, Emir Criticism and interpretation Kusturica, Emir 1955- (DE-588)120132079 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / Direction & Production bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh PERFORMING ARTS / Reference bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)120132079 (DE-588)4017102-4 (DE-588)4006432-3 (DE-588)4006804-3 (DE-588)4189680-4 |
| title | Emir Kusturica |
| title_auth | Emir Kusturica |
| title_exact_search | Emir Kusturica |
| title_full | Emir Kusturica by Giorgio Bertellini |
| title_fullStr | Emir Kusturica by Giorgio Bertellini |
| title_full_unstemmed | Emir Kusturica by Giorgio Bertellini |
| title_short | Emir Kusturica |
| title_sort | emir kusturica |
| topic | Kusturica, Emir Kusturica, Emir fast Kusturica, Emir Criticism and interpretation Kusturica, Emir 1955- (DE-588)120132079 gnd PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / Direction & Production bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh PERFORMING ARTS / Reference bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Kusturica, Emir Kusturica, Emir Criticism and interpretation Kusturica, Emir 1955- PERFORMING ARTS / Film & Video / History & Criticism PERFORMING ARTS / Film & Video / Direction & Production BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts PERFORMING ARTS / Reference Film Bibliografie Biografie Werkverzeichnis |
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